A Beloved Poetic Moon in Second Life

Poetic Moon, January 2025 – click any image for full size

Beloved is the name Anu Papp has given to the latest setting presented on her Homestead region of Poetic Moon. Designed by Dandy Warhlol (Terry Fotherington), the setting is – to me, and for various reasons – potentially one of the best he has produced thus far.

There is a genuine and natural flow to the landscape which is captivating, and the placement of building and structure within it, the form of the island, just draws the eye through it, offering both a photogenic beauty and a sense of tranquillity and wholeness with nature, the industrial elements scattered about notwithstanding.

Poetic Moon, January 2025

A creative talent herself, Anu is perhaps best known for founding and leading the Muse Dance Company, however in-world she is also a designer, photographer-artist and builder. These are all talents reflective of her physical life presence and talents, which extend into music, spiritualism, yoga and more, as noted within her Second Life Spotlight article, published in May 2023. All of this is also reflected somewhat within Beloved.

The setting itself forms a rugged temperate island, its coastline mostly cliffs of hardened rock or softer sandstone, the later carved by time and tide into shallow bays or ribbons of low-lying shoreline. Whilst hardly what one might call beachy, the latter offer opportunities to walk alongside the push and pull of the tide, splash through pools of seawater temporarily cut off from the rest of the waters surrounding the island.

Poetic Moon, January 2025

This is a place with a high water table of its own – across its rugged back are two large and one smaller bodies of water (one of which carried subtle hints of perhaps being man-made rather than a natural occurrence. It is close to the largest of these bodies of water that the Landing Point is located (although it is not enforced), and it was on arrival that I immediately felt a comforting sense of Deja-vu; despite it being my first visit to the setting, I felt I knew it. As I cammed around, I quickly realised why: with the windswept ruggedness, the large body of water with a trail running alongside it, Beloved bought to mind an old-time favourite those who are long in the tooth (like me) might recall): Roche.

Now, to be clear, there is nothing intrinsically linking the two designs; in fact when taken as a whole, there are utterly different; but the fact that Beloved did bring memories of my multiple visits to Roche between 2012 and 2015 nevertheless gave me a sense of belonging as I started to explore Beloved.  Many of the buildings scattered across Beloved perhaps aided that sense of the familiar with me, again not because of any similarities with Roche, but because they offered a similar sense of space between them, a space visitors can wander and absorb in quite solitude or in company.

Poetic Moon, January 2025

Anu has a love for the works of Jalāl al-Dīn Muḥammad Rūmī, the 3th-century poet, scholar, theologian and mystic; she quotes him in her Profile and with Beloved, she offers part of A Great Wagon, a poem associated with spiritual growth.  In particular, the verses she has selected offer with might be considered a pivotal truth on the journey to spiritual awareness: that we are not human beings sometimes having moments of spiritual experience; we are spiritual beings travelling through a human experience.

In stating this truth, Rūmī, notes that as humans, we function in dualities: beauty and ugliness; truth and and lies; good and bad; black and white; and this duality of mode is the cause of all our conflicts. But as spiritual beings, we should recognise that nothing is either one or the other; that within the void of being, everything flows – there is no black and white to divide us; no sectioning of thoughts or emotions, we are simply one.

Poetic Moon, January 2025

This is a concept that can get the grey matter working overtime to try to understand – and in this, Beloved is an ideal place in which to consider Rūmī’s words and the notions of self and oneness. As well as the region’s rugged beauty, there are multiple places to sit in contemplation, listen to the local sounds, to enjoy the ebb and flow of the waters surrounding the island – and the ebb and flow of shared company, if desired. Places where we can – as Rūmī might have put it – see beyond our physical bodies and understand our true essence as beings of the spirit.

