Tag Archives: Art in SL

Molly Mirassou’s Studio M in Second Life

Hi, I’m Molly.  I’d like to invite you to my very first gallery exhibition. I am new to the world of SL photography and through a strange and unexpected series of events, I find myself with a warehouse gallery space for a month, and the need to fill it with (hopefully) beautiful things. I hope you can come for a visit!

So reads the invitation I received from Molly Mirassou concerning her first exhibition in Second Life. As I’m always keen to see work by artists who may not have (yet) had the exposure others have gained through their time in SL, I was only too happy to hop across and take a look.

As the invitation notes, Molly’s exhibition, simply entitled Studio M, can be found inside a large warehouse building rather than the more usual gallery space. Seven large format pieces are displayed against the walls, with the floorspace and a raised wooden area occupied by easel-mounted pieces.

The pieces on display is a broad mix, from avatar studies (self portraits, I believe), through architectural and art studies (notably Mistero Hifeng’s sculptures, which Molly has photographed to great effect) to landscapes. Most of the pieces appear to have minimal or no post-processing and simply utilise windlight settings. As such, they are refreshingly clean in style, crisply capturing their subjects.

She may be new to SL photography, but Molly clearly has an eye for subject and angle – something which can clearly be seen in the likes of Burning Cathedral (which I believe is a capture of the cathedral at Chouchou), the untitled Studio m alongside it, and, facing them, the powerfully evocative Enough, which can be seen at the top of this article.

Exhibiting your SL photography can be a daunting proposition – we all harbour doubts and uncertainties about our abilities. Molly, however, shows a definite ability to capture mood and emotion. As such, I’m certain that while this may be her first exhibition, it will not be her last; I’m certainly looking forward to seeing more of her work, and witnessing how her technique develops and the directions in which it might take her. The current exhibition will remain open through until Thursday, March 16th.

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The Photo Game in Second Life

How many words is a picture is worth? Come and view a small selection of photographs by Boudicca Amat and Ricco Saenz. Read what they have both written about each other’s pictures – and then leave your comments, too!

Thus reads the invitation to The Photo Game, an intimate little display of art being hosted at Boudicca Amat’s An Uncertain Destiny (which you can read about here). And when I say intimate – I mean just that: a total of 6 images are offered, three by Boudicca, and three by Ricco.

As the invitation states, this is something of an interactive exhibition: visitors are invited to click the links either alongside or below each piece and read the comments, and also leave comments of your own.

The images by Boudicca have been selected by Ricco, who also offers his own view on each piece – and Boudicca has done the same with the three images she has selected from Ricco’s work. Each offers an analysis of the other’s work based on the approach taken – both technically and artistically – in producing each image.

Given that Boudicca and Ricco are both consummate artists, their comments also form something of an invaluable guide to technique and approach for those of us who are considerably less able in our ability to wield the camera and produce consistent, rewarding results. Thus, while small, this exhibition offer far more than at first might first seem to be the case, and makes for an extremely worthwhile visit. And if you haven’t done so before, take a little time to tour An Uncertain Destiny as well – you won’t be disappointed!

Addendum: you can read more about the exhibition and its future on Ricco’s blog – and it’s a recommended read!

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CioTToLiNa’s rooftop exhibition in Second Life

Art on Roofs: Ciottolina Xue

Art on Roofs: CioTToLiNa Xue

It’s been a while since Caitlyn and I last visited Art on Roofs at Solodonna Land, so it was with some delight I received an invitation to pay a visit to explore a new exhibition by an artist I admire: CioTToLiNa Xue.

I first encountered CioTToLiNa’s work whilst visiting an exhibition on Mistero Hifeng’s work at the same exhibition space (which you can read about here). Since then I’ve been captivated, and always enjoy seeing her pieces on display.

Art on Roofs: Ciottolina Xue

Art on Roofs: CioTToLiNa Xue

Some 20 pieces are presented across the rooftops of Solodonna’s Art on Roofs exhibition area. All are quite exquisite and carry a narrative of their own. Some embody the intimacy of love, others reflect CioTToLiNa‘s cultural / political / ecological interests, others marry 3D work with 2D art – notably the three Moods pieces – as seen in the image above.

Several of the pieces a quite large, such as Lesbian World (below) and pista puzzle chiuso, which are something of a departure from CioTToLiNa‘s earlier work, which has tended towards a smaller scale, as evidenced by most of the pieces on display. I see this as perhaps a sign she is growing in confidence in her technique and ability – and applaud her in more freely expressing herself with these larger pieces.

Art on Roofs: Ciottolina Xue

Art on Roofs: CioTToLiNa Xue

One of the things that particularly attracts me to her work is that the emotional power contained within a piece is so often felt, rather than seen. The eyes may well appreciate the beauty of a piece, but it is within the heart that it resonates, causing to pause or return to it and ponder it again – and even desire it.

The exhibition will remain open through until the end of February, and is very genuinely one that should not be missed by anyone who appreciates art and 3D sculpture in Second Life. Should you be taken by that desire to purchase one or more pieces, they and other items from CioTToLiNa’s collection can be found at her in-world store. This is on three levels, so be sure to see it all.

Art on Roofs: Ciottolina Xue

Art on Roofs: CioTToLiNa Xue

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Mistero Hifeng at Astral Dreams in Second Life

Mistero Hifeng at Astral Dreams

Mistero Hifeng at Astral Dreams

Now open in the gardens and piazza of Astral Dreams is an open-air exhibition by Mistero Hifeng, featuring his 3D art.

Caught is the grip of a frozen winter, the garden and piazza are an excellent setting for Mistero’s evocative pieces, and he has exhibited measured care in placing his work such that it appears as a natural part of the garden, rather than being simply placed within it.

Mistero Hifeng at Astral Dreams

Mistero Hifeng at Astral Dreams

Take Bruciando Ricordi (“Burning Memories” – at the top of this article) for example, as it sits within the slowly rotating cog set into the ground at the landing point. The latter is the first visible sign that Astral Dreams has a strong steampunk influence, but Bruciando Ricordi occupies the centre of the cog as if the two were intended for one another. Meanwhile, the two figures of Veglio su di te (“Watch Over You), which are bent over the piece blend perfectly with the frosted branches and leaves of the tall oak tree shading the landing point, they could almost at first glance be mistaken for tree trunks.

Given the theme of the gardens is that of romance (alongside the steampunk element), Mistero has also selected pieces which offer feelings of passion for the core of this exhibition. Along with Bruciando Ricordi, there is  Ti respiro e ti trattengo rising from the nearby pond, while the stage is dominated by Le ultime frasi degli amanti and Tu hai  l’anima che io vorrei, with La…chiamano realta’ and Aneladam occupying two corners of the dance floor.

Mistero Hifeng at Astral Dreams

Mistero Hifeng at Astral Dreams

This is not an extensive exhibit, but for those who enjoy Mistrero’s work or would like an introduction to his sculptures, it is an ideal one to visit. Should you do so, note that all of the major pieces are for sale, and do be sure to follow the untitled figure of the woman with the umbrella as it sits along the path away from the landing point, over the bridge and to one of the buildings at the edge of the garden – not all of Mistero’s pieces are displayed outside.

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