A Misty Chicken Lake in Second Life

Misty Chicken Lake, Natthimmel, November 2024 – click any image for full size
In the heart of the Yukon, between the small, forgotten towns of Mayo and Chicken, lies the enigmatic Misty Lake. This secluded body of water, perpetually cloaked in a thick, eerie fog, is a place where silence and shadows dominate.

Thus opens the Destination Guide description for the Misty Chicken Lake, the latest (at the time of writing!) landscape designed by the Second Life partnership of Konrad (Kaiju Kohime) and Saskia Rieko, and located within their Homestead region of Natthimmel.

Misty Chicken Lake, Natthimmel, November 2024
I have no idea if Misty Chicken Lake is purely a place of the imagination or whether it has been inspired by a lake somewhere close the the Yukon  / Alaska border, but I can say that the towns of Mayo and Chicken do reside there; Mayo sits on the Canadian side of the border and Chicken on the Alaskan side, separated by some 250 km as the crow might fly  – although by road the route is longer!

Part of this route  – again, assuming the Mayo and Chicken of Canada / Alaska are intended to be the same as those mentioned in the setting’s DG description – passes along the Top of the World Highway, running from the wacky world of West Dawson (home to locals such as Caveman Bill, who raises chickens in a cave whilst himself living in another cave close by) to Little Gold Creek (aka Poker Creek on the US side), where the friendly joint border crossing resides, before continuing onwards into Alaska, where a turn onto the Taylor Highway will bring travellers by raise and fall and twist and turn, to Chicken.

Misty Chicken Lake, Nathhimmel, November 2024 

Certainly, this remote part of the world has more than its share of hills, mountains, woodlands, lakes and rivers, so inspiration might have been drawn from one such body of water along what is regarded (when open to traffic – which tends not to be the case in winter, I believe) this most isolated and get-away-from-it-all holiday trails for the adventurous. However, given its overall description and design, I suspect that Misty Chicken Lake owes far more to Saskia and Konrad’s fertile imaginations than anything the physical world might offer. This is something perhaps supported by the rest of the setting’s engaging Destination Guide description:

This secluded body of water, perpetually cloaked in a thick, eerie fog, is a place where silence and shadows dominate. Tall, ancient pines encircle the lake, their dark green needles shrouded in mist, casting ghostly silhouettes along the shore. The trees seem to guard Misty Chicken Lake, their towering forms swaying slightly, as if murmuring secrets to the fog. Even on still days, a damp chill clings to the air, hinting at mysteries hidden deep within the shadowy waters. Locals say the pines remember everything, and that under a full moon, the forest whispers to those brave enough to listen.
Misty Chicken Lake, Natthimmel, November 2024

From this description, it should seem obvious that Misty Chicken Lake is a place of mystery, caught under a perpetual, misty evening sky out of which surrounding mountains loom as pale phantoms rising into the darkness overhead, at times hidden from view by the darker fingers of the many pines occupying the lake’s shores and inland areas. The night setting lends a sense of foreboding depth to the setting, something added to by the mist seeping through the tall grasses and wildflower and creeping between the trees while wrapping itself around their trunks as if laying claim to them as it rises from the waters of the lake.

Passage through the landscape is best achieved via the raised boardwalks, illuminated by lanterns and lamps. Starting from the Landing Point, these will guide you through the trees and across the waters of the lake. The boardwalks will also provide access to several – but not all – of the locations tucked among the trees and awaiting their opportunity to greet visitors. Arachnophobes like me may initially be alarmed by the carpeting of cobwebs found throughout the landscape to give it a frosted look in the pale light; but while they may in places come close to overrunning the boardwalks, be assured you’re unlikely to run into any of their creators.

