The rural delights of The Peak in Second Life

The Peak; Inara Pey, October 2018, on FlickrThe Peak – click any image for full size

Note: The Peak is no more, as such SLurls have been removed from this post.

A photogenic community sim, with a European-countryside theme. A full sim with a selection of areas to explore, interactive games to play, rides. We are very voice friendly. We provide rentals as well. Tags: Music, open mic, karaoke, blog, carnival.

So reads the introduction to The Peak // Community, a new full region offering – as noted – a mix of public spaces and private rentals. Designed by KaidenTray, the region recently opened its doors to the public, and I was alerted to its presence by Shakespeare and Max, who had dropped in a couple of days prior to my own visit.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

There are a couple of remarkable things about this region. The first is the sheer visual appeal it presents, brining together a mix of elements together in what is as very photogenic setting that makes excellent use of the full 30K land capacity available to Full private regions. The second is, that as he notes in his Profile, Kaiden is a member of the Osbourne family in the physical world, and is not shy about the time he spends in Second Life (where he also runs a landscaping business).

While described as a “European countryside theme”, The Peak perhaps most clearly has its roots in rural Britain in terms of overall approach and styling whilst also casting its net far wider than just the UK and Europe. The country church and many of the houses would not look out-of-place among the rural byways of England, whilst the rugged nature of the landscape perhaps carries with it a hint of Scotland; even the wooden chalets out on the southern side of the region suggest the holiday camps from the days before air travel became cheap enough for almost anyone to enjoy.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

But so too does The Peak carry within it hints of the continental life, thanks to a large Tuscan style villa sitting towards the south-east corner, at the end of one of the semi-paved roads. Just below this sits a little coastal village, slightly separated from the rest of the region by cliffs and rocky slopes. With the brightly painted frontage of the buildings, this could easily be a place sitting on the Spanish coast – as the signage over doorways further suggests.

The more North American feel is evident on the north side of the region. Here, and to the east, a carnival sits, separated from the rest of the landscape by a narrow L-shape gorge. This is marked by the gentle rotations of a tall Ferris Wheel and the twisting madness of a roller coaster, while the derelict walls of a massive industrial-style building have been converted into both a bumper car arena and a gallery of street art, some of which carries a social message. It is here, perhaps that some of the region’s entertainment events will be held: parked within the carnival is a flat-bed truck, ready to serve as a stage for activities, while table games  sit close by as an alternative from for entertainment to the park’s rides.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

Meanwhile, to the west, a large sign points the way to the expanse of a trailer park proudly flying the Stars and Stripes, which also incorporates the wooden chalets mentioned earlier.

Quite excellent us is made of elevation throughout the region, with the roads and paths winding up and down slopes, around shoulders of rock, with cobble footpaths twisting their way down to what might otherwise be hidden walks along the edge of the sea, or by way of public courtyard down to the previously mentioned Spanish-themed village. For me, the winding, rise and fall of the principal road through the region again gives The Peak a distinctly English feel, as I’ve travelled along many such single-track lanes in certain parts of England many, many times.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

Being a relatively new region, most of the properties on the region have yet to be rented. Most are easily recognisable by the presence of a green For Rent box outside of them. I assume these boxes will vanish as places are rented, so a good rule of thumb during visits might be to treat the majority of houses, cottages and cabins on the region as rental / rented residences, regardless of whether a rent box is visible or not. For those who fancy being the lord (or laird) of the area, the rental properties extend to a fortified manor house, the church and manse close by adding to the feeling that this part of The Peak may have once formed a landed estate in the region’s past.

At the time of my visit, some work was still going on within the region, so don’t be surprised if you come across the odd sign indicating this to be the case; there’s also something of a Halloween theme presents as well. But these aside, The Peak is one of the most engaging and considered new regions I’ve visited in Second Life: the wealth of detail, the blending of styles and ideas, the inclusion of a natural and atmospheric sound scape; all of this comes together to present a place well worth visiting, exploring, photographing and simply enjoying. Those who do take photos are invited to share them via The Peak Flickr group.

