Three into on at DiXmiX for April and May

DiXmiX Gallery: Oyo

DiXmiX Gallery, curated by Dixmix Source, is currently hosting three exhibitions side-by-side by Second Life artists, all of which opened in April and run through (at least in part) to May. As is always the case with this gallery, the exhibitions are both intriguing and a little frustrating.

First up, and in the foyer area of the Grey Gallery, is I’m a Magic Marker (SquarePegRoundHole69), an artist to whom I was introduced – or her work at least – by Sorcha Tyles. “For me, Second Life is a way to escape into a novel that you write yourself, but with me, the story is generally without a plot,” Magic said at the time of her exhibition at Sorcha’s gallery. “Some images are cathartic, some are just because I like to look at pretty things.”

DiXmiX Gallery: Magic Marker

It’s a point of view that can be applied to the twelve images offered at DiXmiX. Quirky, eye-catching and often featuring bold colours which demand our attention, they present attention-grabbing avatar studies (with a little nudity in places). Some might appear to be straight-forward almost studio style photos (such as “#1” and “#7”); others offer that opening to a story mentioned in passing by Magic, while some evoke echoes of art and artistry from other sources – notably #5 and the wonderfully eye-catching #3 with its hint of a Jackson pollack influence.

Adjoining this in the ground floor Black Gallery is Blanc by Oyo, a series of fourteen quite striking studies, largely of avatars, but also featuring landscapes, in which white – and the title might suggest – plays something of a role almost throughout. Again untitled, given only a number, these are attention-holding studies which although free from narrative, instantly draw one into them each in turn. There is a vibrancy and life within each, beautifully encapsulated in their largely muted tones.

DiXmiX Gallery: Oyo

Most of the images stand as individual pieces, each to be appreciated in its own right. the exceptions to this are “IV”, “V” and “VI” which form an impressive triptych-like trio of images (above),  each on standing as an individual piece, but all three combine perfectly together to form a single and evocative whole; a glimpse of a vacation or favourite coastal place caught in the mind’s eye.

On the upper floor of the gallery, in the White Gallery space, is 12 Photographers and 1 Chair, by Mr. S. As the name implies, this is a set of twelve studies of Second Life photographers – all of them male, and welcome in an age where the camera is still often preoccupied with studies of the female form – seated in an armchair and presented with a glimpse of their own work as a backdrop.

DiXmiX Gallery: Mr. S

Caught in the same lighting, the 12 artists, Yann Whoa, Aran M., Skippy Beresford, Dixmix Source, Terry Fotherington, Gaus, Burk Bode, SL Senna, Moon Edenbaum, Oscar Sabra, Vrir Resident and Serene Footman, all make for intriguing studies; although I did find that in a couple of the images, the supporting “background” image tended to draw my eyes away from the main subject perhaps a little too much. Nevertheless, these are striking studies, and with several, I couldn’t help but feel Mr. S had caught not only the look, but the very essence of his subjects through both their portrait and the selected supporting image.

My frustration, such as it is, lies again with the lack of liner notes accompanying this three exhibitions. With 12 Photographers and 1 Chair in particular, it would have been interesting to get Mr. S’s perspective on his images, and perhaps those of some of his subjects. This (usual) quibble aside, all three exhibits are well worth a visit.

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Out of Here in Second Life

Nitroglobus Roof Gallery: Out of Here

“My images don’t have a bar code, from time to time they scream. Today is the first day of peace though,” Nevereux notes in her Preview to Out of HereNitroglobus Roof Gallery, an exhibition of her work now on display at , curated by Dido Haas. An evocative artist whom I’ve admired through these pages on a number of occasions,  Nevereux offers sixteen images which, as show notes in a mere general introduction to the exhibition, form something of a reflective, emotional journey.

Out of here is despair converted into media with intrinsic meaning and no pretenses,” she sates, “… it’s a spiritual thing, the individual perception of feelings after breakup. We seek in our beliefs sensory encounters, something beyond the words uttered. The words may reverberate subtlety, but the raw feelings, truth, irony and an imaginative point of view wrestle us each moment to create image after image.”

Nitroglobus Roof Gallery: Out of Here

And so we are presented with images of raw emotional depth, each one presenting not a narrative or idea, but a feeling; a response; a desire. All but one are really presented as standalone moments; flashes of an emotional state, a state with which, in all likelihood we can each identify. The exception is Adieux. Beta version, seen at the end of this piece, which conveys emotions through words as well as by image.