In acknowledgement of this, and  – if I might be so presumptuous – I would add to Anu’s use of the poem, I would perhaps offer a further quote:

In the body of the world, they say, there is a soul
and you are that.
But we have ways within each other
that will never be said by anyone.
Poetic Moon, January 2025

For those who prefer to focus on the region’s picturesque beauty, there is certainly no disappointment to be had. Dandy’s attention to detail here is superb, with many touches to draw the eye and the camera lens, from the cost interior of the brick cabin by the lake through the egrets gathered above the northern cliffs to the little birds gathered on a powerline  – something which might, except for the absence of a shoebill, put some in mind of a certain Pixar short and thus raise a smile – and more besides.

An engaging and visual setting, ideal for exploration, contemplation and appreciation – kudos to Anu and to Dandy – and my thanks to Susann De Cuir for the hat-tip.

Poetic Moon, January 2025

SLurl Details

  • Beloved (Poetic Moon, rated Moderate)

Luminara: reflection and introspection in Second Life

Luminara, January 2025 – click any image for full size

Luminara is a Full region lovingly designed by Sedona (Sedona Starchild) to offer the peace and tranquillity of a woodland setting, mixed with touches of whimsy, all of which offer might offer more than first appears to be the case, as the setting’s entry in the Destination Guide hints.

Luminara is a space created with care, where every detail holds a deeper meaning if you’re open to it. You’ll find mirrors, keys, and other interactive elements designed to spark reflection; alongside peaceful surroundings meant to calm the mind. Whether you uncover deeper insights or simply enjoy the beauty of nature, may your time here feel meaningful in its own way.

– Luminara’s Destination Guide description

Luminara, January 2025

However, this description barely scratches the depth of meaning one might find within the region, because this a a setting of a very personal nature. It is both a reflection of Sedona’s journey through life and a visualisation of the kind of questions many (all?) of us may ask when all the noise, bustle and distractions of everyday living fade into the background, and we have the time to contemplate is this all I am?

This isn’t just a virtual space; it’s a piece of my heart, filled with the thoughts and questions that have shaped me. Every detail, every message, holds something I’ve discovered along the way.
I want to be honest: part of me created this space to connect, to feel seen, and to share something meaningful with others. There’s a vulnerability in opening up my inner world, and I’ve come to accept that my motivations aren’t always selfless. But my deepest hope is that Luminara offers you something—a moment of reflection, a sense of peace, or even a little inspiration to take with you.

– Sedona Starchild

Luminara, January 2025

The Landing Point sits on the west side of the region. Close by is a general information board providing hints about exploring the setting, and also a Greeter which should offer you group membership together with a notecard from Sedona. If these are not offered then touch the mirror sitting alongside the tree above the noticeboard. Standing opposite the footpath is a deck with an over-the-water view and a tree of wisdom “sharing insights inspired by Naval Ravikant”.

The path here runs north-south, with another arm running inland. Which you take is entirely up to you: just be sure to keep an eye out for the mirrors and keys along whichever route you take – and other items and creatures offering themselves as advisors or presenting opportunities of reflection, introspection and / or affirmation.

Luminara, January 2025

Whilst contiguous in nature and presenting a  naturally flowing landscape, the region is designed such various locations within it have a sense of privacy and seclusion such that they are both a part of the whole and also apart from it. This is achieved through the use of curtain walls of rock, bodies of water, screens of trees and bushes, and considered use of elevation. EEP settings are also used to offer environments in keeping with aspects of the region – so be sure to have Used Shared Environment checked.

The paths winding through the region will lead you to the majority of the locations to be found within it; however, I’m not going to describe everything the region offers here; a major part of Luminara is that of discovery both in terms of personal discovery through the aforementioned mirrors, keys and advisors, and in terms of the beauty of region itself.

Luminara, January 2025

That said, some of the more obvious areas to look out for include the Luminara swamp with its summer house; the open-air theatre, the music deck built over one of the bodies of water and which has sitting alongside it a modern lounge in the form of the Scarlet Creative Hoxton Loft, while the deck itself offers access to a more secret hideaway for those who can find it.

Elsewhere there are follies where couples and individuals might dance, a hilltop retreat, a terraced pool, and places to sit under trees, on the water, alongside the coastline, most of which will be found as one wanders the paths an trails, whilst the Tatra Dance circle holds a particular magic.

