Day: May 6, 2025

For May – the start of which has become somewhat indelibly linked with science fiction over the last several decades – Saskia Rieko and Konrad (kaiju.kohime) bring us their own epic sci-fi tale; one with its roots in a galaxy-spanning civilisation called the Ythari.

Born long before most others, the Ythari were driven by their insatiable intellects, boundless ambition and an overbearing pride and arrogance which perhaps led to their downfall.

The Ythari once ruled over a vast and enigmatic galaxy known as Veilspire — a name derived from its most haunting feature: a towering, luminous rift that cuts across its heart, like a tear in the fabric of space-time. This anomaly called the Axiom Rift, existing in the very centre of the galaxy, is believed to be the result of their final and most ambitious experiment — perhaps even the very thing that led to their disappearance.

– from the records of Dr. Khiraan Valis

Konrad and Saskia have always produced richly engaging settings within Second Life, often drawing on inspiration from locations and event on or from our physical world. Ythari – Echoes of the Silent Stars, however is utterly different in theme and tone – although its depth easily equals that of any of the previous designs the couple have presented. Whilst it might not draw from events and locations we might all directly research, instead being born entirely of the imagination, it nevertheless comes with a rich back-story; one capable of forming the basis of a novel from the likes or Asimov, Heinlein or James S. A. Corey (aka Daniel Abraham and Ty Franck) for an entire novel.

Mixing a thirst for knowledge and a hunger for understanding with towering abilities and intelligence, the story of the Ythari is one of a galaxy-spanning empire built not on war or dominion, but on the foundations of science, intellect, and an ability to conceive everything within their galaxy from the quantum level to the macro, without any apparent discontinuities of scale.

Veilspire was no ordinary galaxy. Unlike the spiral and elliptical galaxies known to modern astronomers, its structure bore evidence of deliberate engineering. Star systems arranged in mathematically perfect formations, gravity-defying megastructures orbiting black holes with impossible stability, and entire regions where time seemed to flow at inconsistent rates, with the centre of the creation, The Axiom Rift — all hints that the Ythari did not merely live in their galaxy, they designed it with the development of The Equation of Being.

– from the records of Dr. Khiraan Valis

It is also a tale of galactic overreach and a hubris which – perhaps inevitably – could only result in one of two outcomes. Outcomes which themselves might perhaps be indistinguishable from one another, thanks to the passage of aeons and when looked upon through the eyes of a far-future humanoid race stumbling across the crumbling, but still magnificent relics the Ythari left in their wake.

As they neared the completion of their greatest project — an attempt to rewrite the fundamental laws of reality — they miscalculated. Or perhaps they succeeded too well. One by one, their great cities, planets, even the whole solar systems fell silent … The Ythari simply… ceased. Their towering spires, their quantum archives left behind as if abandoned in an instant. No bodies. No signs of struggle. Only silence and the mysterious humming of the abandoned Axiom Rift.

– from the records of Dr. Khiraan Valis

To best appreciate the setting, make sure you have your viewer set the Use Shared Environment, and you have media set to play (at least initially in the case of the latter). The arrival point will provide you with the back-story in the form of a records / log entry by one Dr. Khiraan Valis, an archaeologist dedicated to uncovering the mysteries of the Ythari.

The latter is played back over the computer screens and consoles at the landing Point, and really is worth listening to. For those who prefer, the same information can be obtained by clicking the traditional Natthimmel greeting (and setting name) on the ground of the Landing Point, and accepting the offered folder. This contains a notecard with the  information given within the narration. For those who do listen to the audio, I would strongly suggest pausing media playback (click the movie camera icon / button towards the top right corner of the viewer’s window), as the narrative track can otherwise overwhelm the ambient sounds within the setting.

Stormy, eerie and caught under a roiling, almost angry Expanse in which the eye of a galactic core balefully stares from one horizon, this is an environment for which words – genuinely – are not enough. Beyond the consoles and systems at the Landing Point, as left by Dr. Valis and her team, this is an assuredly alien setting. Within it, a water-like sea slips into a low-lying landscape. This initially appears to be dotted with strange tree-like groves. However, closer inspection reveals them to be more rock-like than organic – or perhaps they are the fossilised remains of something; and while there is the odd tree to be found, organics as we might recognise them are few and far between.

Even the paths laid across the water have a geometry about them that feels alien. None lead directly from A to B; instead they seem to be some kind of mathematical expression, as much a part of the gigantic towers and other structures within and floating over these strange lands.

Broken, decaying, and ominous even when countered but the roiling heavens beyond them, these structures are riven by massive discharges of energy, themselves accompanied by rolling booms which fall upon the ears as the funerial beat of drums. Whether these discharges are is being generated by whatever remain powers keep at least some of these artefacts raised in defiance of gravity, or whether the explosions of light and energy are the angry response of the atmosphere to their hulking presence, is yours to determine.

Not all the structures are airborne or massive; floating on the waters are polygonal forms, cables and relays on them looking as if they might have once drawn power from the waters – or discharged it into the waver over which they sit. They sit around the remnants of the great towers as if part of their ancient function. Steps climb the interiors of the towers, while outside of one is an indication that the Ythari might not have vanished completely.

The very few who dare to explore their ruins tell of anomalies time fractures where the past leaks through, machines that seem to remember their creators, and strange, whispering voices that seem to come from nowhere. The Ythari may be gone, but something of them lingers. Watching. Waiting.

Beautiful, visually impressive, rich in narrative and creativity, edged in mystery and a hint of dread, Ythari – Echoes of the Silent Stars is a magnificent journey of the imagination.

SLurl Details

• Ythari – Echoes of the Silent Stars (Natthimmel, rated Moderate)