Reviews – Page 78 – Inara Pey: Living in a Modemworld

An artistic Touch of Magic in Second Life

Posted on July 24, 2023February 3, 2024 by Inara Pey

*Lost Unicorn Gallery, July 2023: Lori Bailey – A Touch of Magic*

A Touch of Magic is the title Lori Bailey has given to her latest art exhibition, opened at the Lost Unicorn Gallery on July 23rd, 2023. Curated by Natalie Starlight and Nessa Nova, who together operate the always enchanting Lost Unicorn estate, the gallery is a fitting venue of Lori’s art, offering as it does a fantasy-style venue within its fairy tale castle walls that is entirely in keeping with Lori’s dream-like images.

Like myself, Lori is one of Second Life’s travellers, spending her time exploring regions and settings across the grid, and recording the things she sees in photographs presented through her Flickr account. Also like myself, she enjoys playing with EEP settings and experimenting with them to produce her core images.

However, and quite unlike, me, she possesses an artist’s eye and a compositional style that combine to produce genuinely enchanting images of the the places she visits, together with thoroughly engaging avatar studies (an ability I have never come close to mastering), in which post-processing plays a minor role compared to the overall original composition and framing of each picture.

All of this is every much in evidence within A Touch of Magic as it occupies the main lower gallery space at Lost Unicorn Gallery, mixing avatar studies and landscape pieces with easy grace whilst fully demonstrating Lori’s self-developed talent as a Second Life photographer-artist.

Noting that she prefers other tools to PhotoShop, she exposes her pieces to minimal re-touching / editing, tending to limit such activities to colour enhancement, some depth of field blurring, and light touches to adjust light. The result of this are images which have an genuine ethereal air about them, which has unique, and very different ways of drawing the observer into them.

Within the landscape pieces, this etherealness manifests as unique interpretations of the the locations captured, allowing us to view the scenes through Lori’s eyes and imagination whilst simultaneously both presenting their beauty while also translating it into a dreamlike, almost empyrean state, where light become a gossamer, almost tactile presence which seems to drift through each piece as if as much a physical part of the scene despite its impalpable nature, making it as much an embodiment of the scene as anything to be be found within it, be it tree, plant, boat, object or structure.

For the avatar studies, this ethereal quality gives a sense of narrative and emotion that reaches well beyond the limits of the image itself; a narrative mostly clearly, perhaps, suggested through a gaze directed beyond the canvas by the subject of the image, or through the look being exchanged between those featured within the image.

Like the music she adores and which forms such an important part of her life (something else we happen to share; I am rarely without music surrounding me), Lori’s art is melodic in form and presentation, each piece combining individual notes and movements – from focus to subject, to lighting to environment – to deliver a finished pieces which, whilst “symphonic” might sound overly descriptive, are undeniably both lyrical and harmonious – and a delight to the eye and the imagination.

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Lost Unicorn Gallery (rated: Moderate)

An enchanted library at the foot of a rabbit hole in Second Life

Posted on July 22, 2023 by Inara Pey

*The Enchanted Library, July 2023 – click any image for full size*

Lewis Carroll’s creation, Alice, and her adventures in Wonderland and Through the Looking Glass, are a popular inspiration for Second Life creators and region designers. I’ve covered numerous Alice-inspired builds within these pages; some of which focus on the stories as a whole, others of which take specific elements of the stories to offer something of interest / fun for Second Life residents to explore.

With The Enchanted Library, Kaneha (Kaneha Atheria) uses Alice’s trip down the the rabbit hole – a trip which first appeared within the manuscript Alice’s Adventures Under Ground before being expanded into the published Alice’s Adventures in Wonderland – as the leaping off point for the exploration of the magic of books and stories, with a focus on not a single tale, but 16 books hidden within her 4096 sq metre setting.