Luminara, January 2025

Throughout all of this are the touches of detail and whimsy which both bring a smile to the lips and perhaps offer further symbolism. The former might be found on the water, where racoons are enjoying themselves with a little skinny dipping (or is that furry dipping?) whilst taking a trip on a little rowing boat. Elsewhere unicorns add a sense of dream whilst deer, foxes, bear  and rabbits might be found throughout the landscape.

The whimsy comes in many forms, some clearly intended to attract attention and stir the brain cells – such as the White Rabbit; others are more curious, such as the figure rising from the water near the music deck – it is simply seeking Seymour, or indicative of disquieting thoughts  and reflections? You decide.

Luminara, January 2025

Finished with a subtle soundscape, Luminara presents an engaging, richly evocative and through-provoking setting with multiple opportunities for discovery and exploration. It is also a place given to evolution as well – and as much about what we put into it as find within it, as Sedona notes. So, ensure your curiosity is engaged with dropping in.

SLurl Details

Loch Tredach Inn and Retreat in Second Life

Loch Tredach Inn & Retreat, December 2024 – click any image for full size

Loch Tredach Inn & Retreat is a Full region leveraging the Land Capacity bonus offered by Linden Lab. It is held by Isabelle Larkspur, who is largely responsible for the region’s design and for most of it being available as a public venue. I caveat things here because most of the north-eastern quarter of the region is given over to a private home and extensive grounds, which means it is both private and the landscape is their own.

Given that this part of the region is a private residence, it will play no further role in this article, other than to note it is possible to accidently wander into the property from the north side of the rest of the region – which is open to the public throughout – without spotting the signs warning of the private property. Should you witness a change in the local environment as you explore the ruins beyond the Aviary, you will know you have crossed the property boundary and at risk of trespass.

Loch Tredach Inn & Retreat, December 2024

But that said, even in respecting the privacy of those living in the region, the rest of the setting offers a lot to see and appreciate, bringing together as it does a mix of wild countryside, mystical locations, romance and opportunities for skating, dancing and simply relaxing. At the time of my visit, the region was dressed for winter, and as it was my first visit, I have no idea if only the seasons change here through the year, or if the majority of the region goes through periodic re-dressing; that’s something I’ll have to find out in the future!

Welcome to the enchanting Loch Tredach Inn and Retreat – a place where romance, vibrancy, and magic come together to create unforgettable memories. Step into a realm where every corner is a canvas waiting to be painted with the hues of love and joy. Capture the essence of the season. Every nook and cranny offers a picturesque backdrop for your lens to capture candid moments, from secluded gardens to the mystical ruins.

– from the Loch Tredach Inn & Retreat Destination Guide entry

Loch Tredach Inn & Retreat, December 2024

The Landing Point sits towards the centre of the region, on the west bank of a frozen lake where snow falls in mist-like sheets, and a pavilion sits out over the frozen water, held up by stout wooden legs oblivious to the cold, and a fire in the hearth awaits the opportunity to warm cold fingers as it provides  further cosiness to the pavilion’s genteel comfort. A somewhat Dwarven-looking Santa stand stands at the pavilion’s  boardwalk, ready to offer skates to those wising to take to the ice.

From here, it is a short walk south and over a bridge spanning the bubbling stream that feed the lake to reach the inn of the setting’s title, its red timbers announcing the promise of warmth and comfort inside. Nestled between the inn and a shoulder of the curtain walls of rock that run from here to the west and then northward along the coast sits another pavilion, this one fully enclosed by tall glass windows and doors, the home of a hot tub ready for use by guests at the inn.

Loch Tredach Inn & Retreat, December 2024

A path from here runs towards the western rocks, and following it gives explorers the choice of crossing another bridge and heading north, or turning south over the snow and into the arms of the cliffs, where a romantic little hideaway overlooks the stream’s high falls, the tumbling waters offering a rainbow to visitors.