The Peak; Inara Pey, October 2018, on FlickrThe Peak

 

Returning to the beauty of Winter Moon

Winter Moon; Inara Pey, October 2018, on FlickrWinter Moon – click any image for full size

Incredibly, it’s been five years since I last wrote about to Winter Moon, the always evocative Homestead region designed by Dream Shadowcry (see here for more). How I’d managed to let it drop from my list, I’ve no idea – so my thanks to Annie Brightstar for the reminder via Twitter.

In 2013, the region was a near-perfect embodiment of a monochrome setting, watched over by the tall tower of a lighthouse and making good use of water and coastline to present a memorable location. The lighthouse is still there, something of a signature piece for Winter Moon, and the use of water is retained, giving a feeling of familiarity after so long since my last visit, but unsurprisingly, everything has changed.

Winter Moon; Inara Pey, October 2018, on FlickrWinter Moon

From a monochrome photograph to a lover’s sanctuary, the transformation is wonderful to see – as are the many details that link this iteration of the region with past versions. The aforementioned lighthouse for example, or the ivory piano and the curve of a rocky arch; the upturned boat on the beach and the elegant use of water and land to present a memorable, romantic place in which to spend time.

Resembling an atoll with its southern aspect open the sea, the region sits beneath a default pink misty sky. Atmospheric when it comes to romance, the environment serves to make walking the ring of the atoll a journey of discovery. However, those wishing to take photographs may want to try an alternative windlight – and I have to say that doing so in no way diminishes the sheer beauty of the design; it can also make finding one’s way through the more wooded parts of the island easier.

Winter Moon; Inara Pey, October 2018, on FlickrWinter Moon

An informal path runs around the island, progressing from the landing point in thee west, not far from the lighthouse, to pass over flowered field and under leaf-heavy boughs. Circling a good part of the inner pool of water, it leads the way to where the land climbs towards a set of high, narrow cliffs forming a curtain on the east side of the island. Water tumbles down three sides of this high divide, which separates the lagoon on one side from and eastern expansion of beach on the other, a beach that circles visitors back to the open mouth of the lagoon, spanned by a bridge that reaches out to the lighthouse.

The beach, with broad sands and cut into three by narrows channels spanned by low bridges, looks out on three compass points, and is reached via wooden steps running down from the northern end of the high cliffs. Scattered across the sands are numerous places to sit in the Sun or under shade, be that shade from a windswept tree or the lacy drapes of an Arabesque pavilion.

Winter Moon; Inara Pey, October 2018, on FlickrWinter Moon

The beach isn’t the only place available for sitting: more chairs and perches can be found up on the cliff top, whilst array around the lagoon and seaward coasts are more pavilions and chairs sitting under the boughs of trees.

There is a wonderful mixing of styles here that increases the sense of beauty and romance. The Arabesque pavilion mentioned earlier, for example, sits on the beach like a tent in the desert, not far from the steam flowing outwards from tumbling falls where African elephants sit and bathe. Within the rounded shallows cupped by the land, and elven-like series of arches march out over the water to form a circle where couples can sit or dance to suitable music from the piano sited there; while from numerous trees chandeliers perhaps suits to the halls of some great Georgian house  hang to light the woodland paths.

Winter Moon; Inara Pey, October 2018, on FlickrWinter Moon

Throughout, there are many little touches that bring Winter Moon to life as a place used by lovers – such as the typewriter to be found in a waterside pergola, a heartfelt letter caught on its rollers or the champagne waiting on ice in another pavilion. Over all this, the susurration of water washing the shore or falling from high rocks mixes with the song of birds and the tinkling of chimes caught on the breeze, combine to add further depth to the setting, bidding visitors welcome and encouraging them to stay.

Beautifully imagined and executed, with a lot to see and discover, Winter Moon comes with a fitting dedication:

You know that place between sleep and awake, the place where you can still remember dreaming? That’s where I’ll always love you, that’s where I’ll be waiting.

Winter Moon; Inara Pey, October 2018, on FlickrWinter Moon

For lovers, romanticists, grid travellers and photographers alike, this is a region that remains an enduring place to visit and appreciate – and return to.