The adventure begins by following the White Rabbit literally down his hole to arrive a very particular wonderland. Further references to Carroll’s stories can be foot at the hole and along the path leading to a twilight garden. Here, scattered among the trees, flowers and ruins are numerous places to sit – and one to dance – all gathered under a skydome of stars.

Meandering between the various locations is a path of stepping stones. This switchbacks its way to where a large draughts board forms a waiting dancefloor, overlooked by the remnants of the chapel. Along the way are clues to the 16 stories and books – I’m not going to list them all here; the fun is in discovering them, and some might be a little more obvious than others, depending on your point of view.

That said, there are hints that a girl will go to the ball, that a Modern Prometheus may not be quite a monster or that whilst also being undead can suck or that winter might well be coming. There’s also at least one direct reference to a specific young wizard sitting within the broader pointers towards the world of magical tales, whilst a table apparently set for an afternoon cup of tea reminds us that poison was a favourite form of murder for a certain writer of mysteries – although this might also be a reference to wider forms of writing, such as plays.

This latter point might be further indicated by the presence of an advice booth which brings to mind the one oft visited by a little boy who doesn’t have the greatest amount of luck when it comes to baseball (or with footballs – although that’s largely down to the little girl sitting behind the booth). Also awaiting discovery are interactive elements; not just the dance machine or places to lie or sit, but givers allowing visitors to enjoy a touch of poetry, adding another twist of interest for visitors.

Small but making good use of the available space, The Enchanted Library offers visitors an warm and engaging visit.

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The Enchanted Library (Yia Yuto, rated Moderate)

A liberating island in Second Life

Posted on July 20, 2023 by Inara Pey

*Moksha, July 2023 – click any image for full size*

In Hinduism, the Puruṣārtha are the four goals of life: moral values / righteousness (Dharma); love, psychological values (Kama); economic values / prosperity (Artha) and spiritual values / liberation (Moksha), and it is the last of these concepts Effy Nova has used for the name of her public Homestead region.

It’s a place I was first alerted to Effy’s Moksha by Shawn Shakespeare (SkinnyNilla) back in May, but have only recently had the opportunity to give it due attention to write about. It takes the broadest meaning of the Hindu term, emancipation, enlightenment and liberation, free from its more religious connotations, to define her region as a place of blissful escape: a place where we can be freed from the worries and demands of daily life and simply relax and enjoy.

Set as a tropical island, Moksha blends within itself an interesting mix of ideas and themes. The region’s name, the presence of little elephants dressed as might be seen within the Indian sub-continent and a stone carved bust of Shiva, suggest this might be a small island retreat somewhere off the coast of India (or perhaps Sri Lanka); however, the presence of tuka huts in the shallows gives the setting a hint of the Philippines.

Not that there is necessarily a contradiction here; whilst in the minority, the Philippines does have a small Hindu population, while the market boats floating alongside the over-the-water boardwalks suggest both India and the Philippines, thus making the composition of the region an engaging mix of influences which sit well together.

In terms of its design, the setting might be seen as the remnants of a long-dead and flooded volcanic cone, the crater now given over to a semi-sheltered seawater lagoon, open to the broader ocean on one side, the southern an eastern flanks of the cone withstanding the erosion of sea and windswept salt air to remain as two fairly substantial islands. To the west and south, the crater perhaps hasn’t faired so well, the rock having been largely worn down to sand bars and sea-flattened rocks helping to protect the entrance to the lagoon – all with the exception of one stubborn thumb of rock pointing skywards.

It is on one of the sandbars that the region’s landing point is located. It sits in front of one of the boardwalks extending out over the waters of the lagoon, a footpath offering a route to the five tuka huts as they sit on their stilts over the calm waters as they sit towards the eastern end of the lagoon and the smaller of the two main islands.

The lagoonside foot of this island offers a further sandy beach; the volcanic rock rising behind it protecting it from the weather, the fertile soil of the steep slopes offering a richness in which monkeypod and palm trees can find growth. The ribbon of beach is home to a little gathering of beach-side business shacks offering food and refreshments, an over-the-water deck offering plenty of room to sit and eat / drink. In a further touch of Hindu influences, Ganesh is available within one of the shacks, which has been turned into an air-conditioned shrine.