Meanwhile, the route north passes steps leading down to snowy shelf of rock with chairs drawn close against a blazing brazier, and onwards to where a folly presents a bookworm’s retreat – although the weather might be a tad cold for wintertime use; just as well, then, that another pavilion stands close by with a fire of its own, and comfortable seating where books might be reasonably carried and read.

Loch Tredach Inn & Retreat, December 2024

Beyond this, the path passes through a rocky hallway to arrive back close to the Landing Point. A round folly stands close by, looking down on the lake as it guards the entrance to the setting’s more mystical elements. Here, trees bend their backs to present an aisled walkway passing between rock wall and gentle slope to arrive at a beautiful venue suitable for a range of events – and which I believe I’m correct in saying is available for hire by those seeking somewhere special for a party or wedding or similar.  Stone steps climb from the terrace overlooking this space to reach a mirror pond surrounded by crystal walls, within which more steps rise upwards through the clouds, presenting if not a stairway to heaven, then certainly one to a floating garden.

Overlooking the main venue with its flagstones serenely floating on the waters beneath and its beckoning ruins, sits the Aviary. Reached either by climbing another stairway rising up to it from the venue space or by climbing the slopes of the hill on which it sits from the Landing Point, the Aviary offers an indoor space suitable for a special events such as a wedding reception or more formal / romantic dance, and includes a terraced space outdoors with seating.

Loch Tredach Inn & Retreat, December 2024

As noted above, it is beyond the Aviary that the land belonging to the private residence commences, so explorers should proceed from it with caution.  This residence can also be reached via the trails on the south side of the island as they cross a high bridge to the east of the in.

Here the boundary between public spaces is more obvious, a pond and fast-flowing stream (which also tumbles its way down to the lake below) marking it for all eyes to see. Prior to reaching the stream, however, the path offers a chance to visit the local café and lighthouse.

LLoch Tredach Inn & Retreat, December 2024

With Itan dancing columns throughout, multiple places to sit  – not all of which are mentioned here – plus the general beauty of the setting, Loch Tredach Inn & Retreat makes for an ideal visit.

SLurl Details

A Calas Christmas 2024 in Second Life

Calas Galadhon Christmas 2024 – click any image for full size

So, Santa has (hopefully) made all his visits for 2024, and the year is marching to to close. However, for those seeking to retain the joy and excitement of Christmas can do little better than take a trip to the Calas Galadhon Christmas regions and embrace the warmth and fun offered by the three Calas Midwinter regions.

Following the general design seen in 2023, Tymus Tenk and Truck Meredith, together with the rest of the Calas Galadhon estate team, have once again bring forth a setting that offers opportunities for entertainment, ice skating, sleigh rides, balloon tours, horse riding and plenty of opportunities for photography.

Calas Galadhon Christmas 2024

As is common for the Calas seasonal regions, a visit commences high in the air at a crowd-clearing landing point, complete with a walk across an (Ant)Arctic setting to the teleport portal. However, in difference to previous years, rather then carrying you down to the regions proper, this will first deliver you to Santa’s workshop (follow the arrows!). Teleporting will require acceptance of the local Experience, but this only needs to be done once (and then only if you’ve not previously accepted it).

The workshop allows you to see Santa’s pixies and fairies and elves all hard at work (presumably getting up a good stock of toys, gifts and stocking fillers for Xmas 2025 now!). Santa himself is present, and will let you take a photo with him if you’re nice.

Calas Galadhon Christmas 2024

Beyond the workshop is the loading area, where presents and toys are stack ready for transfer to the outdoor loading bay for Santa’s sleigh – and it is out beyond the sleigh loading area is the second teleport portal that will transfer visitors down to the ground level.

To the south, the expanse of Midwinter 3 forms open countryside, here and there broken by woodlands, hills and water, ripe for exploration on foot or horseback (there is a horse rezzer for the latter just down the slope from the sleigh ride tours or you can add your own, if you have one). Also to be found within this region is a local Christmas Market, once again given a sense of life by static NPCs,  while the land and woods have a mix of wildlife. Tucked away within the hills and gorges of the southern extent of this region sits a teleport back up to Santa’s workshop.

