A Beloved Poetic Moon in Second Life

Poetic Moon, January 2025 – click any image for full size

Beloved is the name Anu Papp has given to the latest setting presented on her Homestead region of Poetic Moon. Designed by Dandy Warhlol (Terry Fotherington), the setting is – to me, and for various reasons – potentially one of the best he has produced thus far.

There is a genuine and natural flow to the landscape which is captivating, and the placement of building and structure within it, the form of the island, just draws the eye through it, offering both a photogenic beauty and a sense of tranquillity and wholeness with nature, the industrial elements scattered about notwithstanding.

Poetic Moon, January 2025

A creative talent herself, Anu is perhaps best known for founding and leading the Muse Dance Company, however in-world she is also a designer, photographer-artist and builder. These are all talents reflective of her physical life presence and talents, which extend into music, spiritualism, yoga and more, as noted within her Second Life Spotlight article, published in May 2023. All of this is also reflected somewhat within Beloved.

The setting itself forms a rugged temperate island, its coastline mostly cliffs of hardened rock or softer sandstone, the later carved by time and tide into shallow bays or ribbons of low-lying shoreline. Whilst hardly what one might call beachy, the latter offer opportunities to walk alongside the push and pull of the tide, splash through pools of seawater temporarily cut off from the rest of the waters surrounding the island.

Poetic Moon, January 2025

This is a place with a high water table of its own – across its rugged back are two large and one smaller bodies of water (one of which carried subtle hints of perhaps being man-made rather than a natural occurrence. It is close to the largest of these bodies of water that the Landing Point is located (although it is not enforced), and it was on arrival that I immediately felt a comforting sense of Deja-vu; despite it being my first visit to the setting, I felt I knew it. As I cammed around, I quickly realised why: with the windswept ruggedness, the large body of water with a trail running alongside it, Beloved bought to mind an old-time favourite those who are long in the tooth (like me) might recall): Roche.

Now, to be clear, there is nothing intrinsically linking the two designs; in fact when taken as a whole, there are utterly different; but the fact that Beloved did bring memories of my multiple visits to Roche between 2012 and 2015 nevertheless gave me a sense of belonging as I started to explore Beloved.  Many of the buildings scattered across Beloved perhaps aided that sense of the familiar with me, again not because of any similarities with Roche, but because they offered a similar sense of space between them, a space visitors can wander and absorb in quite solitude or in company.

Poetic Moon, January 2025

Anu has a love for the works of Jalāl al-Dīn Muḥammad Rūmī, the 3th-century poet, scholar, theologian and mystic; she quotes him in her Profile and with Beloved, she offers part of A Great Wagon, a poem associated with spiritual growth.  In particular, the verses she has selected offer with might be considered a pivotal truth on the journey to spiritual awareness: that we are not human beings sometimes having moments of spiritual experience; we are spiritual beings travelling through a human experience.

In stating this truth, Rūmī, notes that as humans, we function in dualities: beauty and ugliness; truth and and lies; good and bad; black and white; and this duality of mode is the cause of all our conflicts. But as spiritual beings, we should recognise that nothing is either one or the other; that within the void of being, everything flows – there is no black and white to divide us; no sectioning of thoughts or emotions, we are simply one.

Poetic Moon, January 2025

This is a concept that can get the grey matter working overtime to try to understand – and in this, Beloved is an ideal place in which to consider Rūmī’s words and the notions of self and oneness. As well as the region’s rugged beauty, there are multiple places to sit in contemplation, listen to the local sounds, to enjoy the ebb and flow of the waters surrounding the island – and the ebb and flow of shared company, if desired. Places where we can – as Rūmī might have put it – see beyond our physical bodies and understand our true essence as beings of the spirit.

In acknowledgement of this, and  – if I might be so presumptuous – I would add to Anu’s use of the poem, I would perhaps offer a further quote:

In the body of the world, they say, there is a soul
and you are that.
But we have ways within each other
that will never be said by anyone.
Poetic Moon, January 2025

For those who prefer to focus on the region’s picturesque beauty, there is certainly no disappointment to be had. Dandy’s attention to detail here is superb, with many touches to draw the eye and the camera lens, from the cost interior of the brick cabin by the lake through the egrets gathered above the northern cliffs to the little birds gathered on a powerline  – something which might, except for the absence of a shoebill, put some in mind of a certain Pixar short and thus raise a smile – and more besides.

An engaging and visual setting, ideal for exploration, contemplation and appreciation – kudos to Anu and to Dandy – and my thanks to Susann De Cuir for the hat-tip.

Poetic Moon, January 2025

SLurl Details

  • Beloved (Poetic Moon, rated Moderate)

Michiel Bechir’s Beyond Borders in Second Life

Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir
In 2009 I embarked on my journey as a Second Life photographer.  I like to share the richness of the creations from various sims, by trying to show all their aspects in my pictures. During my in world travels, I encounter numerous individuals from around the globe who share their backgrounds, passions, and interests with me, for which I am very grateful.

