This Week in Second Life Dance

 

Statue

Hi there. R. Crap Mariner, your Dance Correspondent.

I’ll be posting dance performance schedules, similar to Inara’s posts about Seanchai Library readings. We’ll start with the weekend events for now, but if y’all want more, I can expand this to This Week in Second Life Dance.

Let’s get started…


All times SLT

FRIDAY, FEBRUARY 1

6:00PM ELYSIUM CABARET

Welcome to the Weekend!

If it’s Friday, it’s Elysium Cabaret! Fancy some imagination? In The Empire Room at Copperhead Road, every Friday at 6pm SLT the dynamic performers of Elysium Cabaret take the stage to bring you a solid hour of entertainment! Featuring elaborate sets and choreography sequenced to an eclectic genre of music, Elysium Cabaret offers something for everyone. Grab your friends and get their early because the sim fills. Come celebrate Friday! Welcome to the weekend!

SLURL: The Empire Room

NOTE: After the performer acts, there’s a participatory dance where the audience is invited to join on stage. As they say “In every avatar’s heart, there’s an Elysium Cabaret dancer!”

Empire Room - March 24 2017

SATURDAY, FEBRUARY 2

6:00PM WHYMSEE NOIR

Whymsee Noir Your Cabaret: Into the Depths Saturday For the Let’s Dance show, we trade in our sets for MORE dancing and LESS wait time between songs! There will be lots of wiggling, dancing, physics, and a little dazzle thrown in for good measure! Dance along with us or have a seat in our comfy chairs, we like it when you watch! No naked avatars, just dancing. Come to the show and see what all the fuss is about!

SLURL: Whymsee Noir

NOTE: This is a participatory dance event where the choreographer brings the whole crowd along in the themed dance.

7:00PM PARAMOUNT GRAND THEATRE

Paramount Grand Theatre Krewe de Paramount! Paramount Grand Theatre’s brand new show for February. Come join us for an evening of classy but sassy entertainment as we the Paramount Players dance for you, February 3rd and 10th at 7pm slt. The Players are dancing in the Mardi Gras and Carnival. It’s even the month of Love with your Valentine! Put your dancing shoes on, come in costume if you like, and see the Players dance!

SLURL: Paramount Grand Theatre

7:00PM MOULIN ROUGE

LIVE – Carnival Dance Show Please come on out and join us tonight for a sparkling night of carnival with lots of Brazilian flaire and Mardi Gras delights straight from the streets of New Orleans, with lots of swing, love beads, and perhaps some voodoo, too! Sexy babes and studly take the stage tonight in a smorgasboard of visual and auditory delights! Hope to see you all there! Semi-formal or formal is always acceptable or dress within theme of the show for the night. Thank you!

SLURL: Moulin Rouge Island

Moulin Rouge

SUNDAY, FEBRUARY 3

6:00AM CLUB IMAGE

We have beautiful dance shows on Sundays at 6 am SLT!
Join us at Club IMAGE ! It’s worth getting up early !
Grab your friends and morning coffee !
Enjoy one of the finest dance shows on SL!

SLURL: Club IMAGE

Club Image

5:00PM WINDS OF THE SAHARA

Winds of the Sahara Each Sunday we have a shiny, new show at Winds of the Sahara Theater. Our dances range from burlesque to performance art and you are sure to be amazed at all of the wonder that sets, costumes and music can create. We’ll put sparkles in your eyes and leave sequins on your shirt collars.

SLURL: Winds of the Sahara

Winds of the Sahara - January 28 2018


Please check with the Dance Queens event calendar for updates and additions to the weekend’s schedule, as well as the many events that happen during the week.

Also, not all dance groups in Second Life post to the Dance Queens event calendar (but they should!) Until that glorious day, you’ll need to join that specific announcement group for updates.

Now is the time on Living in a Modem World when we dance…

Hi. I’m R. Crap Mariner. I write things.

While Inara’s keeping busy in both Second Life and Sansar, I thought I’d share a bit about something that’s been keeping me busy for a while (No, it doesn’t have anything to do with a certain pirate who’s not a very good pirate).