SLurl Details

A World of Soap in Second Life

Missing Mile - World of Soap; Inara Pey, October 2018, on FlickrMissing Mile – World of Soap – click any image for full size

We are one of the oldest, grunge style, residential estates in Second Life. We feature opt-in community run role-play and events. Our themes range from the supernatural, to everyday urban life.

– Introduction to World of Soap from the estate’s website

I can vouch for the World of Soap, designed by Loch Newchurch having been around a good while, having first visited it in August 2013 – although I didn’t get so far as writing about it. So my thanks to reader Mili Miklos dropping me a line about it and jogging my memory; the note allowed Caitlyn and I to rectify things with a further visit  and (for me at least) the chance to get re-acquainted with this immersive role-play environment with its supernatural / dark tones.

Missing Mile - World of Soap; Inara Pey, October 2018, on FlickrMissing Mile – World of Soap

Founded by Lock Newchurch, the community covers two regions: the township of Missing Mile and the rural Soap National Park. Both are designed to be set within North Carolina, USA, and the national park includes a reservation for the  Oconaluftee Cherokee. Both regions have their own unique character, and are linked via a road tunnel one to another.

Once the host of ritual murders, disappearances and biochemical experiments by the government, Missing Mile holds its fair share of secrets. Some say this dusty old town has become a lawless haven for the supernatural and the insane. Enter at your own risk! You never know what may be lurking among the humans…

– Missing Mile description, World of Soap website

Missing Mile - World of Soap; Inara Pey, October 2018, on FlickrMissing Mile – World of Soap

Unlike most role-play regions, World Of Soap is opt-in, not opt-out. This means visitors are free to roam the town and the park to get a feel for things while those wishing to engage in local role-play are asked to wear tags to indicate they are players.

Given the supernatural theme to RP, it is open to a number of character types beyond human. These are: infected / zombies; vampires; witches / warlocks; animals; werewolves, and aliens (Greys); according to the website, the option to RP ghosts is “coming soon”. There are also a few character types that are not allowed, as they don’t fit the core role-play theme. These include furries, nekos and fantasy races such as elves.

Soap National Park - World of Soap; Inara Pey, October 2018, on FlickrSoap National Park – World of Soap

The core for role-play in the region is based on the books by Poppy Z. Brite (Billy Martin), the humour from which is also reflected with the regions, as noted above.

A great place for fishing, camping and hunting but beware of the mysterious howls that can be heard late at night beyond the trees. Specially on the night of a full moon.

– Soap Natural Park description, World of Soap website

The World of Soap website provides full details on character types, character creation and role-play rules for those wishing to join the community as players, so I’ll not delve into these further here.

Missing Mile - World of Soap; Inara Pey, October 2018, on FlickrMissing Mile – World of Soap

What I will say is both regions have a lot to offer visually, and present plenty of opportunities for photography, which is welcome within them. I cannot speak for the role-play, although during the three visits name in preparing this article, we did see some people wearing RP tags around the town.

Caught under a foggy sky, Missing Mile has the run-down look of a grunge town that has seen better days. Even so; it is still a township – even if it does have the odd ghost walking the streets and spectres hovering in doorways. Under more open skies, the park offers walks and camp grounds to be enjoyed. However, both also include rental properties for those wishing to make their homes on the region, so do be careful around the houses, etc., to avoid trespass.

Missing Mile - World of Soap; Inara Pey, October 2018, on FlickrMissing Mile – World of Soap

Atmospheric, well designed, with the opportunity for role-play as well as offering a range of events (such as the pumpkin hunt on progress for Halloween), World of Soap is well worth visiting and exploring – and for those looking for new role-play opportunities, it might provide a home-from-home.

SLurl Details

Standing On The Other Side in Second Life

On the Other Side; Inara Pey, October 2018, on FlickrOn the Other Side – click any image for full size

Shakespeare recently forwarded a landmark for On the Other Side, a homestead region designed by Michelle (xxMichelle20xx) and Indriel (Indrielx) – and once again we’re in his and Max’s debt for alerting us to another fabulous region design.

The home of {JAS} main store, reached by teleport from the landing point, the region is beautifully landscaped as a small rural island, one of a number that appear to be sitting just off the coast of a larger  landmass. It’s a magnificently eclectic mix of elements which come together to present a photogenic and engaging setting.

