Dreamworld is the name Cica Ghost has given to her first installation of 2025, as just as the new year tends to be a time when we look positively towards the bright promises of the incoming year and all we might dream and achieve, so Cica offers a bright, happy setting that puts a spring in the step and a smile on the face.
This is a setting sort-of dominated by the feline form – I think that like me, Cica has a love of cats -; but one that comes in a light-hearted and whimsical way. The cats in the case are of enormous size and come in a variety of forms: literal catfish, equally literal cat houses, kitty seats … There’s also a little touch of Jerry among the Toms, including a mouse house and little mouse buggies to drive around in.
Cica Ghost – Dreamworld, January 2025
Among all of these, and within the patchwork landscape might be found long-horned cows, lama, and birds – and a rather large frog, complete with crown, as if waiting for a prince (or princess?) to come along and land it a kiss.
As might be expected with Cica, there are opportunities to sit and pass the time, to dance, to enjoy times on the water aboard a little boat – even to blast off in a rocket and experience some weightlessness.
Cica Ghost – Dreamworld, January 2025
The installation is accompanied by a quote from Brazilian lyricist and novelist, Paulo Coelho de Souza:
Love is what dreams are made of!
It’s a marvellous sentiment – one reflective of much of de Souza’s writing, much of which has been born of a life rich in experience: from being committed to a mental institution by his parents at the age of 17, through forsaking his dream of being a writer in order to meet the approval of those same parents, to being deeply involved in the hippie culture in the 1960s to his career as a lyricist and – eventually, procrastination being one of his strong suits, a writer.
Cica Ghost – Dreamworld, January 2025
Here, the quote reminds us of the power of love – and the need to show it; as does the brightness of Cica’s setting – indeed, of Cica’s library of work. So, why not hop along and share in Cica’s love and enjoy your own dreams (and don’t forget to pick up your gift!).
The following notes were taken from the Tuesday, January 7th, 2025 Simulator User Group (SUG) meeting. They form a summary of the items discussed, and are not intended to be a full transcript, and were taken from Pantera’s video of the meeting, which is embedded at the end – my thanks to her for providing it.
Meeting Overview
The Simulator User Group (also referred to by its older name of Server User Group) exists to provide an opportunity for discussion about simulator technology, bugs, and feature ideas.
Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.
Simulator Deployments
On Tuesday, January 7th, 2025, the simulators on the Main SLS channel were restarted with no update.
On Wednesday, January 8th:
The BlueSteel RC should be updated with the Apple Cobbler simulator update, which includes: llGetAttachedListFiltered(),llGiveAgentInventory(),llMapBeacon(),llTransferOwnership(), and a modification to llModPow, so it should work faster (however, it does not correctly handle the full range of positive 31-bit integers -and Leviathan Linden is working to define the range for which it supplies correct answers, so check the wiki page for updates).
The remaining simulators on the RC channels are to be restarted without any update.
SL Viewer Updates
Release viewer: version 7.1.11.12363455226, formerly the ExtraFPS RC (multiple performance fixes, aesthetic improvements and UI optimisations), dated December 17, promoted December 20 – No Change.
Release Candidate: none at present.
In Brief
Please refer to the video below for the following:
A discussion on llSetAgentRot and extending it, with Rider Linden noting:
I left the API open to be able to use any rot. Unfortunately there are a lot of assumptions in both the simulator and the viewer about the agent only rotating around Z. Changing that is going to be a much larger project.
Questions were asked on improving the quality of Linden Water effects and reflections. Such questions are best dealt with via the Content Creation User Group (summaries here).
An intertwined discussion with the above about Linden Water and swimming options.
There have been requests for a llSetObjectMass() function. Whilst this doesn’t currently exist, this SL wiki page has been created to provide a (hopefully) equitable capability, with Leviathan Linden noting:
Vehicle developers were asking for an llSetMass() method so they could standardize the mass of the vehicle after the agent had sat down. It turns out that LSL function is not necessary, there is a way to do it with existing LSL functionality, but it is a little tricky for multi-prim objects.