The sandbar on which the landing point sits runs back to the largest of the islands as it forms a tall, steep-sided spine of rock. Once again the soil here is rich and deep enough to allow a good growth of palm, monkeypod and honey trees. A single gravel path runs up the slope from the beach to where a house sits among the trees to overlook the bay. Built largely of bamboo, it is a place which looks as if it would feel as much at home in Bali as here.

Lying below this on the south side of the island is a smaller outcrop of rock sitting just off-shore and a small headland of sand reached via a gravel path running down from the bamboo house. With little boats moored in the channel between the large and small island, the southern headland is home to a quiet retreat where singles and couples can pass the time.

Life is given to the setting through the use of static NPCs. From a couple catching the sun on a diving raft through a mother putting a protective towel around her daughter after a swim,to people perusing the shrine and beach shacks, these characters help give a sense that this is a holiday retreat, some of them perhaps having been brought to the islands by the catamaran moored just off the western beach.

Engaging and photogenic – those requiring props can join the local group for rezzing rights – Moksha is an easy-on-the-eyes visit.

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Moksha (Simply Heaven, rated Moderate)

Journeying with The Spirits of the Forest in Second Life

Posted on July 19, 2023February 3, 2024 by Inara Pey

*New Life Gallery, : Hermes Kondor – The Spirits of the Forest*

July 15th saw the opening of The Spirits of the Forest, an exhibition of pieces by Hermes Kondor at the New Life Gallery within the campus of St. Elizabeth’s University.

As a photographer / artist, Hermes is constantly extending his range of approaches and techniques, with a number of his recent exhibitions focusing on the use of AI tools – largely Midjourney, I believe I’m correct in saying – and also on his macro compositional work featuring still life on the smallest of scales. It is for its richness, range and compositional quality that I’ve come to deeply admire and appreciate Hermes’ work, and it is always a pleasure to cover one of his exhibitions in these pages.

Comprising 27 images split across the three levels of the gallery – all of which are connected via an elevator rather than stairs – The Spirits of the Forest represents a collection of his more recent explorations with the use of AI generated pieces combined with other digital photographic techniques to offer some marvellously expressive pieces on the theme of “hidden guardians” – spirits, sprites and minor deities once thought to inhabit and protect forests and woodlands.

Such beliefs – and the worship of trees themselves – was common among many cultures, east and west, and often linked with ideas of fertility, renewal / rebirth and the cycle of life. The link to fertility tended to lean many such spirits to be personified as female deities in most cultures, although there were male figures among them. Similarly, while most were considered benevolent and giving, some cultures did have more malevolent forest / tree spirits or at least have a number given to a more mischievous nature.

Within The Spirits of the Forest, Hermes appears to draw inspiration from the more western traditions of female woodland spirits, stirring in a touch of what might be fantasy elven leanings. How much of this is by design and how much is the result of the parameters given to his AI software is unclear, but the majority of spirits within the images appear to have strongly western European looks. Not that this is in any way a critique; the figures are not intended to be representative of specific tree deities, they are rather intended to springboard our imaginations into mental narratives on he nature of the spirits and trees featured within them – and possibly more besides.

For me, these deeply expressive images brought to mind a range of thoughts, from reflections on the nature of matriarchal religion and the argument put forward by Robert Graves that, within western European cultures, the multiple beliefs in female deities in all their forms – including those of the forest – are rooted in an ancient belief in a single “mother goddess” whom he called “The White Goddess”. mixed with this came reflections on how common artistic interpretations of the likes of Tolkien’s elves down the decades since the publication of Lord of the Rings may have played a role in how the AI tools producing the base images on which Hermes has built his finished pieces, all the way through to the sheer artistry of the displayed pieces and how each presents a world of mystical beauty which appears to sit just beyond our reach, but is nevertheless fully visible to the imagination.