For the past year or so, I’ve been obsessed with shooting photographs of the Second Life dance performance scene.

Guerilla Burlesque

A few months ago, I pinged Inara about an upcoming Monarchs full-sim dance show, but she was busy with some stuff, and she asked me if I could write something up about it. Being a professional writer, I did what came naturally: I dawdled and procrastinated, and I missed the deadline.

Yeah, I suck.

It All Begins at the Beginning…

I got an invitation to see a show by Guerilla Burlesque on the Idle Rogue region (okay, dozens of invitations over the years, but remember, I suck). I enjoyed the performance very much, and got to know the folks there, Over time, I’ve learned of so many other groups, 50 so far. And every month there’s somebody new out there learning the dance controller systems and putting their imagination out there for an audience.

Guerilla Burlesque

It’s amazing what people come up with, individually and in groups, bringing together so many elements:

  • Costumes
  • Sets
  • Controller systems
  • Animations
  • Music

It all comes together to make something truly alive and special. It’s art in motion and sound.

Club Image

So Many Groups

There are groups and performers from countries all over the world. England, Scotland, Japan, Germany, France, Russia, Australia, and Brazil to name a few.

Debauche - July 23 2017

Some of these groups, such as the dadaesque Ballet Pixelle, have been creating and performing for over ten years. Man, all those shows I’ve missed… big time sad panda. But sometimes, Ballet Pixelle brings back the classics.

Ballet Pixelle - Olmannen - August 27 2017

There are many different types of shows out there:

  • Themed shows, like Guerilla Burlesque of the Idle Rogues recently did with Caledonia Skytower’s Dickens Project or TerpsiCorps movie-inspired productions. The Royal Opera does some impressive ballet and opera productions, too.
  • Full-region productions, like Monarchs Kingdom does for Halloween and Christmas, or Club Image did for their Monsters Tea Party for Halloween.
  • Variety shows, like Winds of the Sahara and Noir Neverland.
  • Racier shows, such as the complex classy choreography of Debauche and La Coquette, or the naughty fancy of Kiki’s Burlesque.

From individual cabaret acts to full-on dance theatre, there’s something for everyone.

A&M Mocap - August 12 2017

Yes, everyone.

After a while, you’ll notice a few names that come up over and over again in performances. A lot of performers work the circuit, whether bringing an act to multiple variety shows, or lending a hand (and a body) to a group act for their friends at different shows. It’s like a large extended family, odd cousins and all.

Elysium Cabaret Roster

Galleries and Resources

There’s an in-world gallery at the Dance Queens infocenter, where you can learn of many of the groups that perform in Second Life. They have also a group for performance announcements (search for DANCE QUEENS), and an online calendar and blog which collect announcements for upcoming shows. This is useful if you don’t have all that many group slots available to keep track of upcoming shows.

Dance Queens Lobby

The Burlesque Network and Belly Dance Goddess groups are similar to Dance Queens, only for Burlesque and bellydancing.

There a lot of other photographers out there who maintain in-world galleries and Flickr galleries. And there’s a large number of people who post videos of dance performances to YouTube, too. These previews can give you an idea if a group’s performances suit your tastes or pique your interest.

I post my photo archive on Flickr, and I maintain an in-world gallery of the best of these photos on the recently-highlighted Edloe region. Each pushpin under a group’s frame contains that dance group’s home venue landmark.

The Gallery

Audience Etiquette

When you do attend a performance, and I strongly encourage that you do, please keep in mind that scripting load and memory on a region is absolutely critical for the movers and controllers and HUDs to work properly. Just as many people come up with minimal outfits for shopping and events, I’d recommend that you come up with a minimal and optimized outfit for attending dance performances. You do not need that Maitreya Lara Body HUD or the Catwa mesh head controller, do you? Many of their venues post script-shaming boards, and they will let you know if you need to pare down a bit to help keep things moving smoothly. After all, everyone’s there to see the show, not you in your seat, right?

Club Image Audience Shots

Also, facelights can disrupt the lighting configuration that many choreographers use in their sets and performances. Once again, everyone’s there to see the show, not you.