– Michiel Bechir

With these words, Michiel Bechir introduces himself – if such an introduction is even required, his work being well known with in the SL arts community as both a photographer-artist and as the owner of his own gallery where he promotes other artists – and his latest exhibition, which opens on January 6th, 2025 at the Hermit Gallery of Saint Elizabeth’s University.

As a fellow traveller across Second Life, Michiel has done much over the 15 years he’s been recording his travels to capture the beauty of many places across the grid, sometimes casting his photographic net wider to include avatar-centric photography. In that time – as do so many of SL’s talents – he has refined his technique and learned to use editing tools with a fine touch in order to enhance his images and imbue them with further sense of mood and/or genre / and uniqueness.

Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir

Within Beyond Borders: A Visual Journey, he offers a selection of his work as both a demonstrations of his art and as a mini retrospective of his photography over the years. And when better than to hold a retrospective than, perhaps the beginning of a new year, thus offering a look back even whilst eyes might be set on the future?

Spread across the gallery’s three levels – with some also out on the roof terrace, the collection is focused on a given theme within each area of the gallery: Animals, History, Landscapes, and Flowers. While the collection is bracketed within the period 2009-2024, the majority of the images lean towards the latter years, being particularly focused on the period 2020-2024. Whilst this is far from a negative per se, I would have enjoyed perhaps seeing a wider spread of images in terms of years, so as to better appreciate Michiel’s evolving style; but this is a purely subjective comment.

Hermit Gallery, Saint Elizabeth’s University, January 2025: Michiel Bechir

As it is, what is presented is engaging and rich display of Second Life photographic art, the use of sub-themes split between the different galley levels allowing each to stand as a mini-exhibition in its own right, and I have no hesitation in recommending Beyond Borders for a visit.

SLurl Details

2025 SL viewer release summaries week #1

Logos representative only and should not be seen as an endorsement / preference / recommendation

Updates from the week through to Sunday, January 5th, 2025

This summary is generally published every Monday, and is a list of SL viewer / client releases (official and TPV) made during the previous week. When reading it, please note:

  • It is based on my Current Viewer Releases Page, a list of all Second Life viewers and clients that are in popular use (and of which I am aware), and which are recognised as adhering to the TPV Policy. This page includes comprehensive links to download pages, blog notes, release notes, etc., as well as links to any / all reviews of specific viewers / clients made within this blog.
  • By its nature, this summary presented here will always be in arrears, please refer to the Current Viewer Release Page for more up-to-date information.
  • Note that for purposes of length, TPV test viewers, preview / beta viewers / nightly builds are generally not recorded in these summaries.

Official LL Viewers

  • Release viewer: version 7.1.11.12363455226. formerly the ExtraFPS RC, dated December 17, promoted December 19 – No change.

LL Viewer Resources

Third-party Viewers

V7-style

  • Alchemy – 7.1.9.2514 (Beta WebRTC build) January 4, 2025 – release notes.

V1-style

  • No updates.

Mobile / Other Clients

  • Radegast client version 2.42, January 3, 2025 – release notes.

Additional TPV Resources

Related Links

Luminara: reflection and introspection in Second Life

Luminara, January 2025 – click any image for full size

Luminara is a Full region lovingly designed by Sedona (Sedona Starchild) to offer the peace and tranquillity of a woodland setting, mixed with touches of whimsy, all of which offer might offer more than first appears to be the case, as the setting’s entry in the Destination Guide hints.

Luminara is a space created with care, where every detail holds a deeper meaning if you’re open to it. You’ll find mirrors, keys, and other interactive elements designed to spark reflection; alongside peaceful surroundings meant to calm the mind. Whether you uncover deeper insights or simply enjoy the beauty of nature, may your time here feel meaningful in its own way.

– Luminara’s Destination Guide description

Luminara, January 2025

However, this description barely scratches the depth of meaning one might find within the region, because this a a setting of a very personal nature. It is both a reflection of Sedona’s journey through life and a visualisation of the kind of questions many (all?) of us may ask when all the noise, bustle and distractions of everyday living fade into the background, and we have the time to contemplate is this all I am?

This isn’t just a virtual space; it’s a piece of my heart, filled with the thoughts and questions that have shaped me. Every detail, every message, holds something I’ve discovered along the way.
I want to be honest: part of me created this space to connect, to feel seen, and to share something meaningful with others. There’s a vulnerability in opening up my inner world, and I’ve come to accept that my motivations aren’t always selfless. But my deepest hope is that Luminara offers you something—a moment of reflection, a sense of peace, or even a little inspiration to take with you.