Love and loss obviously result in darker feelings – emptiness, loneliness, despair, hurt, and so on. This is certainly the case with the majority of the pieces offered here – but that shouldn’t be taken to mean these are in any way bleak images. Entirely the reverse, in fact. As noted above, these are images that are powerfully and evocatively familiar in their interpretation; so much so that rather than sinking us into bleaker thoughts, they offer a journey – possibly cathartic – through feelings and responses. Some may even offer more than one potential interpretation.

Nitroglobus Roof Gallery: Out of Here

Take Every Song Is A Lament (above, left), for example. Clearly, the title reflects how songs can feel to us when a relationship ends;  that sense of loss, not just of love and companionship – but also a of oneself. This is beautifully framed by the image itself – a body partially dissolved into a trail of feathers leading to an escaping bird. But so to, is there an alternative here: that need to escape; a wish not to feel the hurt and upset evoked by song, and to simply escape.

Similarly, and alongside of Every Song Is A Lament, is Going from Belonging 2 B Longing. Again, the title and the image perfectly convey the idea that there comes a time when a relationship ends – for whatever reason – when we a deeply aware of that shift in state: for a couple (or family) or an individual; we feel more a shadow than a presence. But again, perhaps, there is an alternative metaphor here: when a relationship ends, we are often surrounded by support; and as well-meaning as that support might be, we nevertheless feel apart from it, rather than a part of it. We simply want to fade away and escape it all.

Nitroglobus Roof Gallery: Out of Here

An open display of images reflecting inner thoughts and feelings, Out of Here is an expressive exhibition, one not to be missed.

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2018 Raglan Shire Artwalk: call to artists

Raglan Shire Artwalk 2017: Utterly Wizardly

The Raglan Shire Artwalk is one of the staples of the SL art calendar, and for 2018, it will take place between Sunday, May 13th and Sunday, June 17th, inclusive.

Every year over 100 artists and residents in Second Life display 2D and 3D art across a number of exhibition spaces across all the regions of the Raglan Shire cluster. 2D art is displayed on hedgerows in and around the regions, offering visitors the chance to view pieces as they explore the Shire, while sculptures and 3D art is displayed in a number of designated areas across the regions.

Those wishing to exhibit their work at the 2018 Artwalk are invited to complete the  Artist Registration Form, which should be submitted for inclusion no later than 21:00 SLT on Sunday May 6th, 2018.

General requirements for entry:

  • The event is a non-juried show
  • Artists can display more than one piece if they wish
    • 2D (“flat” art pieces will be awarded a maximum of 15 prims, and individual pictures should be 1 prim, including the frame.
    • 3D art (sculptures, etc.), will be awarded a maximum of 500 prims for up to three pieces of work. Artists are requested to state the number of prims per piece in their application.
    • Sales of art are allowed.
  • Types of art supported by the show are: representations of RL photography, painting, drawing, printmaking, collage, and digital fine art that can be displayed on a prim;  and SL photography, manipulated SL photography and SL sculpture.
  • Pictures of RL crafts, such as beadwork, leatherwork, etc., are not part of the show’s  definition
  • All the above art forms are welcome, but should be rated PG / G – so no nudity, please!
  • Group membership will be required in order to display work
  • Questions and enquiries should be forwarded via note card to Artwalk Director Karmagirl Avro, or Artwalk Assistants Kayak Kuu & Shadow Marlin.

Details on set-up will be sent to participating artists on Tuesday, May 8th, 2018. Step-up commences at 09:00 SLT on Friday, May 11th and runs through Saturday, May 12th. Note that space along the hedgerows in Raglan Shire for 2D art is NOT assigned, but can be taken on the basis of first come first serve. Certain areas of Heron Shire will be designated for sculpture set up and available locations set with a marker.

Key Dates

  • Sunday May 6th: Applications close at 21:00 SLT
  • Tuesday, May 8th: Notification of exhibit space location issued to artists
  • Friday, May 11th / Saturday May 12th: Artist set-up days
  • Sunday, May 13th: ARTWALK OPENS
  • Sunday, June 17th: Artwalk closes
  • Sunday, June 17th (after 18:00 SLT) through Tuesday, June 19th: Takedown of works.

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Of Martin Luther King and Hindu temples in Second Life

Martin Luther King

April 4th, 2018, marked the 50th anniversary of the assassination of Doctor Martin Luther King Jr. To commemorate this, and more particularly his work advancing civil rights through non-violence and civil disobedience, Adams Dubrovna has put together an exhibit entitled Martin Luther King, which is now on display at the Museum of Sacred and Narrative Art.

Across 32 display panels, Adams traces key points in Dr. King’s life, starting with an examination of his education, and concluding with his final public appearance  on April 3rd, 1968 at the Mason Temple (Church of God in Christ Headquarters), at which he gave his famous “I’ve Been to the Mountaintop” address.