Misty Chicken Lake, Natthimmel, November 2024

Chief among the locations waiting to be found are the converted containers. Designed by Konrad, they offer four vantage points  / places in which to sit and pass the time, all of similar design but varied in complexity. Each comprises at least one container converted for use as a retreat, with large windows cut into or replacing side panels and tops. Three stand on their own, either on the ground or atop frames of weathered iron girders, each with its own interior lighting and seating and, in the case of two, heating and refreshments (a stove and a radiator for outer warmth and tea for inner).

The most complex of these structures sits to the north-west; three containers stacked together on their own frameworks of girders, the stairs switch-backing up from the boardwalk to reach them, the uppermost offering both indoor and outdoor seating, the lower two with outdoor decking.

Misty Chicken Lake, Natthimmel, November 2024

However, these are not the only places where visitor might sit and pass the time; as hinted at in the introductory story available at the landing point (touch the greeting stones on the ground there to receive a folder containing it and other information), there are a couple of camp sites to be found here as well, and an open deck for sitting – although as I’ve noted, you’ll have to depart the boardwalks to find some of them.

Whilst on the subject of available information; this includes note on the Natthimmel gallery, which has often been a feature of the region, together with a landmark to reach it. However, when I attempted to use the latter, I was redirected back to the Landing Point.

Misty Chicken Lake, Natthimmel, November 2024

Given the late evening / night environment within the region, photography can be both highly atmospheric and a little tricky; fortunately, should you require more light, the region works under a range of environment settings, adding to its photogenic beauty. As always, a visit is  recommended.

SLurl Details

Misty Chicken Lake, Natthimmel (New Moon, rated Moderate)

The Virtual Ability 2024 IDRAC conference in Second Life

via Virtual Ability

Virtual Ability Inc., will be hosting its annual International Disability Rights Affirmation Conference (IDRAC) on Friday, November 15th 2024 at the Sojourner Auditorium on Virtual Ability Island.

A professional conference held in-world in Second Life that is to the public, IDRAC features an international line-up of guest speakers each year, with individual sessions lasting between 30 and 90 minutes, and may include opportunities for Q&A. For those who cannot make the in-world venue, it is live streamed via the Virtual Ability You Tube channel.

via Virtual Ability Inc

The theme of the conference this year is Disability & Health: Where will AI Take Us?

Artificial Intelligence (AI) is an area of current research interest and regulatory concern. It holds both promise and peril for people with disabilities and healthcare in general. The utility and problems of AI differ for people with different types of disabilities. This conference offers a quick look at this broad topic. We expect lively discussions and information sharing among presenters and our very interested and interactive audience.

via Virtual Ability Inc.

Conference Sessions

All times SLT.

07:00 Denis R. Newman-Griffis – University of Sheffield (UK):  Artificial Intelligence and Disability Data Justice: Representing Human Function and Disability in AI Systems
08:30 Panel Discussion: Nicholas Lesica – University College London, Aldo Faisal – Imperial College London, and Sahrish Panjwani-Charania  – Coordinator of Staff Development, Gwinnett Co. Public Schools, Georgia: Topic: AI and Disability
09:30 Interview: Rose Hill – Crisis Connections: AI and Youth Mental Health
10:30 Muhammad Mamdani and Amol Verma – University of Toronto: The Promise and Pitfalls of AI in Medicine
11:30 Cynthia Calongne – Colorado Technical University: Interview with a Surprise Guest
12:30 Carol Miller – Penn State: Artificial Intelligence to Support Speech-Language Services
13:30 Kate Glazko – University of Washington: An Autoethnographic Case Study of Generative Artificial Intelligence’s Utility for Accessibility
The Sojourner Auditorium
The Sojourner Auditorium, virtual Ability Island
With such a wide range of perspectives, IDRAC 2024 promises to be a cornerstone event for anyone interested in the future of AI, disability, and health. Attendees can join the sessions in Second Life®, interact with speakers and other participants, or tune in to the YouTube live stream.

via Virtual Ability Inc.

You can learn more about the speakers via Virtual Ability’s IDARC 2024 web page.

