Category: Art in Second Life

Open through until May 1st at Monocle Man’s Café Gallery (and beyond!) is a selection of art by Danish photographer-artist Prins (Skylog) entitled Celebrations of Life.

I say “and beyond”, because as well as presenting Prins’s work within the two levels of the gallery building, the exhibition offers a number of larger format pieces to be appreciated through the rest of the Monocle Man parcel, allowing visitors to explore what is and engaging setting that might otherwise pass unnoticed when focused on the main gallery spaces.

This outdoor display commences in the courtyard before the gallery building and continues down the steps under the Welcome sign to where a slightly industrial-looking waterfront area sits with solid buildings facing a high wall across a further cobbled square in which sits an outdoor seating area and a vendor selling drinks and ice creams. One of the buildings is home to Lynx Luga’s gallery space – Lynx runs Monocle Man along with Kit Boyd – whilst through the the arch of a red-bricked gatehouse on the far side of the square, a final piece by Prins points the way to a cosy garden, home to a little summer house.

Celebrations of Life is a vibrant, bright selection of pieces primarily focused on landscapes and buildings. They are pictures in which colour is used to bring a sense of vitality to the fore, drawing the observer into each, with the use of angle and focus emphasising points of contact  – delicate red flowers caught in a sea of sun-dried grass here, a stone figure apparently directly addressing the observer there; the graffiti painted across the hulk of a rusting car that makes it as much a part of the landscape as the blooms bursting forth before it or the over-saturation of light that speaks to bright summer days – or colder winter evenings -, and more.

Some of the pieces offer a departure from the rest. Business as Usual, for example, offers a poke at so-called Victorian values; Universal Whales touches on the surreal as a garden-laden whale swims through a pink sky dominated by a full Jupiter.

And then there is the dark beauty of Candles In A Deep Blue World, an utterly captivating piece seen at the top of this article. It stands in sharp contrast to the rest of Prins’s work shown here not just because it presents a – literally – much dark use of colour and tone, but because of the entire combination of colour, composition, angle and narrative make it an utterly magisterial piece in the manner it demands attention. For me, as much as I enjoyed the rest of Prins’s art, stands as the piece that made me particularly want to see more of his work and add his gallery space to my list of places to visit.

As noted, Celebrations of Life will remain in place through until Sunday May 1st, and offers visitors a rich selection of art and an opportunity to explore Monocle Man. Those wishing to extend their visit might also try the teleport station to reach places such as the sky galleries over head, and the exhibitions they may be hosting.

SLurl Details

• Monocle Man Gallery (Flying Fortress, rated Adult)

Art Deco – or simply Deco – is a style of visual arts, architecture and design that we most recognise as reflecting the period of the 1920-1930s. Drawing on the bold geometric forms of Cubism and the Vienna Secession, and the bright colours of Fauvism whilst also incorporating or stylising architecture, design and art from the Far and Near East and South America, Deco influenced the design of buildings, furniture, jewellery, fashion, cars, cinemas, trains, ocean liners and everyday household objects from radios to ashtrays, table lamps, clocks – and even vacuum cleaners. Even today it is still associated with luxury, glamour, exuberance, and faith in social and technological progress.

However, whilst most readily identified with the decades immediately prior to World War 2, Deco actually arose in the years leading up to the First World War. It took its name from the term arts décoratifs, originally coined in the mid-1870s so that the designers of furniture, textiles, and other decoration in France a form of official status. By 1901, the Société des Artistes Décorateurs (Society of Decorative Artists) had formed, and decorative artists were given the same rights of authorship as painters and sculptors.

In 1912 the Société proposed a major international exhibition of art and design should be hosted in Paris. However, such was the scale of the event that the outbreak of the Great War interrupted proceedings, so it was not until 1925 that the Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exhibition of Modern Decorative and Industrial Arts) was held. Running for seven months, the exposition 15,000 exhibitors from twenty different countries, and it was visited by sixteen million people – and the term Art Deco came into popular, recognised use around the world.