One trick that some people use is to derender everyone in the audience to reduce their impact on your viewer’s performance. Be sure to use Temporary derender, because a lot of people in the audience may turn out to be performers in other groups.

Winds of the Sahara - December 10 2017

Oops!

Tips are not required, but greatly appreciated. That’s how the performers buy new mocap dances, costumes, and pieces for their sets.]Some groups and venues have individual performer tipjars, while others have a collective tipjar that’s split among the choreographers. They’ll let you know how they share the loot, but it’s also okay just to applaud and hoot and holler if you’re spent your last dime at The Arcade, okay?

The host of the event will go over the rest, such as Windlight settings, draw distances, nametags, and so on. But the most important thing is to enjoy the show.

Learning the Moves

If at some point you catch the dancing bug and you’re interested in learning how to perform, some groups and performers teach classes on how to put together dance routines. In fact, Bernard Herzog’s New Brighton Belles recently put out a call for new performers.

I haven’t yet gone down this road, because I’m still into the whole photography thing, but at some point, I should probably take a class so I can have a better appreciation for what my friends do to bring that experience together.

Of course, the chalkboards may also be dancing…

Elysium Cabaret - November 17 2017

But every now and then, when there’s an audience participation event…

Debauche? - December 24 2017

There’s so much more…

I strongly encourage performers and groups to post in the comments some friendly invitations to their performances. Because there’s just so many of y’all out there, I feel like I’m letting a bunch of y’all down by not mentioning everyone, but I’ve got to keep it concise, right?

Oh, and by the way, Inara’s invited me to cover the dance performance art scene, and I’m hoping to do some profiles of dance performers and groups. You know, like Inara does sim journeys and explorations, with interviews and photos and video and stuff.

Thank you, Inara, for this opportunity to get the word out, and here’s hoping something I post here entices y’all to check out some of these amazing and entertaining performances.

Until then, this has been your fast easy fun reporte- oh, wait. That’s the alt.

(Back to your regularly scheduled programming.)

Thank you, R., for writing this, and for agreeing to run a new series through these pages – I’m absolutely delighted you did, and looking forward to the reviews, profiles, pictures and learning more about performance dance in SL.

Inara.

Michael Linden Departs Linden Lab

Michael Linden in his usual Mole look, attending the February 2017 Mole Day
Michael Linden in his usual Mole look, attending the February 2017 Mole Day. Credit: Marianne McCann

As explained below, long-time Lab employee (over 13 years with the company) and head of the Linden Department of Public Works – the Moles – Michael Linden, has departed the Lab. I didn’t know Michael that well, having only chatted on a couple of occasions, so I invited Marianne McCann, someone who has known him for a long time, to write a piece about him and his impact on Second Life.

By Marianne McCann

Over the weekend of February 11th and 12th 2017, it was noted that Michael Linden’s profile was not showing up in Second Life search, nor was he showing as a member in several groups within his profile. Many began to question if he had left Linden Lab, and – given he was known as the head of the Linden Department of Public Works – if the LDPW was being shuttered.

At the Bay City Alliance meeting on the 14th of February, a trio of LDPW staff, Shaman Linden, Squishy Mole, and Sylvan Mole, attended in part to address these concerns.

Speaking at the meeting, Sylvan Mole confirmed that Michael has indeed left Linden Lab, but was unable to give many specifics. It is assumed that he left of his own accord.

Michael once showed up at an impromptu Lab / resident get-together aboard the SS Galaxy, (2015) complete with an Starax wand, and proceeded to set about with good-natured mischief: until he doused himself beneath a giant faucet!
Michael once showed up at an impromptu Lab / resident get-together aboard the SS Galaxy, (2015) complete with an Starax wand, and proceeded to set about with good-natured mischief: until he doused himself beneath a giant faucet! Credit: Inara Pey

Michael Linden started with Linden Lab in the autumn of 2003 as an in-world Liaison, moving briefly to Governance in 2007 before becoming one of the heads of the LDPW with the former Blue Linden. The LDPW has expanded to include several Linden staff members and a fair number of “Moles,” as the resident contractors working on content for Second Life are known.