Related Links

Second Life Mobile: free to all users & Lab execs discuss the product and goals

On Wednesday, November 13th, Linden Lab quietly made the SL Mobile App available to all users.

The release was somewhat low-key to help minimise the impact of users piling on to the Google and Apple stores and becoming frustrated if they found themselves unable to access the app and download it due to the volume of demand. 

Table of Contents

As a part of the opening of availability of the App, Linden Lab hosted a mini round-table via Zoom at which SL Mobile was discussed, and a little look behind the curtain for the App and its history was given. The following is a summary of some of what was stated / revealed.

SL Mobile Credit: Linden Lab

On Developing the App and Initially Limiting Access

There were many ways SL Mobile could have been developed; in 2019, for example, it was indicated that LL was working on an iOS client focused on communications (see: Second Life: LL confirm iOS client in the making). However, this work was suspended at some point, most likely so a better solution could be sought.

As was noted in the Zoom discussion, there were multiple paths to take, and how best to present the a Mobile app to an audience of Second Life users. One question in particular that had to be addressed was how to present the app to users; its development involved many challenge such that simply opening it up to all users from the first instance was not considered as really feasible, because the feedback could be overwhelming. The release needed to be limited in some way whilst still allowing for the necessary feedback.

So what is the best way to limit it? It is to limit it to people who have really committed financially, as well as in various other ways [to Second Life], and subscribers were they way that we could do this. It’s not like we really wanted to paywall it forever; we just wanted to open it up to smaller audiences, get feedback, get a lot of iteration, and that’s what we’ve been getting from the community, and it’s been fantastic.

Senior Vice President of Product and Engineering, Grumpity Linden

Features and Intent

In terms of which features the Lab decided to focus on in particular for Mobile, the approach taken was to think in terms of “user journeys”: identifying a specific activity users enjoy doing in Second Life – such as socialising, be it at a club or similar venue, or getting out and about with others – and what are the key capabilities involved in that experience: moving, teleporting, communicate, see what’s going on, hear what’s going on (music), look-up profiles, etc. Then building-out those capabilities iteratively, before moving to another journey – such as enhancing avatar customisation options, and start an iterative process that could result in a more rounded means to management inventory on Mobile.

This next journey – subject to official confirmation – might be enhancing avatar customisation through the App. Again, this will not mean a complete set of customisation and inventory management tools being made available at once, but will again be an iterative process, with options and capabilities  added over time to improve the experience.

However, it is important to remember that the aim with Mobile is to augment people’s Second Life, offering an adjunct to the viewer. It is not intended to emulate / reproduce all of the functionality available within the desktop viewer.

The idea is not to create a simpler experience, say akin to Fortnite, on Mobile, where one can “play” Second Life and have the whole experience on the Mobile App.  We don’t actually know, and are inclined to disbelieve, that would ever be possible. What we’re trying to do instead right now somewhat better by using Mobile; maybe it’s getting messages; maybe it’s finding new places … maybe it’s doing something you like to do every day, but do it in Mobile because you’re on a bus or something; but we’re not trying to design the Mobile client to replace Second Life on the desktop. 

– Philip Rosedale, Linden Lab CTO

SL Mobile (Credit: Linden Lab)

Audience

Broadly speaking, SL Mobile has been developed with two primary audience in mind:

  • Existing users – as a means for them to enhance their SL experience by continuing  engage with the platform and their friends during those times of the say when it might not be practical to utilise the desktop viewer in order to do so.
  • “Lapsed” users who have left SL, many of whom have responded to the Lab reaching out to them by saying Second Life doesn’t address their preference for using mobile to access the things they want to do, rather than being reliant on a desktop environment.

One thing the Mobile app is not intended for – at least for the foreseeable future – is the on-boarding of users entirely new to SL; the learning curves involved in becoming comfortable with SL and engaging with it are seen as being too complex / steep at this point in time. Which is not so say the Lab will not be seeking to resume marketing SL to potential new users; far from it, as Brad Oberwager, the Lab’s co-owner and Executive Chairman, noted:

What we are going to do is to start driving people to the desktop and see what happens. That is in play, and that’s good for everybody here. The more people we can all bring in, the better Second Life will be for everybody.

