My works reflect my concerns and my different moods. They are based on my experiences and express a personal sensitivity nourished by impressions from the external world and my internal world. In this latter sense, I like to call them abstractions or ‘mental landscapes’. The works reflect the influences of impressionism, expressionism, abstract expressionism of artists like Jackson Pollock and the informalism among many others.
For this exhibition, Xirana demonstrates this breadth of approach by offering pieces that range from landscapes, to impressionist pieces through to the more abstract.
The majority of the latter are located on the ground floor of the gallery. These are very tonal pieces carrying with them a strong geometric form within them, while the lines and colour offer a sense of informalism to which Xirana alludes in her biography.
The mezzanine level of the gallery contains a range of Xirana’s watercolour landscapes, most of which have a focus on water. Within some there is a hint of abstractionism, whilst one bridges the other six with five pieces that move more towards impressionism in their style, even as they maintain that hint of abstractionism.
Once again, an engaging exhibition presented by Lin that allows us to again share the work of a physical world artist whose work might otherwise remain beyond the reach of many of us.
Shattered Egos is the provocative title of an exhibition of art by Matt (MTH63), which opened on May 11th at the Lin C Art Gallery, curated by Lin Carlucci.
Also known as Matt Thomson in the physical world, Matt is a professional abstract artist and digital designer who, as well as producing some truly fabulous abstract pieces also has a quirky sense of humour, as witnessed by his bio liner notes:
Matt Thomson … approaches his art with innovation, fun and breakfast cereal. Matt believes that art should please the eye and make you feel like a man can paint in a straitjacket. He doesn’t take himself seriously, and his art shows a sense of fun and over dependency on sprouts and curry powder.
– Matt Thompson, describing himself
To use a truism, the beauty of abstract art is oft in the eye of the beholder; or to put it another way, it’s not everyone’s cup of hot brown milky beverage. However, it is among the art forms I particularly enjoy, and I seriously doubt those visiting Shattered Egos will not be captivated by the 20+ pieces Matt presents here.
Rich in colour and contrast, these are pieces that demand exploration and appreciation. Each has a story to tell – and I urge those visiting to allow each picture to tell its story as they see it, before using mouse hover / a right click to reveal the name of each piece. By doing this, the manner in which the narrative may suddenly morph – or perhaps be confirmed – is as remarkable as the shifting, swirling colours present within the art.
I’m not sure why the title Shattered Egos has been selected for this exhibition, but I suspect that it is in reflection of the fact that Matt’s work is ego-free. It’s clear from the irreverence he displays towards himself, together with the sheer expressiveness present in the images, it’s clear that each of these pieces has been created with a love of art and free expression, and not as a means of deep self-expression or personal reflection. Hence why, again in his bio liner notes, Matt quotes Oscar Wilde:
Art is the only serious thing in the world. And the artist is the only person who is never serious.
This further makes this selection of art richly engaging and well worth the time taken in visiting the gallery.
The Lin C Art Gallery, curated by Lin Carlucci, has opened the doors on its April exhibition, featuring as its chosen artist Yumi (Yumanthi), with an official opening event on Wednesday, March 27th, 2019.
Entitled Yumi’s Art, the exhibition presents around 29 pieces, which might be broadly split into three areas, each of which reflects Yumi’s approach to her work.
I am in SL a lot to visit places for photo-shoots of landscapes, people and situations, and show them in my special View. I love to work with light and shadow and special and different colours I use from the viewer tools and other paint programmes.
I love to present my photos in my galleries and other places and am always glad when people enjoy them. I am learning a lot from great artists in SL and my art is a work in progress.
– Yumi, describing her art
The ground floor exhibition space is largely devoted to Yumi’s images of her Second Life travels, providing interesting and in place unusual views of the places she has visited. Above these, on the mezzanine level, is a selection of avatar studies, some of which might be deemed NSFW, and what I can only describe as a series of experiments in colour, some of which border on the abstract, and three of which, depicting scenes involving a mermaid, I found attractive in their bold use of colour and contrast.
An interesting and eclectic mix of images and styles, Yumi’s Art officially opens with music and dancing at 13:00 SLT on Wednesday, March 27th, and runs through until Thursday, April 26th, 2019.
Currently open through until the end of the month at the Lin C Art Gallery is an extensive exhibition of art by Barbara Borromeo (barbaraborromeo), an artist I have admired for her work and style for some time now.
On display are around 27 images by Barbara, some of which have appeared at previous exhibitions (see Barbara Borromeo at Serena Arts, for example), while others appear to be newer pieces – or at least pieces I’ve personally not seen previously. Together, they offer an engrossing display of Babara’s visual styles, from portraiture through fantasy to pieces that offer abstract art or which feature a blending of physical and digital images.
There are so many aspects of Barbara’s work that makes it so captivating that singling out an individual piece from her portfolio can be counter productive; he images need to be seen as appreciated individually to fully understand the breath of her work and the canvas of her imagination.