– Sedona Starchild

Luminara, January 2025

The Landing Point sits on the west side of the region. Close by is a general information board providing hints about exploring the setting, and also a Greeter which should offer you group membership together with a notecard from Sedona. If these are not offered then touch the mirror sitting alongside the tree above the noticeboard. Standing opposite the footpath is a deck with an over-the-water view and a tree of wisdom “sharing insights inspired by Naval Ravikant”.

The path here runs north-south, with another arm running inland. Which you take is entirely up to you: just be sure to keep an eye out for the mirrors and keys along whichever route you take – and other items and creatures offering themselves as advisors or presenting opportunities of reflection, introspection and / or affirmation.

Luminara, January 2025

Whilst contiguous in nature and presenting a  naturally flowing landscape, the region is designed such various locations within it have a sense of privacy and seclusion such that they are both a part of the whole and also apart from it. This is achieved through the use of curtain walls of rock, bodies of water, screens of trees and bushes, and considered use of elevation. EEP settings are also used to offer environments in keeping with aspects of the region – so be sure to have Used Shared Environment checked.

The paths winding through the region will lead you to the majority of the locations to be found within it; however, I’m not going to describe everything the region offers here; a major part of Luminara is that of discovery both in terms of personal discovery through the aforementioned mirrors, keys and advisors, and in terms of the beauty of region itself.

Luminara, January 2025

That said, some of the more obvious areas to look out for include the Luminara swamp with its summer house; the open-air theatre, the music deck built over one of the bodies of water and which has sitting alongside it a modern lounge in the form of the Scarlet Creative Hoxton Loft, while the deck itself offers access to a more secret hideaway for those who can find it.

Elsewhere there are follies where couples and individuals might dance, a hilltop retreat, a terraced pool, and places to sit under trees, on the water, alongside the coastline, most of which will be found as one wanders the paths an trails, whilst the Tatra Dance circle holds a particular magic.

Luminara, January 2025

Throughout all of this are the touches of detail and whimsy which both bring a smile to the lips and perhaps offer further symbolism. The former might be found on the water, where racoons are enjoying themselves with a little skinny dipping (or is that furry dipping?) whilst taking a trip on a little rowing boat. Elsewhere unicorns add a sense of dream whilst deer, foxes, bear  and rabbits might be found throughout the landscape.

The whimsy comes in many forms, some clearly intended to attract attention and stir the brain cells – such as the White Rabbit; others are more curious, such as the figure rising from the water near the music deck – it is simply seeking Seymour, or indicative of disquieting thoughts  and reflections? You decide.

Luminara, January 2025

Finished with a subtle soundscape, Luminara presents an engaging, richly evocative and through-provoking setting with multiple opportunities for discovery and exploration. It is also a place given to evolution as well – and as much about what we put into it as find within it, as Sedona notes. So, ensure your curiosity is engaged with dropping in.

SLurl Details

A Second Life Hooray for Hollywood

Andante Art Galley, January 2025

Just before Christmas 2024, Iris Okiddo (IrisSweet) invited me to visit the latest exhibition she and Jules Neveille (Jules Catlyn) are hosting at their Andante Gallery, entitled Hooray for Hollywood.

This is an ensemble exhibition organised by Iris and Jules, featuring piece by Alsatian Kidd, Angel Kavanagh, Awesome Fallen, Ben J, Carter Holloway, Daimaju Clowes, Inka Enkeli-Neville, Jazz Delenz, Jo Aquacade, Ludi Taurus, Mimi Soleil Firelight, Morgan Talbot, Orion Octane, Partee Mytili, Simone Landes, Sparklebottom Lasertits, Tamara Aristocrat, Tupper Moran,
Valeries Muircastle and Vexx Daines with a piece each form Iris and Jules.

Andante Gallery, January 2025: Hooray for Hollywood
Jules and myself have again asked several photographers to give us their interpretation of a theme. This time we asked the invited photographers to send us a picture that would pay tribute to movies and/or moviestars. This wonderful new exhibition is the result. We are very grateful to all the photographers who have agreed to take part.

– from the introduction to Hooray for Hollywood.

The result is a highly expressive  – and in places humorous – largely avatar-centric series images celebrating some Hollywood’s most iconic films, movie stars and franchises, spread across the two halls of the gallery and the intervening courtyard. Some of the references are all too clear, others perhaps not so much, depending on your knowledge of films and actors.

Andante Gallery, January 2025: Hooray for Hollywood

To go through all of them would spoil the pleasure of seeing them first-hand, but I will say Jo Aquacade’s 188921977 is a beautifully-framed tribute, whilst Alsatian Kidd’s  Iron Man is a very clever tribute to two modern blockbusters; once of which has a soundtrack that sits in my all-time top ten film soundtracks, and Iris Okiddo’s Another Fine Rezz definitely had me smiling.

Bur personal picks aside, all of the pieces are worth taking the time to view, and kudos to all of the participating artists involved – and my thanks to Iris for the personal invite.

