Talia’s Susurrous in Second Life

Note: As of at least December 2024, Susurrous has been switched to Group Only access and the Group is closed to enrolment.

It’s been a while since I’ve visited a region design by Talia (Natalia Corvale), a designer with – as I’ve noted before – an eye for creating region designs that are wonderfully attractive, rich in natural detail, and evocative of places that one might find tucked away whilst on global travels. In fact the last time I covered one of her designs was in 2021; so I was delighted to be able to drop into her most recent design, Susurrous and spend some time exploring.

Occupying a Full region, the setting is both Talia’s home in Second Life and a public space offered for people to explore, take photographs and simply relax within, with Talia requesting visitors respect it as both public and her home.

Bounded on all four sides by wooded hills of a region surround, the setting is separated from them by water, framing it as a broad, semi-rugged island with  an autumnal feel which links it neatly to the more distant hills despite the waters sitting between the two. This is a place utilising mesh landscape elements and changes in elevation which enhance its look and feel as a location deep withing a rugged countryside, such as found on the north American continent.

The Landing Point is tucked into north-west corner of the region where the land is at its lowest. It sits on a deck close to where the land makes a final short rocky drop into the waters below. An arrival sweeper gently encourages those new arrived to move along the deck toward the steps down to ground level. From this little headland, a sea of yellowing grass rolls inland, interspersed with trees, a little stream bubbling its way from the southern uplands as it  sloshes its way down over little steps of rock towards open waters.

Across the stream, and reached via a couple of bridges spanning it, is a cosy cabin with a barn and small greenhouse relatively close by, giving the impression this is all a homestead farm. It’s not clear what the produce from it might be, but some of could be connected with the sale of alpaca fleece, while another seasonal product appears to be pumpkins, making it the kind of place Linus Van Pelt might appreciate spending time within at the end of October 😀 .

The homestead has a nice sense of being lived-in, from the interior furnishings through the clothes drying on the lines outside, to little details such as a shirt draped over the handle of an axe with its blade embedded in a tree stump, as if whoever had been welding it worked up a sweat and then and stripped to the waist before wandering off to get a drink.

The southern border of this little farm lies along the bank of another stream as it cuts a gully to reach the west side of the region, spanned by a bridge reaching out from the farm to connect to the grassland on the other side. A little group of buildings from a short arc on the far side of the gasses from the stream, and sit is if someone once tried to establish a little huddle of businesses here. Whether the attempt succeeded or not is a matter of conjecture; for now the majority lie deserted; now this came to be is a story for your imagination to create when visiting – perhaps whilst sitting in the little bar which has managed to survive in the shell of the old oyster shop.

Much of the southern and eastern sides of the region are elevated, starting with a high plateau along the southern edge of the setting. This runs from the eastern cliffs almost all the way to the grassland on which the would-be hamlet sits. A grassy incline and rocky wall link the two, the incline offering a way up the former from the latter. Climbing half way to the top, the incline ends alongside a pool of water fed from the rocks above, and which in turn feeds the two streams below. From here, a broad shoulder to grass leads the way to where stone steps take over, curving their way up grass and rock to pass a terrace. Just beyond this, the steps are in turn replaced by a wooden stairway as it climbs to a treehouse cunning disguised as a cabin sitting atop a wooden platform extending out from the plateau’s edge.

The top of the plateau offers a broad expanse of grass  dotted with trees, two of which support the two halves of a tree house (in the literal sense of a house built in the boughs of a tree 🙂 ), and another carries a large platform with seating surrounding its trunk and suspended from the boughs above it. It is on this plateau I found a couple of rideable horse from Water Horse – although given they are rideable, and so might get moved around by those using them, you might come across them elsewhere in the region. As one was available, I mounted it and headed east and then along a trail running along the top of a flat-topped ridge pointing north.

I’ll admit the trail was a little unfriendly to horseback riding in a couple of places, but with the little trial and error, I found myself making my way past more locations to sit (one being a cabin down on another shoulder of the plateau, and best reached from the western end of the uplands, after crossing the stream there to the trail rising to run along it). Towards the northern end of the ridge, the path dropped down a steep slope and into the north-east corner of the setting.

This forms a roughly square expanse of grass and shrubs, overlooking water on three sides: the waters to the east and north, and the mouth of an inlet cutting into the land from these northern waters. Tucked into one corner of this flat table of rock and grass sat a large open-air deck with seating and a fireplace for warmth, and sitting semi-secluded behind shrubs and bushes.  Facing it from across the grass and sitting about the inlet mouth sat a large café offering further respite for weary travellers.

Rather than visit the deck or the café  – which offers both indoor and outdoor seating, I instead switch-backed my way down grassy inclines the the banks of the inlet, and made for the covered bridge spanning it.

A shack at the head of the inlet displays a sign offering boat rentals and the sail of fishing bait, but given the bridge sits so low over the water, fishing is probably the better option of the two to pick. For my part, I crossed the bridge and then cantered up the slope to where the meadow flowed back towards the landing point and the stream forming one boundary to the farm. I headed for one of the bridges to the latter, finally leaving my good-natured horse at the barn there.

Nor does this complete a look at the region: as noted earlier, there are multiple places to sit and pass the time, some of which are easy to stop, others more cleverly tucked away and need to be sought out. Throughout the entre region the landscaping is exceptionally well done and the opportunities for photography manyfold, with the local animals (domesticated and wild)  offers a further sense of life throughout.

My one minor niggle with Susurrous lies in the fact that scripts are disabled. While the choice of capabilities available to people entering a region is entirely the choice of the region holder, and there are a couple of horses (that I saw) in the region which can be ridden, it would nevertheless be nice if those who have them to be able to add their own horse to their avatar and enjoy a canter / walk around the setting.

However, the above does not in any way spoil the fact that Susurrous is a beautiful setting, the landscaping very well put together to present an entirely natural and eye-catching environment at it slopes down from the the southern and eastern uplands to the north-western coastline before the land makes its final rocky drop into the surrounding waters. The accompanying soundscape is subtle and helps to further immerse visitors, whilst the multiple places to sit offer plenty of opportunities for relaxing and taking photographs.

SLurl Details

• Susurrous (Blue Water Cove, rated Moderate)