Art Deco has also exerted a strong influence within Second Life, where – in keeping with its physical world namesake – it has been applied to buildings, vehicles, furnishings, lighting, decorative items and so on. One exponent of Art Deco is Melusina Parkin, who offers a range of Deco items through her store, the upper floor of which forms her personal gallery space. As a photographer, Melu is highly regarded within SL – and with good reason; her images are among some of the most narratively rich one can hope to witness, as I’ve commented upon on numerous occasions in this blog.

With her latest exhibition Art Deco Fragments, which opened on April 15th, Melu combines her unique perspective for photography with her love of Art Deco to offer a series of marvellous images that allow the stylistic richness of Deco to speak fully and freely. Using her trademark tight focus and angle, she presents elements of Deco (and also, one might say, touches of Streamline Moderne, the art form that grew out of Deco in the 1930s) in a manner that concentrates the eye on specific elements of buildings (use of geometry, glass, metal, lighting, and so on), that give Deco architecture that richness of look and exuberance of design we cannot fail to find attractive as we come across them in both the physical world in Second Life.

Accompanying the exhibition is the first volume of a four-book series Melusina is producing on the subject of Art Deco. As with Fragments, this first volume Art Deco: Building Details focuses on the details found within Deco architecture. Future volumes will look at building exteriors, interiors and the finer details found within Deco interior styling.

Dedicated to the memory of Sonatta Morales, another Second Life resident and Deco / Retro designer, Art Deco Fragments is both another engaging and a personal exhibition from Melusina.

SLurl Details

• Melusina Parkin – Art Deco Fragments (Time Portal, rated General)

I dropped in Kultivate Magazine’s Windlight Gallery in the week, which is recently opened its April ensemble exhibition and – for the time being – is hosting a long-running exhibition by Elise Sirnah on the upper level. The ensemble exhibition opened on April 10th, with the featured artists listed as Jaime Poutine, Carmelia (captainofmysoul resident), Lucas Tiros, Johannes Huntsman, Tempest Rosca and Veruca Tammas.

Occupying the centre and right sides of the exhibition space, these six present engaging mix of art bringing together avatar studies, SL landscapes and physical world art in a combination that immediately captures the eye. In this, I admit to being particularly drawn to the selection by Lucas Tiros, an artist whose work I don’t think I’ve encountered before (he states he’s been absent SL for a number of years and is now just returning, so that could be the reason why).

A professional photographer in the physical world, Lucas here presents ten images in what might be said to be three groups, all of which are utterly absorbing in their content, use of colour, expressiveness and emotion. From portraits through landscape to wildlife, these are ten pieces that carry within them a captivating deep of life and vitality.

While is not to say the work of the other artists is not also worthy of praise and appreciation; all offer much to admire as one come to them, and  – as noted – all six together offer a rich and complimentary mix of art that is guaranteed to please. This is also true of a further group of artists waiting to be found on the left side of the gallery’s lower floor.

Although not listed on the April exhibition advertising (and so might actually be from an earlier exhibit, and so might be subject to vanishing soon), Jamee Sandalwood, Reya Darkstone, Pam Astonia, Kalina Sands, Anouk Lefavre, Jesie Janick and Vanessa James all – at the time of my visit – added a further engaging mix of SL landscapes and avatar studies.

On the upper level of the gallery (again, as she noted above, at the time of my visit) Kultivate presents The Art of Elise Sinah, a selection of predominantly avatar-focused pieces mostly offered as moments-in-time photographs such as might be found in a personal album.

Some are joyous celebrations of life (Dog Walk, Penalty, Coffee, An Oasis), some are considered studies designed to further engage both the grey matter and the emotions (Head in Clouds, Thoughts, Cling, Friend Hugs) whilst other offer a more personal glimpse of life and desires (and for some might be considered NSFW). All, however, are beautifully lit, framed and post-processed to convey their narrative and depth, demonstrating the eye for balance and nuance that marks Elise’s work as both a photographer and region designer.

Two (or three, depending on your point of view!) exhibitions that are well worth viewing whilst they remain available!

SLurl Details

• Kultivate Windlight Gallery (Water Haven, rated Moderate)