Martin Luther King

In 1954 Dr. King became pastor of the Dexter Baptist church in Montgomery, Alabama. In March 1955, Claudette Colvin – a fifteen-year-old black schoolgirl in Montgomery – refused to give up her bus seat to a white man in violation of Jim Crow laws, local laws in the Southern United States that enforced racial segregation. King was on the committee for the Birmingham African-American community that looked into the case – but a decision was made not to pursue it, as it involved a minor.

Then, in December that year, Rosa Parks also refused to give up her seat, and was arrested for “civil disobedience”. The NAACP, working through their local chapter president Edgar Nixon, saw Parks as the best candidate for seeing through a court challenge on the matter of segregation, and she so and Dr. King become central figures in the American civil rights movement, starting with the Montgomery bus boycott.

Martin Luther King

This – together with the bombing of King’s home on January 27th, 1956 (he was preaching at the time) and his own arrest (the first of many) – mark the starting point for the exhibition tracing his civil rights activism.  The panels the trace the key moments in his life and the civil rights movement in chronological order, many of them using Dr. King’s own words. These include the Albany Movement, the Birmingham campaign, the 1963 march on Washington DC,  and the 1965 Selma to Montgomery marches.

Also marked is the King’s place on the international stage (through a look at their visit to India in 1959 and his opposition to the Việt Nam war). Many of the panels include Dr. King’s own words, making them particularly poignant, particularly the excerpt of his April 3rd, 1968 address at the Mason Temple. This reads as prophetic in light of the events that followed on April 4th, 1968. Wisely, the exhibition doesn’t unduly dwell on Dr. King’s death at the hand of James Earl Ray, but rather passes on to some of the monuments erected in his memory in the United States.

Ellora Caves Exhibit

On the floor above Martin Luther King is an exhibition of images and plans of the Ellora caves, one of the largest rock-cut monastery-temple cave complexes in the world, and a UNESCO World Heritage Site. Located in the Aurangabad district of Maharashtra, India. It features Buddhist, Hindu and Jain monuments, and artwork, dating from the 600-1000 CE period.

The exhibition focuses on the latter two: Hindu and Jain temples and art, referred to as caves 13–29 and caves 30–34, respectively. It’s something of a mixed media exhibit, featuring photographs, slide shows and information boards / givers. The Hindu caves form the first part of the exhibit located at the top of the steps from the Martin Luther Exhibition. It is centre on a pair of large format photographs of the Kailasa Temple.

Ellora Caves Exhibit

There is a route around this display – commencing with the early Hindu period, then the Kailasa Temple images, complete with floor plans, and on through the Jian caves and art. The information note cards provide a fair amount of information, although the information buttons on the slide shows might be a little confusing – they provide a landmark to the in-world store for the slide show panels rather than information on the images they display.

For those looking for an exhibition or two with a historical lean, Martin Luther King and the Ellora Caves display could be well worth a visit. The former nicely compacts Dr. King’s life into an easily digestible presentation and avoids reading as preaching. The Ellora Caves display offers some excellent images of the caves, art and temple ruins, although it would be nice to have some form of credit offered for them – even if they are from the exhibitor’s own collection – would add a little more depth for those wishing to do further reading.

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Spirits of the Sea in Second Life

Spirits of the Sea – Serena Imagine Arts Centre

Now open at the Serena Imagine Arts Centre, curated by Vita Theas is a new exhibition of images by Storie’s  Helendale (GlitterPrincess Destiny). Spirits of the Sea is, as with Storie’s previous exhibitions, a themed piece, the images reflecting a thought or narrative.

The core element of this theme is provided via a blank verse Storie’s provides with the introduction to the piece:

In my imagination I felt to create the sense…
… that spirits or ghosts
inhabit the sea
with maybe an untimely demise
never the less they continue with their lives
pieces of memories
as seen through my eyes… or the spirits.

Spirits of the Sea – Serena Imagine Arts Centre

So it is that, under a lowering sky befitting the theme, are more than 20 ethereal piece set out over a foaming sea broken by a rocky shoreline. Twelve of the images are set out either side of two cylindrical walkways pointing out to sea. These give the impression you are perhaps in an aquarium or under the sea, looking out at the images within the waters “surrounding” the tunnels. Ladders at the far ends of the tubes allow you to climb down to the water itself – invisiprims prevent any risk of sinking – so you can walk out over the water to see the rest of the pieces.

Taken as a whole, Storie’s pictures displayed here at first appear to be an eclectic mix. All are very ethereal in tone – again, as befitting the theme of spirits and the departed. However, some suggest memories being recalled – the woman putting washing out to dry; the children playing basketball. Others perhaps suggest past tragedies or illness which led to the people within them becoming spirits, lost to the physical world but still going about their business in the other world of our oceans.