On the Other Side; Inara Pey, October 2018, on FlickrOn the Other Side

The landing point is a tall stone watch tower, looking as if it might have been transported here from the Great Wall of China, and which sits on a sheer-sided table of rock that dominates the island. Three ways off of the rock are offered: the aforementioned teleport up to {JAS}, a zip line that crosses land and water to arrive at a canopied pavilion floating in the air; and a ladder down through the tower, and then via path down the rock face.

Of the two going down, I would suggest taking the ladder and leaving the zip line for when explorations are complete. Doing so will introduce to some of the region’s curios, such as the Star Wars stormtrooper endlessly dancing on behalf of the region (and who will take donations for its continued upkeep).

On the Other Side; Inara Pey, October 2018, on FlickrOn the Other Side

Nor is he alone, as overhead the region introduces a fantasy element into the mix with a dragon caught with hind legs poised either in readiness to make a landing – or ready to grab potential prey. The sci-fi  / fantasy elements continue further out in the sky as well, where what might appear to be Mars slowly tracks around the region. Stay long enough and you’ll see it transform itself into Earth, or you can click on it to change it to one of several solar system bodies.

Northwards from the path leading down from the plateau sits a farm-like setting. Horses graze on the grass, a traditional windmill stands with sails turning slowly. However, it is no longer producing flour from grain; the millstone has been moved down to the ground floor and converted for use as a coffee table, the room now a cosy lounge and kitchen, with the upper floors similarly converted for residential use. However, when walking around the outside walls, do be aware that some of the leaves drifting in the breeze aren’t phantom.

On the Other Side; Inara Pey, October 2018, on FlickrOn the Other Side

The windmill is one of several small residences on the region that add to its stirring of ideas, moving thoughts away from fantasy and sci-fi, and towards more a feeling that the island could simply be a holiday retreat. Like the windmill, the house boat and converted lighthouse are both open to public viewing, but please keep in mind the large house occupying a low-lying isle in the south-west corner of the region is a private home, and avoid the temptation to cross the stone walkway leading to it

Not far from the windmill is a large pond, the home to ducks and swans. It shares the hilltop it is on with a little outdoor refreshments area looking out over the artificial run-off linking the pond with the bay below. Fronted by a narrow curve of beach, the bay offers surfing for the adventurous (the very adventurous, given the great white shark lurking under the waves, perhaps sizing-up his next snack…), or a cosy beach house for those content to sit and watch and / or cuddle.

On the Other Side; Inara Pey, October 2018, on FlickrOn the Other Side

More of the eclectic mix of the region can be found to the south-east and across a stone bridge reached across a narrow channel to a small isle. This is home to Ganesh, sitting at peace on the single hill-top, surrounded by Joshua and palm trees, while down at the foot of the hill African elephants stand on the shore and in the surf. The elephants aren’t alone in being unexpected occupants of the island alongside horses, goats and sheep; there’s also an embarrassment of pandas waiting to be discovered.

There’s also ancient mystique to be found here in the form of an ancient stone circle on a low hill. A place of atmospheric mystery which, given the time of year at the time of writing, holds the suggestion of mystical goings-on.

On the Other Side; Inara Pey, October 2018, on FlickrOn the Other Side

Naturally landscaped and rich in detail, On the other Side has a lot to keep the visitor occupied. There are places to sit and spend time in the region to be found throughout, and those who wish to use props to take photos can do so, as auto return is set to 30 minutes – but do please pick-up props after use. However, do note that access is restricted to avatars of at least 60 days of age.

SLurl Details

Emerging from a Tokyo Street Subway Entrance

Tokyo Street Subway Entrance; Inara Pey, October 2018, on FlickrTokyo Street Subway Entrance – click any image for full size

Update: Dox, the region on which these builds were hosted appears to have been closed or renamed / relocated. SLurls in this article have therefore been removed.