One of the first projects released by the LDPW under Michael was the Bay City mainland regions. Last week, Michael added a rail and boat terminal to Bay City, in the Grub Beach region. It is believed that was his last project under his Linden name.

Michael has been heavily involved in the past with vehicles as a Resident, in particular with Second Life railway projects. It is expected that he will again do so, but no longer as a member of Linden Lab’s staff. Resident and Linden alike will miss his presence within the LDPW.

Grub Beach Station - thought to be the last of Michael's projects while at the Lab
Grub Beach Station – thought to be the last of Michael’s projects while at the Lab. Credit: Marianne McCann

As to the question of the LDPW’s future, they are most certainly still an ongoing department under Patch Linden, with Shaman, Dee, Keira, Kona, and Vitae Linden as an active part. As we’ve seen, the LDPW has just recently completed the multiple-region residential and experience-laden Horizons project, and they have several current and future projects on their plates.

Those of us who know Michael will miss his presence and guiding hand as a Linden, as well as his sense of fun. We all hope he enjoys every success wherever his career and work take him, and offer three cheers as he sets sail to pastures new.

Michael's love of vehicles can be seen in his collection of vintage seaplanes
Michael’s love of vehicles can be seen in his collection of vintage seaplanes. Credit: Inara Pey

Many thanks, Michael for your years of work within Second Life!

Radegast: recovering Voice capabilities

Gentle Heron, second from the right encountered a Radegast Voice installation during the recording of a Designing Worlds special. Credit: Beq Janus
Gentle Heron, second from the right encountered a Radegast Voice installation during the recording of a Designing Worlds special. Credit: Beq Janus

Update, November 30th: Cinder Roxley has updated the Radegast installer to work with the most recent SLVoice package. See her comments here and here (following this article). There is also a separate blog post on her work, for easier future linking.

It was recently discovered that the Radegast client was no longer installing the SLVoice extensions with a new / clean installation. On hearing of the problem, Beq Janus and Whirly Fizzle decided to investigate, and thanks to their work, we now two workaround solutions. As they had put the effort into sorting things out, I asked them if either would like to write about the issue and the solution, and Beq, with Whirly’s blessing, agreed to do so.

by Beq Janus

A few days ago when I was invited to reprise my role as a videographer for a special episode of Designing Worlds on the Future of Second Life, which will air in early December. The panel for the discussion included Gentle Heron of Virtual Ability Inc, the group who work to enable access to virtual worlds for those who, through disability or illness are unable to make ready use of regular viewers.

During the show, Gentle urged Linden Lab and us all to look for ways to make Virtual Worlds more accessible, remarking, somewhat fatefully, that many of her communities are limited to a single, troubled viewer, Radegast.

A subject of reviews in this blog, Radegast is a lightweight, extensible client which has been the ideal foundation for the disabled communities to build upon. It boasts an impressive set of speech to text and text to speech integrations and can be integrated with other devices such as braille screen readers. Sadly, Latif Kalifa, Radegast’s creator, passed away earlier this year and despite the code being open source, no-one has yet stepped forward to maintain it at a time when the Lab viewer is moving ahead in leaps and bounds, with the risk that non-maintained viewers and client might lose functionality.

 Radegast client is the leading lightweight client for many users with disabilities
Radegast client is the leading lightweight client for many virtual world users with disabilities

As if to underline this, Gentle fell silent towards the end of the show, as she was dealing with a number of users who were reporting they were unable to use Voice with Radegast as it was failing to install the all important SLVoice extensions. While I am unfamiliar with Radegast, I offered to try looking into it for Gentle.

SLVoice is a pre-built binary package supplied by Vivox and distributed by Linden Lab. During the summer, it had been upgraded to address some security concerns and so it seemed likely to me that Gentle’s problem might be that the older SLVoice package had been deprecated and removed from the download server. Sure enough, a quick check on the package URL resulted in  the dreaded 404 not found error. I sent an email to Oz and Patch Linden asking them to confirm whether older versions of SLVoice had been moved.