That said, there are some elements of Barbara’s work that are beautifully exemplified in this exhibition, such as her collage pieces that blend together a number of elements into a single image: a portrait, a background (something themed), as with Enchanted Forest LN, Alter, and Cosmic Woman, which can so often weave a story in the mind.
But even her more “normal” (in terms of capturing a scene) images such as Tuscany Byker OK, present such a rich depth and narrative, its is hard not to become completely bound up in them. I was also pleased to see Words Never Said, a piece I first encountered in August 2018, which is magnificently powerful in its emotional content.
If you have not witnessed Barbara’s work first-hand, then I strongly urge you to go along to the Lin C Art Gallery and witness the power of her work for yourself; I guarantee you will not be disappointed. Awed, yes; but not disappointed.
Now open at the Lin C Art Gallery, curated by Lin Carlucci, is an exhibition by ViktorSavior, presenting a three-part mix of his art, and which makes for an interesting visit.
On the ground floor, and directly inside the main doors, Viktor offers 21 of his physical world paintings of the natural world. I’m not sure of the medium used, although they appear to perhaps be watercolours, they offer wide open views of land, sea and the night sky, with a particular emphasis on mountains, and with a lean towards the use of blue.
Each of the paintings might have been inspired by a physical world location, either personally seen or viewed through image or photograph, or which might be entirely drawn from the imagination. Which they are hardly matters, as each piece has its own story to tell. Expressive of a love of the night, the dawn, mountains (something to which I can very much relate, as I have a love of mountains myself and they are one of the few things I can actually draw in a meaningful way!), and nature as a whole.
These are paintings that, if you give them a chance, will draw you into them, placing you on a windswept coast where the wind and unseen rocks pull the sea into rearing, frothing beasts; where a river winding down through woodland draws you to wonder what lies beyond the mountains from which it has come, or where the night sky beckons from the mountain tops, or the Sun warms a winter’s blanket, and clouds tower into the sky in reflection of the majesty of the mountains below.
Also on the ground floor of the gallery is a series of 18 avatar portraits offered in monochrome and apparently drawn by hand, rather than rendered from photographs. All but four are of female avatars, and all beautifully and simply capture their subjects in a manner not far short of perfect. There is a level of life and emotion within each study that offers a glimpse of possible thoughts and feelings behind the eyes. In a word, they are vibrant in a way perhaps more normally seen in colour images.
This vibrancy continues on the gallery’s mezzanine level, where a further 18 monochrome images are presented, these all full-body images of the male body in motion, most likely dancing at the time the image from which the drawing originated was captured. There is a wonderful sense of dynamic fluidity in each, a grace that speaks of human, not avatar, movement and actions.
The three aspects of this exhibition offer a mix that is rich in its diversity, giving insight into Viktor’s art as eloquent as any biography. There is much to be admired throughout the exhibition, and the paintings are all available for sale. However, were I to be asked, I would have to admit I found myself particularly drawn to the portrait studies, as I found them to be marvellously alive.
The exhibition will remain open through until the start of February 2019.
Now open at the Lin C Art Gallery, curated by Lin Carlucci, is an exhibition of art by Janine Portal. Untitled, it is a fascinating display of art perhaps not often seen in Second Life, utilising animations and prims to present remarkable collage pieces with a surrealist edge that are quite captivating to see.
At first glance 2D art, Janine’s work is actually more complex than a flat prim canvas. By layering elements together and using animations, she creates pieces that not only incorporate motion (something often seen in 2D art in SL) but which can also offer changing perspectives and one cams over them.
I’m a first life artist, but I’ve also been making art in Second Life for a few years now. Visual effects that I could only dream about on paint and canvas can be realized here in prims and textures and, for that, I’m grateful. Sometimes I use my own images in my work, but I nearly always add found images, most of them in the public domain. This sort of visual collage seems to me to be very similar to the musical practice of “sampling.” I find a bit of this here, a bit of that, there, add unique elements and then weave and layer what I have into a new and pleasing whole.
– Janine Portal on her art.
The result is some of the most unusual art and effects I’ve seen in Second Life for a while, each piece offering an unexpected view of what might otherwise appear to be and ordinary scene or photo, or presenting a melding of ideas and / or narrative this is quite engaging.
To full appreciate Janinie’s work, it is essential a couple of recommendations she offers are followed. firstly, set your local environment to CalWL, if possible. Secondly, rather than standing still when looking at her images, gently cam or tilt from side to side to witness the changing collage / effects, even with the pieces that already appear to be animated. If you have a flycam capability using a Space Navigator or joystick, this is really idea to witnessing the changing face of the images.
I could wibble on about the pieces presented in this exhibition, but really, this is art that should be seen to be fully appreciated, simply because of the way in which it has been created and presents itself to the eye. What I will say is that as well as the mobile elements of the art, there is a marvellous blending of styles and ideas, with some images incorporating layers photographs, others offering almost cartoon elements and still others built from what might be almost classically styled paintings, all of which adds further depth to an already intriguing exhibition.
However, the best way to appreciate Janine’s art is to see it first-hand, so I’m going to suggest that you hope along to the Lin C Art Gallery between now and November 13th, 2018 and have a look for yourself.