Given such a rich mix of reactions, it should come as no surprise that I thoroughly recommend The Spirits of the Forest as a very worthy visit, forming as it does an exhibition of deeply captivating images all of which can be appreciated in their own right both as digital art and for their ability to offer a single-frame story, and which collectively can take the mind on a journey of expositional enquiry and thought.

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New Life Gallery (Dark Dreamer, rated Adult)

An Evergreen visit in Second Life

Posted on July 18, 2023January 10, 2025 by Inara Pey

*Evergreen, July 2023 – click any image for full size*

Elyjia Baxton sent me an invitation to tour her latest region design which recently opened to the public, and given her past work – often featured in this blog – I was delighted to accept as soon as time allowed.

Evergreen is a Full private region leveraging the land capacity bonus, and held by Karo Camorra (abella74). It has been designed as a public space by Ely to provide, in Karo’s words, a place where people can:

Chat with your friends in the town overlooking the beach, or enjoy a solitary or romantic stroll in the forest or follow the path along the river while taking advantage of the various places to relax in a calm and lush setting, and take some photos.

– Karo Camorra (abella74)

The town and beach in question lie to the north-east of the region, the landing point sitting at the top of steps connecting the former with the latter. Extending into the south-eastern quarter of the region, the town is a small, but distinctly European-looking affair, the tall houses – some with ground level business – are all façades, rather than furnished buildings. However, it offers numerous little places to sit and pass the time, while the steps and path leading down to the beach run between saplings and shrubs before reaching the warm sand. This is guarded by a tall tall wooden watchtower / radio shack, now converted into another cosy hideaway, under which the path runs, but accessed directly from the beach.

The beach also offers various places to sit and pass the time as it runs along the north coast to arrive at stone steps rising to the western side of the main island, passing by way of a raised wooden deck where an artist appears to have taken up shop. The beach is given a sense of popularity courtesy of a schooner apparently passing by in full career just off-region, and two Linden Endurance-class sailing boats moored in the shallows.

Prior to reaching the beach, the gravel path almost branches to the left, passing alongside a low wall separating the little town from the land flowing down to the sands. With birch trees lining one side of it and saplings the other, the latter also providing some shade to the wild growth of flowers sitting between the path and the beach. Narrowing as it reaches the western side of the town, the path meanders its way west, passing by a summer house, a cylindrical folly and a gravel pool, all of which offer places to sit, with the latter linking to a path pointing back eastwards to a gazebo and chaise lounge sit among the wildflowers and overlooking the beach.

As it reaches the summerhouse and folly, the westward-pointing path splits, a rougher trail continuing west to offer the way up to the region’s lighthouse as well as the means to reach what had likely once been a north-western headland.

Now separated from the rest of the land by a narrow channel, this former headland has the feel of having been long since deserted; Nature is in command, what had once been a brick-and-wood greenhouse sits abandoned to her claim. This may have once have been a base of operations for the artist who has taken over the wooden deck mentioned above; if so, then perhaps advancing years had caused the artist to foreshorten the walk from town to studio, leaving the latter to its fate in favour of using the deck for their artistic expression.

The path to the western isle also branches prior to reaching the channel separating the headland from the bulk of the region. Pointing south, this passes by a very modern-looking pavilion built over the west coast before branching yet again, one arm looping back to the summer house and folly, the other continuing on through the trees and plants to a little cove cuddling a secluded shack and its dock within its shallow arms, a home for moored rowing boats and deckside rocking chairs.

Inland from this shack, the land is split by a stream which descends in a series of low falls from the uplands on which the town sits, to finally turn south and fall into a broad pool which does much to help form the landscape of southern half of the region. In doing so, the stream gives form to a tongue of land running east from the edge of town, caught between the stream to one side and the drop down to the waters below on the other. It is home to a steel-framed conservatory, home to tropical plants within an otherwise temperate setting.