The next day Oz confirmed that all old SLVoice packages were still available and nothing had changed. Whirly Fizzle, the powerhouse behind Firestorm QA, leapt into action: she cracked open the installer and discovered the URL actually pointed to a separately hosted Voice package which was no longer available, causing the Voice installation to silently fail during a new or clean Radegast installation as a result. However, Whirly also found a working back-up archive we could perhaps use. Unfortunately, neither Whirly or I are C# coders and cannot update the installation package directly; so how could we get a Radegast installation to work with the back-up Voice package?

I hit on the idea of first installing the backup package that Whirly had discovered, and then running the standard Radegast installer. Success! So, for anyone who is performing a clean / new install of Radegast and needs Voice, I’ve produced a set of instructions – see the link below. There is, however, more.

I mentioned above that Linden Lab had updated the SLVoice packages over the summer to deal with security concerns. Because of this, older versions of SLVoice are to be blocked from connecting to the service, and Radegast would once again be without a Voice option. Knowing this, and never one to leave a job half done, Whirly successfully tested my approach using the most recent SLVoice package available from the Lab, and confirmed it will also work.

This means that providing that there is no internal dependency within Radegast on the legacy Voice package, we now have an upgrade path for Radegast users that will ensure continued voice support after the block on older SLVoice packages comes into force. To help ensure people know what they need to do, Whirly’s instructions can also be found in the link below.

Radegast Voice Installation Instructions.

A Plea to Developers

These instructions are only a workaround. We still need to find a way to have Radegast install the correct Voice extensions automatically, as a part of the client install process. So, if you are a C# (C-Sharp) developer and are willing to spare a few hours looking at this, please take a look at the Radegast codebase and see if there is a way to incorporate the correct binaries into an installer package. Thank you.

With grateful thanks to Whirly Fizzle.

“If you just build it, They won’t come: promoting events in Second Life” (Final)

blog-post-6-image-1
Tying all the knots together. Credit: public domain

by Caledonia Skytower

Part 6.  Tying it all together (Final)

This series has covered a lot of territory this year, and I am changing the ending of it somewhat, as it feels like we are reaching a point where everything is impacted by the answer to this basic question: what do you want?

This answer is key to how you interpret many of the points made in this series. What you want out of your event promotion is defined by what your long range goals are for your event.   There is no wrong answer to the question. Not all viable paths are exactly the same.

If what you want is a nice, cosy intimate gathering of friends every once in a while, then a lot of the ideas that I have shared are irrelevant and unimportant.  If you want to create a closed community of like-minded, like-interested individuals, similarly some of these practices will be helpful, and some are not for you.  If you want to grow your events or your venue into something more than either of those, then roll up your sleeves and be prepared to get messy and stay messy for a while.  Growth requires consistency, connections, and constant vigilance! (invoking Madeye Moody). I am going to tie a number of these concepts together in this final post.

Are you on the grid, but not on-line?   “On-line” off-world can manifest itself in a number of ways.  Do you have a website or blog presence? Do you post your events in social media – either Facebook or Google+ at the very least?  These are all pathways to furthering your reach and promotional impact.

Social media - an invaluable tool
Social media – an invaluable tool

A website or blog presence.  The more complex your schedule, the more you need something like this to answer the question “who are you, and what do you do?”  Beyond the simplest of operations, it gives you somewhere to send people when they ask for more information.  Remember from the very first post, The Basics – Who? What? Where? When? How?  – always leave people knowing where to find more.  That can be as simple as an event calendar, or a single blog page.  Blogger (by Google) and WordPress make it incredibly easy for the non-html-savvy person to create and maintain a simple blog for free.  Google even offers a domain service for US $12 a year, which is very reasonable.  But don’t take my word for it, look around and see what tools fit best for you.  There are lots of accessible options.

You can’t be in your venue 24/7, or available to answer questions from interested residents all the time.  So make it easier for them to answer basic questions on their own.  Things that you can include on you site/blog could include:

  • Calendar
  • Your grid location  – “SLurl”
  • Additional details on upcoming events or programs
  • Who to contact in-world
  • Links to the web presence of others that you are affiliated with
  • Links to other on-line presences: Facebook, Google+, Flickr, Twitter, Instagram etc.
Blog
A blog can help you gain an audience. Credit: public domain

Social media.  It is important to emphasize that social media is not a guaranteed direct promotional source.  It is true that some people have great success with social media event postings, but their common usage is far from wide-spread.  I suspect that some people have gathered around them groups of people who use the same tools, and that is why it works better for some people than for general public recruitment. Both Facebook and Google+ have event functions, and they also both have Groups or Communities for different virtual world enterprises.  Use their search functions to find groups that you can join where it would be appropriate for you to post your information.  Be sure to read group/community guidelines and rules carefully.  More posts are not better if your “singing to the wrong audience.”