Spirits of the Sea – Serena Imagine Arts Centre

But is their existence a happy one? Again, some suggest being caught in a particular moment – that point of death where, beneath the surface of the waves with lungs aching, that final inhalation has been taken, and the body started on a slow journey into the Deep; the torment of helplessness evoked by wheelchair and straitjacket as fears are manifested in the form of sharks circling.

But not all of the images are dark like this; there is also a sense of friendship continued, a flicker here and there of love, dance, companionship – and waiting. In this the clue to all that is going on within these timeless moments is perhaps encapsulated in another blank verse, rising from the waters close to the landing point.

Your arrival makes us certain
our spirits will remain
preserved
as we breath in your colours.

we … have become so
fashionable
as we sleepwalk past our lives.

In echoed depths
Blended well.

Spirits of the Sea – Serena Imagine Arts Centre

An intriguing, captivating exhibition.

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Kultivate 2018 Spring Art Show in Second Life

Kultivate Spring Art Show 2018

The Kultivate Magazine 2018 Spring Art Show officially opens on Friday, April 6th, and runs through until Saturday, April 14th. This celebration of 3D and 2D art features more than 40 participating artists, with both juried and non-juried art competitions, with those participating in the juried event competing to win a shared prize pot, gift cards, and more.

The event – which is taking place on a specially constructed show area at Kultivate Magazine’s home region of Water Haven – will also feature live performers, two hunts, a photo contest and learning opportunities.

The juried 2D and 3D artists are: AJ, CalystiaMoonShadow, Maaddi, Carly Afterthought, Wintergeist, Wild Alchemi, Sheba Blitz, Chanasitsayo, Eucalyptus Carroll, Avalon Chrome, Erkek DeCuir, Bellissa Dion, Slatan Dryke, Gwen Enchanted, Bri Graycloud, Syphera Inaka, Lala Lightfoot, Aquarius Lowtide,  Dakota Lavarock, Sabine Mortenwold, Pipit Peacedream, FiordiligiDaPonte Resident, KodyMeyers Resident, M8ty Resident, SecondHandTutti Resident, Jamee Sandalwood, Elle Thorkveld, Lucia Tophat,  Silverwind Tzedek, FreeDom Voix,  and Myra Wildmist.

Kultivate Spring Art Show 2018

The non-juried artists are: Eleseren Brianna, Jasmin Currier, Bellissa Dion, GlitterPrincess Destiny, Slatan Dryke, Hana Hoobinoo, aht1981 resident, Johannes1977 Resident, Kimblecoles Resident, M8ty Resident, Mangrovejane Resident, Eviana Robbiani (La Robbiani), Catalina Staheli, iSkye Silverweb, and Veruca Tammas.

Event Schedule

All times SLT.

  • Friday, April 6th, 2018:
    • 08:00: Art Show opens and hunt, quest and photo contest begin.
    • 16:00-17:00: Live Performer Parker Static
  • Saturday, April 7th, 2018:
    • 13:00-14:00: Coffee-house Learning Hour – Beginners or Refresher’s SL Photography with Kaijah Chrome.
    • 16:00-17:00: Coffee-house Learning Hour – Marketing Yourself as an Artist with John Brianna.
  • Sunday, April 8th, 2018:
    • 13:00-14:00: Coffee-house Learning Hour – Using Flickr to the Max with John Brianna.
    • 16:00-17:00: Coffee-house Learning Hour – Basic Photo Editing with John Brianna.
  • Monday, April 9th, 2018:
    • 16:00-17:00: Live Performer Nina Bing.
  • Tuesday, April 10th, 2018:
    • 16:00-17:00: Live Performer Wolfie Starfire.
  • Wednesday, April 11th:
    • 12:00-13:00: Coffee-house Learning Hour – Useful Stuff For Making Art with Eleseren Brianna.
    • 16:00-17:00: Live Performer Lark Bowen.
  • Thursday, April 12th, 2018:
    • 16:00-17:00: Live Performer Melenda Mikael.
  • Friday, April 13th, 2018:
    • 16:00-17:00: Live Performer Dimivan Ludwig.
    • 20:00: Photo contests ends.
  • Saturday, April 14th, 2018:
  • 13:00-14:00: Coffee-house Learning Hour – Copyright & Creative Commons in Photography with Veruca Tammas.
  • 15:00-16:00: Seanchai Library.
  • 16:00-17:00: Awards Event & Closing Party.
  • 20:00: hunt and quest end, photo contest winners announced.

For details on the hunt, quest and photo contest, please refer to the information boards at the event.

Kultivate Spring Art Show 2018

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