Reception

One of the downsides to the iterative approach taken thus far with SL Mobile has been that it has received extremely poor feedback on both Google Play and the Apple Store. Much of this appears to revolve around perceived incompleteness, possibly as a result of users jumping in and expecting a fully-rounded product and becoming frustrated when they discover functionality is missing.

In this respect, it is again important to remember that SL Mobile is still very much in a beta stage of development, and the iterative process will continue; as such people do need to offer some patience in terms of “missing” features, etc. While the negative feedback has been a source of frustration and disappointment for the Lab, measures are being considered to correct it- be it by resetting the app on the Apple Store and by continuing to offer a better and better product. At the same time, as Lead Developer Adam Frisby noted, the number of poor reviews is hardly insurmountable in the scheme of things .

Trying SL Mobile

As noted, SL Mobile is now available to everyone on both the Apple Store and Google Play, and the links for more information are below. If you are keen to try out out, again, please remember, this is not a final release – as noted above, SL Mobile is still in beta, so please keep this in mind when reviewing the app. That said, if you do encounter issues or bugs, do please file a report with the Lab .

Related Links

Touring Omerta Island in Second Life

Omerta Island, November 2024 – click any image for full size

It’s been three years since I visited Omerta, a Full region design by Lux Voxel leveraging the additional Land Capacity bonus. Back at that time, the location was called Omerta City (see: A silent city in Second Life), and presented an urban environment of considerable and well-placed detail. Since then, the region has been recreated by Lux as Omerta Island, centred on the Empire Hotel, a place I first dropped into in mid-2023, but didn’t actually get to blog about at the time. As such, correcting that oversight has been long overdue.

Offered as a hotel / vacation / entertainment destination within second life, supported by a detailed website and which has been given added depth through the use of AI NPCs, Empire Island offers the opportunity to mix relaxation and the potential for a little light role-play; and – for those opting to be a guest at the hotel – perhaps discover one or two little secrets.

Omerta Island, November 2024
Discover the unique charm of Empire Omerta by exploring our picturesque island and inviting hotel. Rent our hotel for your special events and join the Empire Omerta group for exclusive member-only benefits. Use our booking form to schedule your memorable stay with us. 

– The Empire Omerta website

From the outset, this is a location to be experienced rather than simply visited; the majority of facilities are open to the public, but there is also Group membership, which brings with it a range of additional benefits. These include: access to secluded member-only locations across the hotel and island, use of hidden entrances, additional curated experiences, participation in contests and raffles, exclusive narrations, and advance notifications of events and activities throughout Empire Omerta (which are also recorded on the calendar located on the region’s website).

Omerta Island, November 2024

To achieve all of this, excellent use of space is made within the region; the ground level is home to the hotel and the majority of its public facilities, with the more exclusive / restricted elements located in the sky. The hotel sits on a small island almost surrounded by tall mountains and wooded shorelines, a single passage offering a glimpse of open seas beyond, suggesting the hotel sits within a deep water bay cutting into the coast of somewhere.

Visits commence on a pier extending out from the east side of the island, giving the impression that one has just disembarked the hotel’s de Havilland Canada DHC-3 Otter moored at the pier with engine running, have just flown in. A short walk along and up the pier and boardwalk, passing through a small “arrivals” area and then a more impressive “gatehouse” to reach the hotel’s main entrance.

Omerta Island, November 2024

Passing through these will expose visitors to their first opportunities to become members at the Hotel – as noted, this is not required for casual visits (or for renting one of the hotel’s luxury suites), but it’s worth touching them just the hear the svelte tones of the greeter once more, if you missed it on arrival! And, obviously you can join at any time during a visit, should you wish.