Calas Galadhon Christmas 2024

The ground-level arrival point overlooks all three regions, being located up the uplands of MidWinter 2. As is usual with the Calas Christmas settings, this includes the traditional sleigh rides through all of the regions. Alongside of these is a landmark giver, which will present visitors with a notecard containing landmarks to the major locations within the regions, helpful for those who want to get somewhere quickly.

On the other side of the hill from the sleighs sit a couple of rezzers for skis and sleds, allowing visitor to scoot down the slope towards the southernmost region, thus giving a quick means to go exploring. Another new (I believe, as I don’t remember it from 2023 but could easily be wrong) is the cross-country ski tour. This requires membership of the Calas Group to obtain the skis alongside it (or you could try the skis from the rezzer close to the ground-level arrival point). Just sit on one of the two skiing pose balls and select the tour.

Calas Galadhon Christmas 2024

Of course, in the run-up to Christmas the Pavilion was the focal point for events, with the lake below it available for ice skating. The latter remains popular whilst the former now makes for a quiet visit with the Christmas events drawn to a close – and the portals remain for quick TP flips to various locations. There is once again seating all around the lakeside, and a nice little touch for this year is the Disney Island sitting out on the ice. Other attractions here include the balloon ride, the Calas Polar Express train, couples photo points, and indoor cuddles / conversations before the great fires in the Pavilion’s lounges.

As always, the Calas Galadhon Christmas regions offer a lot to see and enjoy – so make the most of them now to both continue your Christmas and holiday celebrations and before they once again vanish into the night for another year!

Calas Galadhon Christmas 2024

SLurl Details

Note that the Midwinter estate is rated Moderate.

A Feather Mantle in The Outer Garden, Second Life

The Outer Garden, December 2024 – click any image for full size

It has been just over two years since my last visit to Bisou Dexler’s The Outer Garden, a place of beauty and enigma, art and creative spark, and peace and contemplation. It’s a location which generally combines two settings, once which may change on a very subtle level from time to time / with the seasons, and the other often presenting something completely new.

The first of these settings is home to the main Landing Point. It is a sky platform occupied by the decaying hulk of a once grand manor house; one now with roofing gone and walls broken and cracked, and signs in places of attempts to rebuild. A long hallway stretches before arrivals, pointing the way to a distant stair climbing to a round window.

The Outer Garden, December 2024

Rooms sit to either side of this hallway, one to the right  two on the left. The first, and closest to the landing point, appears to have one been a grand chamber. Now flooded by the waters pouring in from the walls, it is a beautiful garden space, with a snowy floor (as with much of the rest of the building) and pools through which the water tumbles and poppies, lobster claw, cattails and herbs grow, and over which gnarled trees hang their boughs.

A hole in the wall here offers access to the remnants of another grand room, of which little is now left but for columned wall sections and a tumbled tower, its sides open to the snow-covered gardens wherein multiple attractions might be reached and numerous more opportunities for photography found. Or’ if preferred, tea might be taken within might have once been a further hall linking two wings of the now broken and tumbling house.

The Outer Garden, December 2024

Of the other rooms, one offers itself as a living space come boudoir; a place of music, art, and retreat, the jumbled furniture, floating balloons, musty books on their shelves and the detritus of a fallen ceiling and roof  giving it a sense of romantic charm. Beyond it sits what appears to have once been a private garden space or courtyard, separating the lounge / boudoir from the empty shell of the second room which can only be accessed from the grounds outside.

The long hall itself is (as ever) beautifully dressed and well frosted with winter, again offering multiple opportunities for photography. However, closest to the landing point is an introduction to the second setting within The Outer Garden, together with the first of two teleports leading to it. Simply sit at the mirror and select the option To Find Solace. On arrival, walk through the tunnel with its 3D representation of a garden from a Ukiyoe painting to where a trapeze artist’s ring hangs and you can teleport on to the main art installation (it doesn’t matter which of the listing destination options you choose.