At the start of September 2018 we visited Tokyo Street Subway Entrance, created by Paradox Ivory under her Dox brand (you can read about a past region design of hers here). It’s taken a little while to get around to writing about it, simply because immediately after our visit, I didn’t have the opportunity to hop back for photos – so apologies to Paradox for the delay in blogging.

As the name suggests, the scene is built around a street in Tokyo – one in which the old and the modern combine in what is very much an aural as well as visually immersive setting – one that absolutely must be visited with local sounds enabled (and perhaps played through headphones – just don’t have the volume set too high!).

Tokyo Street Subway Entrance; Inara Pey, October 2018, on FlickrTokyo Street Subway Entrance

Visits commence in a busy subway entrance. PA music pays in advance of trains arriving somewhere further within the station, echoing down tiled halls, the voice of an announcer chasing after the ping-pong tones, even as the rumbling hum of the electric  trains adds a basso chorus to the cacophony filling the air. Anyone who has ever commuted on the subway of any major city during rush hour will instantly recognise the noises.

Turnstiles and a sign point the way up to ground level, where a surprise awaits. Rather than exiting onto the hustle and bustle of a busy city thoroughfare, the steps lead up to a narrow side street, more of a service road than anything, that terminates at the subway entrance. The  majority of the building are between one and three storeys in height, surrounded further out by low-rise apartments, all of which suggests an older part of town. However, the sound of passing traffic weighs heavily in the air, suggesting a busier road is not too great a distance away – perhaps located on the other side of the tunnel at the far end of the street.

Tokyo Street Subway Entrance; Inara Pey, October 2018, on FlickrTokyo Street Subway Entrance

This isn’t the only street here, however. Running parallel with it are two more, each narrow enough to almost be classified alleyways. These are connected to the main street by covered and open walkways,   which combine with them to offer multiple paths of exploration.

When walking them, care is strongly recommended; not because of anything untoward lurking, but because there is far more to see indoors and out, on the “ground” level and up assorted steps, than might appear to be the case. From cafés and snack shops to a little cinema and a roof-top baseball practice area, these streets and alleys present a lot to keep the local residents active and entertained. The detail poured into the scene is stunning; from the street signs to the little gardens and the wandering cats; the ambient sounds, the details tucked away inside some of the buildings…

Tokyo Street Subway Entrance; Inara Pey, October 2018, on FlickrTokyo Street Subway Entrance

Wander far enough, and you’ll find your way to a little shrine, passing typical aspects from a modern Japanese setting along the way. Further depth to the scene is added by entrances and stairways which, although they might not ultimately go anywhere, still give an extra feel that this is very much a place where people live and work. Travel far enough along the narrower roads and alleys, and you might find tennis courts Surrounded by little 2-storey apartment blocks that look as if they might have drawn their inspiration from American roadside motels.

By default, the scene is set under a night-time windlight, something that enhances the distant, haunting hooting of train horns, the scene also works under daylight and evening environment setting particularly well – as I hope some of the images here demonstrate.

Tokyo Street Subway Entrance; Inara Pey, October 2018, on FlickrTokyo Street Subway Entrance

“Vibrant” is a word that can frequently be used to describe a region, parcel or scene within Second Life; but usually when employed, it is to define the overall visual effect that has been achieved. With Tokyo Street Subway Entrance, however, the word takes on its fullest meaning: the setting is alive with the pulse of life wherever you go, sight and sounds working together to present something almost tangible while walking the street, alleys and passages.

Engaging, detailed, beautifully modelled and presented Tokyo Street Subway Entrance packs a huge amount into itself, making a visit – for those who take the time to look down alleys, peek behind doors (not all of them are façades!) and avoid rushing things, it makes for a rewarding visit.

Tokyo Street Subway Entrance; Inara Pey, October 2018, on FlickrTokyo Street Subway Entrance

Time on a Black Bayou Lake in Second Life

Black Bayou Lake; Inara Pey, October 2018, on FlickrBlack Bayou Lake – click any image for full size

Update: Black Bayou Lake has closed. The SLurls have therefore been removed from this article.

Jade Koltai and Serene Footman have a reputation for designing stunning regions (see my reviews of FurillenKhodovarikha, La Digue du Braek and Isle of May to give you an idea, if you’re unfamiliar with their past work). Their designs are  generally inspired by locations to be found in the physical world, and are always a stunning and photogenic mix of beauty, presentation and personal interpretation that are a must-see.