The lobby of the hotel will bring you into contact with one of many AI NPCs to be found throughout – Vinny, the hotel receptionist, who will greet arrivals as they enter and can be engaged in light conversation and answer questions. The foyer provides access to the the hotel’s gift shop and library and, after passing through the hall providing information on the hotel’s services and details on the individually designed feature suites, visitors can find Vitali’s restaurant – also a destination in its own right, offering free seating of a “live” dinner service if a reservation is booked. The bar here is overseen by Jimmy, a fairly smooth-talking barman with a Sinatra-like sense of style and who’ll mix / pour you a drink / get you nibbles to feed on, when you select something from the menu.

Omerta Island, November 2024
It’s at the back of the hotel that visitors can find the elevators serving the hotel suites and sky-located facilities. The suits can be accessed free-of-charge for a 3-minute period to preview – although it is worth reading the descriptions for them found in the hall linking hotel lobby with the elevator / back of the hotel to get an understanding of their theme and features (those already rented are indicated here as well).

Staying in a suite provides access to all of its facilities, together with 150 LI with which to rez your own items, if required, with the daily rates again displayed in the hotel’s hallway. Room rental provides privacy and access to facilities and options exclusive to guests (hint: there are some hidden (adult) specialities waiting to be discovered  – particularly in the case of the Cardinalis, you’ll just need to be a bit of a bookworm (so to speak) to discover the secret.

Omerta Island, November 2024

The elevators also provide access to the hotel’s Dance Club (open to all) and facilities such as the spa (with sushi bar!), gym, cinema and casino which are restricted for members only use. Details on the various experiences to be found within the setting can be found on the website, which includes a glimpse of upcoming experiences as well.

My passion is creating unique experiences around the hotel for both individuals and couples to enjoy. I’ve been dedicated to custom work for years and I’m excited in curating experiences like Vitali’s, where I blend custom audio, scripting, graphics, and more to craft something truly special. 

– Lux Voxel, creator of Omerta Empire

Omerta Island, November 2024 – Lux voxel (r) and NPC Vinny
Outside of the hotel proper is still more to be found and enjoyed by members, guests and non-members alike. These include a ribbon beach running around the south-east arc of the island’s coastline, sun decks and gazebos, a wedding chapel, reserved outdoor dining, a little art gallery / walk set between two glazed gazebos, and more. One of the more unusual is the outdoor venue, where a stage has been set-up in the space once occupied by a car wrecking yard, the sad remains of former cars and trucks now repurposed as a wall to help keep the wind out while the neighbouring water tower has also bee repurposed as a neat little romantic look-out point. The wrecking yard stage area is balanced on the south side of the island by another outdoor stage area located alongside the chapel.

Piers close the the one serving the hotel’s air taxi offer jet skis for use be group members, free diving into the water, fishing (catch and release!), all of which can be found at the Old Port, whilst the Tattoo Parlour to the rear of the hotel, and with is own street-side access,  includes an elevator that will deliver visitors to Lux’s Meshmafia in-world store. Also accessed separately from the hotel is the local photo studio, which includes rates for photoshoots ranging from a profile headshot through a couple’s scenic photoshoot to full wedding / event photoshoot.

Omerta Island, November 2024

Richly detailed, with friendly service – my sincere thanks to Lux for he welcome and support throughout my visit and his patience in answering my questions – Empire Omerta is a genuinely engaging Second Life location with a lot to see and enjoy, including a very active events calendar. Should you enjoy your time visiting and fancy indulging yourself over the upcoming Christmas holiday period, be sure to enquire about Empire Omerta’s Christmas Gala, featuring 3 hours of live entertainment!

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A shameless self-promotion in Second Life

My exhibition at Maison de la Chouette, November  / December 2024

Yes, a little self-promotion, I’m afraid, wrapped in the guise of two exhibitions in which I’m featured as both the solo exhibitor and as a part of an ensemble exhibition in which I’m delighted to play a small part, sitting amidst some extremely talented artists and photographers.