The Outer Garden, December 2024

Your destination will be a gorgeous 3D representation of a traditional Japanese painting, one which draws on Hagoromo, one of the most-performed Japanese Noh (dramatic dance) plays. Subject to multiple adaptations over the centuries (including W.B. Yeats, who drew upon its story for his one act play, At the Hawk’s Well), it tells of s fisherman who, whilst out walking on a springtime night, happens upon the feather cloak of a tennin (an aerial spirit or celestial dancer) hanging on a tree bough.

Taking the hagoromo, the fisherman plans on keeping it as an heirloom; however, the tennin sees him with it and begs for him to return it to her, for without it she cannot return to the heavenly realms. taking it, and demands its return – for she cannot return to Heaven without it. At first, the fisherman refuses, but touched by the tennin’s sorrow, he relents: he will return the hagoromo to her – if she will show him her celestial dance.

The Outer Garden, December 2024

After hesitating in turn, the tennin agrees to his terms and she performs a symbolic dance honouring the Moon and its phases (represented by the number three, five and fifteen), before the fisherman returns her cloak to her, and she vanishes, “like a mountain slowly hidden in the mist”.

Within Bijou’s Hagoromo, elements of this story are present; there are fish to represent the fisherman, there’s the shoreline where he walked with his friends; little island sit on the water whilst the Moon can be seen in a number of symbolic forms. However, what is offered should not be taken as any literal interpretation of the play; rather, it is, as noted a 3D celebration of traditional Japanese art into which we can step and experience from within.

The Outer Garden, December 2024

Multiple places to sit are available for this, including what I’m going to calla “celestial cart” which can carry visitors around and through the painting.  To explore on foot, simply pass under the line of Torii gates and drop down to the level below, and then from there make your way around (and down) to where another mirror teleport will return you either to the Torri gates or back to the intermediary teleport point, with the mirror there taking you back to the main landing point.

Throughout all of this there is a sense of serenity to be found; wandering the halls of the house or along the covered walkways of the painting, there are no distractions of unnecessary sounds or music (which is not to say The Outer Garden is entirely without sound; rather sounds are restricted to where they need to be), allowing the mind to settle and appreciate without undue agitation.

The Outer Garden, December 2024

Magical.

Related Links

A touch of Decopunk and a Neverever Land in Second Life

Decopunk Metropolis, December 2024 – click any image for full size

Hera (zee9) opened a couple of new settings for people to enjoy in the run-up (and hopefully over) the holiday break (Hera’s builds do tend to vanish rapidly, so an early visit is always recommended!). Entitled respectively Decopunk Metropolis  and Neverever Land, they offer very different settings one to the other, with a hint of each of their natures given in their names. Both can be reached from the primary Landing Point, and given the introductory notecard to Decopunk Metropolis is offered at the Landing Point, I’m going to start with that setting.

Decopunk is one of the many offshoots of the original cyberpunk genre which have sprouted down the years. As the name might suggest it is centred around the art deco and Streamline Moderne art styles, folding into itself the likes of Fritz Lang’s Metropolis (1927) and 1991’s The Rocketeer. Technically a subset of dieselpunk (interwar period through to the 1950s), Decopunk remains firmly anchored in the period running through the 1920 to early 1930s.

Decopunk Metropolis, December 2024

All of this is presented in Decopunk Metropolis, which neatly echoes Hera’s Blade Runner / Drune style of design, in that we are placed within a city-style environment. However, it is one very different in styling and presentation; not Blade runner hints here; instead the references touch on Lang’s film whilst folding into itself physical-world Deco touches (perhaps most obviously New York City’s Chrysler Building).

Within it, and in difference to builds like Brutal City (which I wrote about here), there is no clearly defined “ground level”; the buildings rise from the mist, lit windows staring out like so many eyes, their upper reaches pillared and ornate, lit by streams of yellow falling along their flanks and spotlights thrown bright pools of light into the heavens, all watched over  by giant rooftop statues staring into the night.

Decopunk Metropolis, December 2024

Which is not to say the setting is without roads; they are most definitely present – they’re just as suspended as the buildings, ornate arches rising over them as if holding them aloft as they wind between (and through) the towers. Occupying two levels, they are linked via great vehicular elevators, with the lower level of roads offering three routes of exploration from the setting’s airport, the arrival zone for those coming from the main Landing Point.