Such is the case with their latest offering, Black Bayou Lake, which recently opened in October. We were alerted to it by friend and photographer AJ (AnyaJurelle). “It’s beautiful!” AJ informed me via IM. “Really well put together!”  And she’s not at all wrong.

Black Bayou Lake; Inara Pey, October 2018, on FlickrBlack Bayou Lake

As is always the way with Serene and Jade, they not only design a region – they provide extensive background information on their inspiration and thoughts on the design through the Furillen website. Doing so adds considerable depth to their designs, and makes visiting any of their regions both visually informative and stimulating in the way they can reveal far off places to us. This is once again the case with this region.

Black Bayou Lake  is located in Ouachita Parish, Louisiana. The lake is part of an 800 acre nature reserve which seethes with wildlife: there are many species of bird, insect, reptile and fish, along with a variety of trees such as cherrybark oak, cedar elm, ash, hickories, willow oak, shortleaf pine, loblolly pine, mockernut hickory and post oak. It’s a stunning place, which attracted us because we had not yet tried designing a sim that consists mainly of water.

– Serene Footman describing the inspiration behind Black Bayou Lake in Second Life

Black Bayou Lake; Inara Pey, October 2018, on FlickrBlack Bayou Lake

Serene notes that not only is the lake alive with wildlife and flora, it can also – thanks to the may denuded trees found in its waters – be a somewhat creepy place. All of this is perfectly captured in the region design, which casts the lake under a darkening, cloud-laden sky, just as the mist is rising through the tall grass and reeds. It’s a perfect look and feel for the time of year, but such is the design of the region it is perfect for photographing under a broad range of environment settings, and I opted to go with a little more daylight with the images here.

To try to describe this raw beauty of this location would be pointless; it has to be seen to be appreciated, such is the love and care with which it has been designed and everything within it has been curated to present a genuinely immersive setting that carries the visitor into the heart of the Louisiana swamplands, revealing both their natural and man-made beauty whilst incorporating many touches we all tend to associate with bayou life, courtesy of natural history programmes and fictional films.

Black Bayou Lake; Inara Pey, October 2018, on FlickrBlack Bayou Lake

The natural beauty is fully evident in the mix of and water in this wetland. Trees and mangroves rise from the water and cling to the more solid grassland areas, the tall grass mixing with reeds along the water’s edge to make is difficult in places to discern where dry ends and wet begins. Birds and water fowl can be seen and heard throughout (it’s absolutely essential a visit has local sounds enabled!), while alligators patrol the waters as a warning to would-be waders.

The man-made beauty comes in the ramshackle nature of the buildings to be found scattered across the land. Run-down, some with once-bright paint now dried and fading with the passage of time, they are both a reminder of the poverty that can be found within the bayou and the pride those living there can take in their lifestyle and ways: airboats, also looking a little aged, sit with engines in pristine working order and fish dry outdoors  in a sign of independent living.

Black Bayou Lake; Inara Pey, October 2018, on FlickrBlack Bayou Lake

One of the cabins also encompasses the mystique of the bayou so beloved of fiction. Within its walls are the paraphernalia of the occult: a pentagram marked on the floor, voodoo dolls suspended from the sealed, tarot cards on (or dancing over) a table where  crystal ball sits… It’s a place hidden behind shrubs among the gnarled fingers of tress pointing to the sky, hiding but nevertheless waiting to be found.

A major feature within the physical Black Bayou Lake, as Serene notes in his blog post, is a raised walkway that allows people to venture out over the lake. This has a distinctive inverted V section rising above the surroundings, and Jade and Serene have included their own version of the board walk, complete with its unusual V section as a part of this design.

Black Bayou Lake; Inara Pey, October 2018, on FlickrBlack Bayou Lake

Wonderfully atmospheric, with careful attention to detail and plenty to discover and photograph, Black Bayou Lake is another visual feast from Serene and Jade. It will, however only be around for a short time – so if you are planning an excursion, do not leave it too long before going.