The solo exhibition is taking place at Maison de la Chouette, curated and operated by the lovely Owl Dragonash, who asked if I would put on a 2-month display there starting with a soft opening early in November. Whilst already available to view, the exhibition will have a more formal opening on November 13th, 2024 at 12:00 noon SLT – which I very much hope those of you who can, will attend.

My exhibition at Maison de la Chouette, November  / December 2024

A further gallery nestled within the Corsica South Coasters area, joining with the likes of NovaOwl and the galleries at Port Emyniad (and locations in between),  Maison de la Chouette is a boutique-style gallery utilising a Tuscan style house, allowing art to be displayed on two floors. This makes for cosy little exhibitions, which is probably for the best where my work is concerned.

And that’s not false modesty kicking-in; I genuinely don’t see my  SL photography as “artistic” or “art”; rather it is primarily intended to be illustrative, and a means of breaking some of the meandering jumbles of thought which appear in this blog. As such, I’m sincerely flattered (and genuinely surprised) when I an asked to display them in-world in either a dedicated exhibition or as part of a larger exhibit.

Cloud Galleries Winter Art Market, 2024

And a larger exhibit is what you’ll find at the Cloud Galleries Winter Art Market, again curated by Owl. Whilst this has its official opening party on November 19th, 2024 at 12:00 noon SLT, it has already enjoyed a soft opening as it brings together multiple artists from across SL, all of whom are displaying 2 pieces each on a winter / seasonal theme. Those participating include:

Alex Riverstone, AmandaT Tamatzui, BijouxBarr, Carelyna, Ceakay Ballyhoo, Dido Haas, Sina Hastings (Fasina Firehawk, Frank Atisso, Giselle Seeker, Hermes Kondor, Jaminda Galênê Moon (Jaminda Lygon), Jerzzie Reece-Redstar (jerzzie Reece), Jilla Lamar, JueL Resistance, Lizbeth Morningstar, Maggie Runo, Tom Willis (MajorTom Willis), Marnie Morningstar (Marnie Ansar), Owl Dragonash, Pagan Lane, Pieni, Rosie Riverstone (YsabellaRose), TaccaExotic, Tess (Therese Carfagno), Uli Jansma, Wren Parker (Wren Carling), Christian Carter (XJustFriendX), Zia Branner and Yours Truly.

Cloud Galleries Winter Art Market, 2024 – Rosie Riverstone (YsabellaRose) and Maggie Runo

With such a diverse mix of artists and photographers, the Winter Art Market offers an engaging mix of images captured in-world together with original art and photography taken in the physical world and uploaded to Second Life. The setting is suitably wintery, being a snowbound outdoor venue adjoining the Cloud Galleries in Novatron. Also, as might be expected by the title, the art on display is offered for sale by the participating artists and photographers.

So, that’s potentially two exhibitions to visit, both within easy reach of one another (bot that anything in Second Life is ever *that* far out of reach!). I certainly hope you’ll support those participating at the Winter Art Market, and if you can make it to my little exhibition and shindig – then thank you! My thanks to Owl in particular for inviting me – and to the DJ LiTo Team for providing the music for both openings!

Cloud Galleries Winter Art Market, 2024 – Jilla Lamar and JueL Resistance

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Novatron is rated General.

2024 SL SUG meetings week #46 summary

Clef des Champs, September 2024 – blog post

The following notes were taken from the Tuesday, November 12th, 2024 Simulator User Group (SUG) meeting. They form a summary of the items discussed, and are not intended to be a full transcript, and were taken from the chat log and Pantera’s video of the meeting, which is embedded at the end – my thanks to her for providing it.

Meeting Overview

  • The Simulator User Group (also referred to by its older name of Server User Group) exists to provide an opportunity for discussion about simulator technology, bugs, and feature ideas.
  • These meetings are conducted (as a rule):
  • Meetings are open to anyone with a concern / interest in the above topics, and form one of a series of regular / semi-regular User Group meetings conducted by Linden Lab.
  • Dates and times of all current meetings can be found on the Second Life Public Calendar, and descriptions of meetings are defined on the SL wiki.