Andante Gallery, January 2025: Hooray for Hollywood

SLurl Details

Dropping in to MadPea Unlimited courtesy of LL’s gift

The MadPea Unlimited Hub, January 2025

On Monday, December 23rd, 2024, Linden Lab announced a special holiday gift for all Second Life users: six months access to the upcoming 2025 seasons 1 and 2 of MadPea Unlimited, which commences on January 1st, 2025. After allowing for the initial rush, I hopped over early on January 2nd, 2025 to take a peep at what is on offer.

To recap on the offer: Linden Lab is covering the cost of 6 months access to the MadPea Unlimited premium group, which gives subscribers early access to MadPea’s new games and experiences product releases, gifts, and hunts, as well as access to MadPea’s library of available in-world games and experiences. Subscriptions usually cost L$6,000 for three months – so the total value of this gift to users is $12,000 per person, and the offer runs through until the end of June 2025. An important note with the gift is that is does not require any sign-up or commitment to any on-going subscription; to participate, all residents need to do is hop along to the MadPea Unlimited region from January 1st, 2025 and join the fun.

Become Benoit Blanc (only hopefully without Daniel Craig’s accent!) and find out whodunnit in Merry Mayhem at Frostwood Manor – just make sure you don’t die in the process!

All activities and games are accessed via the Discovery hub. This provides access to all of the current in-world games and adventures, with the Weekly Drops and Monthly Collectables pick-up point lying beyond it (with the first drops of 2025 due on January 8th, 2025). One thing to note is that MadPea utilise SL Experiences, so you’ll have to accept the Experience in order for the games and adventures to work.

Each game / adventure is accessed via a dedicated portal. alongside of each portal is a kiosk offering details of the game / adventure, which includes a general rating for the activity – E for everyone (roughly equivalent to SL’s G rating), M for Mature (roughly equivalent to SL’s M rating) and M +17, indicating it contains themes such as death, murder, etc.). The kiosks also supply the dedicated HUD for a given activity, and provide information on things like the number of achievements / rewards which can be obtained. A HUD might be presented as a direct-wear / add item, or as a package giver that includes the HUD and other items. Note that while a SL Experience is utilised, this does not extend to HUD attachment – you should add them done manually.

MadPea Unlimited activity portals and information kiosks

For January 2025, the activities comprise:

  • Four Escape Room style challenges of varying levels of difficulty and length, comprising Ghostly Goal and Wizard’s Tower and Forsaken Funhouse (all rated E), and Deadly Dungeon (Rated M 17+).
  • Three adventure- style games comprising a horror story called Insidious Island (rated M) and The Kidnapping (rated E), and Jewel of the Nile (rated E)
  • Ascension, a puzzle challenge
  • Two murder mysteries – Merry Mayhem at Frostwood Manor (rated E) and The Naughty List Murders (rated M 17+), the latter forming the latest MadPea addition.
Try your hand at solving puzzles as your ascend the tower

Games are variable in length, the average being between 2 and 3 hours, with Forsaken Funhouse lasting up to around 8 hours. However, this time does not necessarily have to be done all at once, it is possible to leave, detach the HUD and leave, then wear it and return (with The Naughty Murders List, for example, you can add the HUD, open the Mad City map and click on the last location you visited and then resume).

I took a quick run-through of the two murder mysteries, and found the basics to be broadly similar: interacting with static characters who interact with you in both voice and text, as you move through a series of locations seeking clues, your progress and other information recorded on your game HUD. In this I found both a little formulaic – but that’s my fault for running through both mysteries back-to-back, rather than mixing two different game types.

One of the Game HUDs

That said, once involved, I did – as used to be the case when I was a regular at MadPea –  become engrossed in working out who had done what (although in the case of The Naughty List Murders, I believed I’d figured the likely culprit roughly half-way through the game, based on a comment passed by one of the characters, and ended-up continuing to see if I was right – which again is half the fun with whodunits (and it turned out I was right, in part)).

A nice touch is the the majority of the games are geared towards group play, so people can work together on them. Check the information kiosks to conform whether group play is intended – just work in IM with friends. One thing I would say is that given these are still the early days of the gift being available (at least at the time of writing). As such, the games can get busy.

“One thing’s sure. Sebastian Blackwood is dead — murdered — and somebody’s responsible!” (with apologies to MadPea and Plan 9 From Outer Space 😀 )

When announced, the offer of MadPea Unlimited access gather some negative responses through various mediums. Personally, I don’t see the harm; MadPea have always provided engaging entertainment, and an arrangement like this is a nice way for LL to both encourage users to have a little fun and making many who many not be aware of MadPea or have never tried their Unlimited subscription to give them a try; and if that encourages some to support MadPea by taking out a subscription for membership after the gift period ends – that can’t be bad, can it?

Related Information