A further discussion on improving vehicle interaction with parcel bans – something LL is hoping to address – such as the potential for putting banline information on the mini-map, with other suggestions being put forward.
This led to a broad discussion on issues of parcel privacy and access, security and forced teleporting of unwanted visitors.
Requests have been made to modify Experience permissions so that creators can set them to “only this time” or “work like phone apps“. This led to a discussion on Experiences and the format of the permissions dialogue, etc.
† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a rooftop of people every week. They are taken from my list of region visits, with a link to the post for those interested.
Poetic Moon, January 2025 – click any image for full size
Beloved is the name Anu Papp has given to the latest setting presented on her Homestead region of Poetic Moon. Designed by Dandy Warhlol (Terry Fotherington), the setting is – to me, and for various reasons – potentially one of the best he has produced thus far.
There is a genuine and natural flow to the landscape which is captivating, and the placement of building and structure within it, the form of the island, just draws the eye through it, offering both a photogenic beauty and a sense of tranquillity and wholeness with nature, the industrial elements scattered about notwithstanding.
Poetic Moon, January 2025
A creative talent herself, Anu is perhaps best known for founding and leading the Muse Dance Company, however in-world she is also a designer, photographer-artist and builder. These are all talents reflective of her physical life presence and talents, which extend into music, spiritualism, yoga and more, as noted within her Second Life Spotlight article, published in May 2023. All of this is also reflected somewhat within Beloved.
The setting itself forms a rugged temperate island, its coastline mostly cliffs of hardened rock or softer sandstone, the later carved by time and tide into shallow bays or ribbons of low-lying shoreline. Whilst hardly what one might call beachy, the latter offer opportunities to walk alongside the push and pull of the tide, splash through pools of seawater temporarily cut off from the rest of the waters surrounding the island.
Poetic Moon, January 2025
This is a place with a high water table of its own – across its rugged back are two large and one smaller bodies of water (one of which carried subtle hints of perhaps being man-made rather than a natural occurrence. It is close to the largest of these bodies of water that the Landing Point is located (although it is not enforced), and it was on arrival that I immediately felt a comforting sense of Deja-vu; despite it being my first visit to the setting, I felt I knew it. As I cammed around, I quickly realised why: with the windswept ruggedness, the large body of water with a trail running alongside it, Beloved bought to mind an old-time favourite those who are long in the tooth (like me) might recall): Roche.
Now, to be clear, there is nothing intrinsically linking the two designs; in fact when taken as a whole, there are utterly different; but the fact that Beloved did bring memories of my multiple visits to Roche between 2012 and 2015 nevertheless gave me a sense of belonging as I started to explore Beloved. Many of the buildings scattered across Beloved perhaps aided that sense of the familiar with me, again not because of any similarities with Roche, but because they offered a similar sense of space between them, a space visitors can wander and absorb in quite solitude or in company.
Poetic Moon, January 2025
Anu has a love for the works of Jalāl al-Dīn Muḥammad Rūmī, the 3th-century poet, scholar, theologian and mystic; she quotes him in her Profile and with Beloved, she offers part of A Great Wagon, a poem associated with spiritual growth. In particular, the verses she has selected offer with might be considered a pivotal truth on the journey to spiritual awareness: that we are not human beings sometimes having moments of spiritual experience; we are spiritual beings travelling through a human experience.
In stating this truth, Rūmī, notes that as humans, we function in dualities: beauty and ugliness; truth and and lies; good and bad; black and white; and this duality of mode is the cause of all our conflicts. But as spiritual beings, we should recognise that nothing is either one or the other; that within the void of being, everything flows – there is no black and white to divide us; no sectioning of thoughts or emotions, we are simply one.