Simulator Deployments

  • On Tuesday, November 12th, 2024, the simulators on the Main SLS channel were restarted without no updates.
  • On Wednesday, November 13th::
    • The Barbecue simulator update will hopefully be deployed to all simulators on the BlueSteel RC channel; however, a late-breaking bug in the code may prevent this. Among other things, this update includes:
      • Support for “alpha-gamma” which will allow an object owner to adjust some of the PBR alpha values that were impacting legacy things like hair.
      • llSetAgentRot.
      • A new warning on receiving direct IMs from Scripted Agents (“registered” bots). Rider describes this as “Bot confessions”: with IM sessions with bots there will be a warning sent to the receiver that they are having a conversation with a bot. Also, for viewer developers, there will be a bit of metadata attached to the IM_NOTHING_SPECIAL that indicates the sender is a bot.
    • The remaining RC channel will be restarted.

Apple Cobbler Update

  • This will follow the Barbecue deployment in the coming week, and should include:
    • llTransferOwnership which enables a prim give itself to a new user (subject to owner permissions already set).
    • An extended llGiveInventory to allow for a destination folder (system folders + RLV/a) to be specified as well (+ the use of a parameter list, so further options can be added in the future).
    • llMapBeacon – like llMapDestination, but a) does not necessarily open the map window; b) can optionally open the map, with or without focus. This will also require a viewer update.
    • A new function for detecting attachments. If it is running with an experience it will be able to detect HUDs that also have scripts with the same experience (e.g. to ensure the correct HUDs are being used – this will not allow anyone to script to find out all the HUDs someone is using).
  • A preview of Apple Cobbler is available on the Aditi (Beta Grid) regions of Mauve and Jigglypuff for those wishing to test.

SL Viewer Updates

The ExtraFPS RC updates to version 7.1.11.11750364439 on Tuesday, November 12th.

  • Release viewer: version 7.1.10.10800445603, formerly the DeltaFPS RC (multiple performance fixes, etc), dated September 11, promoted September 17 – No change.
  • Release Candidate: ExtraFPS RC, version 7.1.11.11565212741, October 30.
    • Performance improvements: enhanced texture memory tracking, broader hardware compatibility and higher FPS gain;  additional code to improve texture streaming on rigged attachments (e.g. if an earring is made with 2K textures, the viewer will correctly calculate the required resolution for the textures and download them, rather than downloading the full 2K textures), etc.
    • Aesthetics improvements: new Antialiasing setting – SMAA; Contrast Adaptive Sharpening; Khronos Neutral Tone Mapping (can be changed to ACES via the RenderTonemapType Debug setting).
    • UI Optimisations.

In Brief

Please refer to the video below for the following:

  • Further discussion on llGiveAgentInventory, including but not limited to:
    • A reminder that the  function will not require a viewer-side update.
    • Requests that it should include the option for the receiving user to select the destination folder.
    • Whether or not all items given using llGiveAgentInventory should be forced to default to creating folders only with a defined system folder within inventory (e.g. “Given Items”).
    • Discussion and disagreements over which folders should be available for nomination by a script / which should not.
    • A general discussion on system folder naming (e.g. the misnomer of “Received Items”, suggesting everything goes there, when it is in fact for items received from the MP) which in turn wandered into areas of tagging and hierarchies.
  • Comments on attachment issues (failing to show on others after TP, etc.), Monty Linden reminded people that the recent fix targeted a specific issue (relating to attachments ghosting and similar on region crossings), not “all” attachment related  bugs. He also notes that there is some asset re-prioritization work going on in the viewer which is improving avatar render after arrival.

† The header images included in these summaries are not intended to represent anything discussed at the meetings; they are simply here to avoid a repeated image of a rooftop of people every week. They are taken from my list of region visits, with a link to the post for those interested.