This is important: copious posting in social media will not guarantee you a full venue or an SRO event. Why?  Because most standard postings only reach 5% of their potential audience.  Unless you do nothing else but watch social media  and post repeatedly (which I do not recommend), things will get missed.  Do not post about a single event more than once in 24 hours. The 5% who do see your posts will start to ignore you.

On average, social media is not a means of direct promotion (i.e. “butts in seats”), but a way of raising consciousness.  You may get the odd person wander in because they saw you in a Google+ community.  It is more likely that they will have seen your social media posts and then run into some mention of you while logged in and think, “oh yeah, I have heard of them.”  That kind of casual exposure is as crucial as direct promotion.  You need them both.

Get your audience working for you, by regularly encouraging them to use whatever means exists in that social media tool to “like”, “plus”, “share”, “re-tweet” or whatever.  By doing so they assist you in extending the life of the post and keep it higher up on the feed to the greater potential audience.  If it helps, think of these functions like touches.  Plenty of people see your post.  But a post that is seen but not touched sinks to the bottom quickly.  The more your post is touched, the higher it floats.  Likewise, if you want to be helpful for an endeavour you like or support, touch their posts in whatever way the media provides.

blog-post-6-image-4A Basic rubric for social media promotional posting:

  • Text Only Posts (lowest number of views)
  • Post with a link to a site/blog (higher)
  • Post of an image or picture with details (even higher)
  • Post of a video clip (highest number of views)
  • Posts with cute puppies and kittens . . . okay, not even going THERE!

Constant Vigilance!  So you’ve done it all.  You have:

  • Answered (or are answering) the basic questions – Who? What? Where? When? How?
  • You have crafted your message in words, and shared those words with people who can spread your story around.
  • You have created consistent, strong visual images that easily identify your venue and events – created a “brand.”
  • You have built a network of synchronistic enterprises and individuals who share information for mutual benefit.
  • You have established and maintained an on-line presence that informs people of who you are, what you have done, and are doing.

What now?  Sit back and watch all the good people flow in?  No, my friends.  Once you build a promotional machine you not only have to feed and water it, but you have to make sure all the parts are still working to their optimal capacity.  Regularly (minimum every six months) evaluate where you are spending your resources, and how effective the results are.  Give things time to work and develop, but don’t be afraid to stop promoting where there are no measurable results.

Who posts your press releases?  What exposure are you getting outside of your own venue or endeavour? What does your traffic look like in-grid, and on-line? Know how your current audience found you – ask them!  That’s most likely where you’ll find new audiences. What is your ratio of new to returning audience/participants? Empower your existing audience to be “roaring lions” on your behalf. Be creative.  Make it fun!

Be prepared to adjust things, try new things, and always be evaluating.  What worked dependably for years may not work as well any more.  Be prepared to refresh everything at all levels.  Be aware of what others, engaged in similar enterprises, are doing: where are they posting, promoting.  Don’t miss an opportunity to turn the competition into a colleague – developing mutually beneficial relationships where everyone wins.

When things seem to be going nowhere, or you find yourself frustrated, go back to the basics: Who? What? Where? When? How?  And most importantly for you personally, always be able to answer the question “Why?”

***

My profound thanks to Inara for her support and patience with this series, and to everyone who has enjoyed it, and left such great comments.  I look forward to seeing you all around the grid.

~ Slainté!

***

Read the Entire Series

If You Just Build It… has been a multi-part guest series this year. To read posts you might have missed, follow the links below.

  1. Blasting the Myths
  2. The Basics: Who? What? Where? When? How?
  3. Words matter. So does how you use and share them
  4. Creating Visual Collateral
  5. Building a network