Poetic Moon, January 2025
This is a concept that can get the grey matter working overtime to try to understand – and in this, Beloved is an ideal place in which to consider Rūmī’s words and the notions of self and oneness. As well as the region’s rugged beauty, there are multiple places to sit in contemplation, listen to the local sounds, to enjoy the ebb and flow of the waters surrounding the island – and the ebb and flow of shared company, if desired. Places where we can – as Rūmī might have put it – see beyond our physical bodies and understand our true essence as beings of the spirit.
In acknowledgement of this, and – if I might be so presumptuous – I would add to Anu’s use of the poem, I would perhaps offer a further quote:
In the body of the world, they say, there is a soul and you are that.
But we have ways within each other that will never be said by anyone.
Poetic Moon, January 2025
For those who prefer to focus on the region’s picturesque beauty, there is certainly no disappointment to be had. Dandy’s attention to detail here is superb, with many touches to draw the eye and the camera lens, from the cost interior of the brick cabin by the lake through the egrets gathered above the northern cliffs to the little birds gathered on a powerline – something which might, except for the absence of a shoebill, put some in mind of a certain Pixar short and thus raise a smile – and more besides.
An engaging and visual setting, ideal for exploration, contemplation and appreciation – kudos to Anu and to Dandy – and my thanks to Susann De Cuir for the hat-tip.
Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir
In 2009 I embarked on my journey as a Second Life photographer. I like to share the richness of the creations from various sims, by trying to show all their aspects in my pictures. During my in world travels, I encounter numerous individuals from around the globe who share their backgrounds, passions, and interests with me, for which I am very grateful.
– Michiel Bechir
With these words, Michiel Bechir introduces himself – if such an introduction is even required, his work being well known with in the SL arts community as both a photographer-artist and as the owner of his own gallery where he promotes other artists – and his latest exhibition, which opens on January 6th, 2025 at the Hermit Gallery of Saint Elizabeth’s University.
As a fellow traveller across Second Life, Michiel has done much over the 15 years he’s been recording his travels to capture the beauty of many places across the grid, sometimes casting his photographic net wider to include avatar-centric photography. In that time – as do so many of SL’s talents – he has refined his technique and learned to use editing tools with a fine touch in order to enhance his images and imbue them with further sense of mood and/or genre / and uniqueness.
Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir
Within Beyond Borders: A Visual Journey, he offers a selection of his work as both a demonstrations of his art and as a mini retrospective of his photography over the years. And when better than to hold a retrospective than, perhaps the beginning of a new year, thus offering a look back even whilst eyes might be set on the future?
Spread across the gallery’s three levels – with some also out on the roof terrace, the collection is focused on a given theme within each area of the gallery: Animals, History, Landscapes, and Flowers. While the collection is bracketed within the period 2009-2024, the majority of the images lean towards the latter years, being particularly focused on the period 2020-2024. Whilst this is far from a negative per se, I would have enjoyed perhaps seeing a wider spread of images in terms of years, so as to better appreciate Michiel’s evolving style; but this is a purely subjective comment.
Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir
As it is, what is presented is engaging and rich display of Second Life photographic art, the use of sub-themes split between the different galley levels allowing each to stand as a mini-exhibition in its own right, and I have no hesitation in recommending Beyond Borders for a visit.
Logos representative only and should not be seen as an endorsement / preference / recommendation
Updates from the week through to Sunday, January 5th, 2025
This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:
It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.
Official LL Viewers
Release viewer: version 7.1.11.12363455226. formerly the ExtraFPS RC, dated December 17, promoted December 19 – No change.
Luminara, January 2025 – click any image for full size
Luminara is a Full region lovingly designed by Sedona (Sedona Starchild) to offer the peace and tranquillity of a woodland setting, mixed with touches of whimsy, all of which offer might offer more than first appears to be the case, as the setting’s entry in the Destination Guide hints.