With the waters of the pool and the streams flowing outward from it, the southern side of the region is perhaps the most photogenic. Once again, paths meander around it, starting with the one descending from the town to the south-east. Here, streams flowing out from the pool cut the land into slices and give rise to very natural lowlands which are in equal part rocky, rich in plant life and with plenty of places to sit and pass the time – as well is in which to take photos.

The south-eastern corner of the region is dominated by a wooden windmill overlooking the south coast. It is reached via a gravel path which curves south and west from the foot of the steps descending from the town and carried over the gorge of a stream by a covered bridge. After passing the furnished windmill, this path continues onwards to offer the best route of southern exploration.

Following it will take visitors past a pier extending out into a shallow bay (and the home of table-top games which can also be reached from a teleport station near the region’s landing point), and by more places to sit – a riverside covered picnic spot, another folly and an old bandstand – to cross another small stream before curling itself around the large pool mentioned above. It ends in at a little cottage on the east coast.

All of which is a long-winded way of saying this is a region worthy of seeing first-hand; there is a lot to see and appreciate – more so than I’ve presented in the last 1,000+ words. Offered under a fairly neutral selection of environmental settings, Evergreen naturally lends itself to a broad range of EEP settings, with opportunities for photography large and small throughout.

Finished with a matching natural soundscape and given a sense of age through the scattered ruins and derelict building awaiting discovery and live via the presence of wild and domestic animal and the furnished cottages and cabins, Evergreen makes for a thoroughly engaging visit.

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Evergreen (Fanatica, rated Moderate)

Asian Cinema in Second Life Art

Posted on July 14, 2023February 3, 2024 by Inara Pey

*Kiku Art Gallery: Daikota Wind – 18 Images Inspired by Asian Films*

I was drawn to the boutique-style Kiku Art Gallery, operated and curated by Rafael Nightshade and Suzanne Logan – who also operates the Amatsu Shima estate within which the gallery is located – for an engaging and fun exhibition with combines Second Life photography with another visual medium: Asian Cinema.

Occupying the South room of the gallery, is 18 Images Inspired by Asian Films by Daikota Wind, which also carries this shorter title Asian Cinema. As both titles suggest, the focus of the exhibition is on cinematic productions of the Far East, which film-making is (as if it needs saying) as rich and genre-spanning as cinema in the west (or anywhere else in the world).

When considering Asian cinema, thoughts are likely to focus on the likes of Chinese (/Hong Kong) and Japanese productions which have a long history of western exposure (and inevitable re-makes / re-interpretations), together with – more recently – that of South Korea. Due to the prolific output of these three powerhouses, they do dominate this exhibition, although Indonesia and Thailand also get very honourable mentions. However, rather than focusing on national output, this exhibition seeks to offer insight into the aforementioned genre-spanning nature of Asian film-making.

To achieve this, Daikota presents 18 images of films ranging from action to thriller, passing by way of comedy, drama, fantasy, post-apocalyptic, romance and more, each image inspired either by a scene from the film it represents or from the posters used to advertise it. Each image shares its space with a brief synopsis of the film’s storyline.

The images themselves appear to have been subjected to minimal post-processing, adding to their connection with the film they represent, rather than suggesting how the artists interprets the film. The accompanying text offers a fair description of each film’s plot, together with some insights by Daikota giving each one more of a personal feel.

Some of the films – Infernal Affairs, Crouching Tiger, Hidden Dragon, Ju-On, to name three, but Daikota’s images and synopses give them a freshness and vitality which certainly increases the desire to go and watch them. Light and engaging, 18 Images Inspired by Asian Films offers a worthwhile exploration of Daikota’s photography and the films of the far east.

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Kiku Art Gallery (Amatsu Shima, rated Moderate)

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Chat with your friends in the town overlooking the beach, or enjoy a solitary or romantic stroll in the forest or follow the path along the river while taking advantage of the various places to relax in a calm and lush setting, and take some photos.

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