Two of these roadway routes form a loop of which almost reaches completely around the setting. It is just cut short from doing so on the south-east corner of the city, where the road ends at one of the vehicular elevators mentioned above. The western around of the road, however, makes its way all the way around the city to a point directly opposite the airport. This is home to the Cortez Hotel, a place crowned by an ornate tower and also to be reached by taking the arrow-straight road also departing the airport to cut across the setting, north-to-south.

Decopunk Metropolis, December 2024

In making the crossing, the road bridge passes through the tallest building in the setting, which has a spire rising from it that looks almost as if it is expecting an airship to nuzzle up against it. This tower is also home to the Moka Efti lounge, with its very Chicago meets Cabaret vibe, and the local casino. These offer their own attractions and  – should you find them (it’s not hard) each offers a light-draped footbridge spanning the gulf between it and the east and west towers. Paralleling the road bridges, these each have a elevator station at their far ends waiting to take you to their particular points of interest, be it the apartment house high up on the eastern tower (and reach by way of taking the elevator up from the walkway to the road bridge, and then again up from their to the apartment), or to either / both of the Starlight Jazz Club and the Shanghai Dragon (again passing by way of the elevated road level).

Another way of getting around is via the local The Fifth Element style taxis; only rather than flying your from point-to-point a-la Corbin Dallas, these will whisk you around via teleporting. Just touch the taxi sign on a waiting cab and then pick a destination from the list. Those finding their way to the garage at the airport might also avail themselves of the motorbike that can be rezzed there, whilst also, and for the keen-eyed, there are various metal catwalks and stairways which may additionally lead to little places of interest, if followed and climbed.

Decopunk Metropolis, December 2024

Neverever Land, by contrast, offers a somewhat tropical setting, located at the region’s ground level. It is reached by way of the main landing point, and then an intermediary point, where more about the setting can be learned.

As might be guessed from the name, Neverever Land draws inspiration from Peter Pan – more J.M. Barrie than Disney – and the various additional works to which it has given rise. Comprising a series of interlinked islands set against a tropical back-drop, each of which contains setting based on both J.M. Barrie’s work whilst perhaps casting a wider net, the easiest way to describe this setting is that of a Neverland where the inhabitants are grown-up, but who have never quite lost touch with their spark of childhood sense of adventure and imagination.

Neverever Land, December 2024

This is actually setting which Hera last revealed in 2021, and which I wrote about in Hera’s Neverever Land in Second Life. however, as with all of Hera’s builds this in not just a rolling-out of something she’s had in-world before; there are differences. Perhaps the most noticeable of these – and one which extends to Decopunk Metropolis, is the use of AI NPCs.

These come in multiple forms throughout both settings – human, automaton, animal, bird – even, should you find it, a sandwich which has having an existential crisis concerning its purpose (being eaten) and its desire to continue (clue: look towards the left-hand end of the bar in Moka Efti). Hera started experimenting with AI scripted agents with the help and support of Kacey Stratton (in fact, one of the scripted agents from Brutal City pops-up in Decopunk Metropolis, but with a different persona.

Decopunk Metropolis, December 2024 – yours truly with one of the setting’s non-AI NPCs, the dancer Elly

I enjoyed my interactions with several of the character in the Brutal City build, but confess I didn’t gain the same level of enjoyment with the majority of the characters here; whereas the AIs at Brutal City were largely conversational in nature, I found the AIs at both Decopunk and Neverever Land too expositional in their multi-paragraph replies. In mentioning this to Hera, she indicated there had been an oversight in keeping the AI responses more constrained. Whilst unfortunate in the way it – for me – killed interaction, it most certainly does not spoil a visit.

Rounded out with a nicely curated audio mix on the audio stream that fits the Decopunk Metropolis setting perfectly, I thoroughly recommend the city as a place to visit, and Neverever Land as a nice addition.

SLurl Details