Luminara is a space created with care, where every detail holds a deeper meaning if you’re open to it. You’ll find mirrors, keys, and other interactive elements designed to spark reflection; alongside peaceful surroundings meant to calm the mind. Whether you uncover deeper insights or simply enjoy the beauty of nature, may your time here feel meaningful in its own way.
– Luminara’s Destination Guide description
Luminara, January 2025
However, this description barely scratches the depth of meaning one might find within the region, because this a a setting of a very personal nature. It is both a reflection of Sedona’s journey through life and a visualisation of the kind of questions many (all?) of us may ask when all the noise, bustle and distractions of everyday living fade into the background, and we have the time to contemplate is this all I am?
This isn’t just a virtual space; it’s a piece of my heart, filled with the thoughts and questions that have shaped me. Every detail, every message, holds something I’ve discovered along the way.
I want to be honest: part of me created this space to connect, to feel seen, and to share something meaningful with others. There’s a vulnerability in opening up my inner world, and I’ve come to accept that my motivations aren’t always selfless. But my deepest hope is that Luminara offers you something—a moment of reflection, a sense of peace, or even a little inspiration to take with you.
– Sedona Starchild
Luminara, January 2025
The Landing Point sits on the west side of the region. Close by is a general information board providing hints about exploring the setting, and also a Greeter which should offer you group membership together with a notecard from Sedona. If these are not offered then touch the mirror sitting alongside the tree above the noticeboard. Standing opposite the footpath is a deck with an over-the-water view and a tree of wisdom “sharing insights inspired by Naval Ravikant”.
The path here runs north-south, with another arm running inland. Which you take is entirely up to you: just be sure to keep an eye out for the mirrors and keys along whichever route you take – and other items and creatures offering themselves as advisors or presenting opportunities of reflection, introspection and / or affirmation.
Luminara, January 2025
Whilst contiguous in nature and presenting a naturally flowing landscape, the region is designed such various locations within it have a sense of privacy and seclusion such that they are both a part of the whole and also apart from it. This is achieved through the use of curtain walls of rock, bodies of water, screens of trees and bushes, and considered use of elevation. EEP settings are also used to offer environments in keeping with aspects of the region – so be sure to have Used Shared Environment checked.
The paths winding through the region will lead you to the majority of the locations to be found within it; however, I’m not going to describe everything the region offers here; a major part of Luminara is that of discovery both in terms of personal discovery through the aforementioned mirrors, keys and advisors, and in terms of the beauty of region itself.
Luminara, January 2025
That said, some of the more obvious areas to look out for include the Luminara swamp with its summer house; the open-air theatre, the music deck built over one of the bodies of water and which has sitting alongside it a modern lounge in the form of the Scarlet Creative Hoxton Loft, while the deck itself offers access to a more secret hideaway for those who can find it.
Elsewhere there are follies where couples and individuals might dance, a hilltop retreat, a terraced pool, and places to sit under trees, on the water, alongside the coastline, most of which will be found as one wanders the paths an trails, whilst the Tatra Dance circle holds a particular magic.
Luminara, January 2025
Throughout all of this are the touches of detail and whimsy which both bring a smile to the lips and perhaps offer further symbolism. The former might be found on the water, where racoons are enjoying themselves with a little skinny dipping (or is that furry dipping?) whilst taking a trip on a little rowing boat. Elsewhere unicorns add a sense of dream whilst deer, foxes, bear and rabbits might be found throughout the landscape.
The whimsy comes in many forms, some clearly intended to attract attention and stir the brain cells – such as the White Rabbit; others are more curious, such as the figure rising from the water near the music deck – it is simply seeking Seymour, or indicative of disquieting thoughts and reflections? You decide.
Luminara, January 2025
Finished with a subtle soundscape, Luminara presents an engaging, richly evocative and through-provoking setting with multiple opportunities for discovery and exploration. It is also a place given to evolution as well – and as much about what we put into it as find within it, as Sedona notes. So, ensure your curiosity is engaged with dropping in.